These observations challenge the notion that Los Angeles (as a site for art production) existed at that time as a detached, desolate outpost
where artistic influence was neither imported or exported, but existed somewhere else completely.
Most intriguingly, though, they also generate something else: a shadow family tree of the art world,
where artistic influence can be seen transferring from one generation to the next.
Not exact matches
For De Palma, Obsession, Dressed to Kill, and Body Double are less the oft - accused rip - offs of previous Alfred Hitchcock films than rigorous reckonings with a burgeoning postmodern dilemma; not merely the «anxiety of
influence,» to quote literary scholar Harold Bloom, but something more akin to outright agony,
where questions of
artistic lineage from the outside spool the proceedings within into a nightmarish phantasmagoria, the implications of which are still to be unraveled.
It would be pretty cool if they started just hiring straight up translators and did away with the whole concept of «Localization» because to be honest, it seems like a place
where people are using their heavy - handed politics to
influence an
artistic medium they had barely any hand in creating.
Then came Athens, the city I chose to live and work in to this day,
where it comes as no surprise that all these
influences derived from the core of my oeuvre and, surely, my visual lexicon and
artistic practice.
Here is a wonderful example of the nuances of
artistic practice and
influence,
where the innovations of Giotto do not simply succeed the Byzantine tradition, but contribute to a process of dialogue and exchange.
In advance of its 50th anniversary in 2017, the Lisson Gallery is staging a retrofuturistic survey of historical and contemporary British sculpture and installation that questions
where the lines of time,
influence and
artistic inspiration could be drawn or
where they might ultimately lead.
Following the war, Nuvolo moved to Rome
where, in Burri's studio, he began to develop his own
artistic practice, under the
influence of artists who shared his interest in a progressive departure from the use of the paintbrush toward an engagement with unconventional materials and techniques.
In advance of its 50th anniversary in 2017, the Lisson Gallery is staging a retro - futuristic survey of historical and contemporary British sculpture and installation that questions
where the lines of time,
influence and
artistic inspiration could be drawn or
where they might ultimately lead.
This breakthrough was followed in 1975 by a move to Düsseldorf, one of Germany's most important centres for the avant garde,
where he attended the State Art Academy, absorbing the political radicalism of the period as well as a range of
artistic influences.
Titles such as Circuit Landscape give hints to a geographical genesis of the work, taking into consideration Binion's roots in Mississippi
where his family lived and worked on a cotton farm to their migration to Detroit and his father's work within the automotive industry, autobiography was and is clearly a conscious
influence on Binion's
artistic practice.
Stephen Hannock's formal
artistic training began at Bowdoin and led him to participate in the Twelve College Exchange,
where at Smith College he came under the
influence of Leonard Baskin, the renowned sculptor, illustrator, printmaker, and graphic artist.