Sentences with phrase «where alternative art spaces»

Your first show at the Power Station was in 2011 and you founded the space as a way to build up the cultural landscape in Dallas, where alternative art spaces were thin on the ground.

Not exact matches

Using arts - based pedagogies or arts - inquires goes beyond singing the times - tables or watching a topical DVD, it is about framing learning experiences to connect the cognitive with the emotive, to critically examine assumptions, understandings and beliefs, to view things from different perspectives, and create a space for experimentation where alternative views can be explored.

Limitations in some templates; too much wasted white space (would love my work to be displayed much larger); integration of pages to sell prints and / or products with my work on it in pages with the original artwork (lower priced or alternative options for folks who aren't yet ready to invest in fine art); room setting view where customers can see the size / shape of a painting / print in an actual room like over a couch or bed, in a kitchen, etc; greater options in template layout (social buttons and email NL signup at top of page, etc).

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

All alternative exhibition spaces — if they're worth talking about at all — attempt to function in an idealistic mental space, where direct communion with the work of art is paramount.

After several years at the alternative art space LAXART, where she helped produce both the «Pacific Standard Time Performance and Public Art Festival» and «Made in L.A. 2012,» the first biennial to hit Los Angeles, Hunt was tapped by the Studio Museum in Harlart space LAXART, where she helped produce both the «Pacific Standard Time Performance and Public Art Festival» and «Made in L.A. 2012,» the first biennial to hit Los Angeles, Hunt was tapped by the Studio Museum in HarlArt Festival» and «Made in L.A. 2012,» the first biennial to hit Los Angeles, Hunt was tapped by the Studio Museum in Harlem.

The tinny rhythm of the drips — musically scored by artists Tobias Madison, Emanuel Rossetti, and Stefan Tcherepnin — is just one example of the work put on by Dallas's young alternative art space, where the programming teeters on the brink of artistic anarchy and avant - gardism.

Others seek to keep up a program born out of subjective endeavours and shared with a worldwide community: such as LIFE SPORT in Athens, which sells «critical wearables» — the LIFE SPORT joggers — as an attempt to generate alternative arts funding in a time and place where there is none; Opening Times, which is an online - only exhibition platform; Peach, an exhibition space and home in Rotterdam; and I: project space, which fills a gap in the Beijing art scene by presenting video art and supporting artist exchange via residencies.

Only two years earlier, Wilson had opened the alternative art space Franklin Furnace where I met her for a talk about identities, feminisms, collaborations — and aging.

Another was «Macho Man Tell It to My Heart: Collected by Julie Alt,» an exhilarating exhibition of contemporary works accumulated by Ms. Ault, an inveterate alternative - art worlder, organized at SoHo's Artists Space, where, for better and for worse, every show is some kind of departure from the exhibition form.

Now, Higgs is the director and chief curator at White Columns — «New York's oldest alternative art space» — where he's worked with more than 500 artists since 2005 including Luke Fowler, Sarah Anne Lobb, and Judy Linn.

«My mission was to generate an alternative platform, a space where work could be created — music, contemporary art, film, any medium really — that lives independently, without the necessity of a specific place.