NoiseTrade is a tribe - building platform
where authors and publishers meaningfully connect with readers through the exchange of free ebooks and audiobooks for email addresses and postal codes.
First, unlike ebook markets such as Amazon and Barnes & Noble,
where authors and publishers basically decide what gets sold in the store, certain mobile application marketplaces (notably, the Apple App Store) use what could be called a curated model.
It's kind of like BookBub in that it is a paid service
where authors and publishers highlight certain titles.
According to the information provided by Hillcrest Publishing Group, Inc., this company provides services through these websites: Published.com is a book directory service
where authors and publishers can promote their work to bloggers, reviewers, a...
Ingram is betting on a future
where authors and publishers are selling e-books directly to consumers via their websites and blogs.
Audiobook Boom is kind of like BookBub in that it is a paid service
where authors and publishers highlight certain titles.
Thanks so much for tuning in to this special spotlight, feature episode,
where authors and publishers just like you, share their experience on what's worked for them.
Unique in the market, Voices is an exclusivity free service
where authors and publishers keep complete control over content, pricing, and distribution.
Keep in mind that not all Kindle books support text - to - speech, just the ones
where authors and publishers have approved it.
With news this week that Amazon has added whole new international markets to its list of places
where authors and publishers can earn a 70 % royalty on ebooks, the rumors and misinformed half - truths have begun swirling again as authors set out to decipher the terms.
But what about a third arrangement
where the author and publisher share the risks?
Some non-traditional publishing houses openly offer «shared - cost» publishing arrangements,
where author and publisher share the costs, control, and income on an equal basis.
It's also an area
where authors and publisher can make huge mistakes and adversely affect future book sales.
Not exact matches
Where copyright led to books being priced as luxury goods in the U.K., the threat of piracy forced German
publishers to produce cheap editions for the masses alongside their premium - priced editions, resulting in a period that Höffner believes may have been the most lucrative ever for
authors — he discovered, for example, that an obscure Berlin chemist earned more in royalties for a tract on how to tan leather than Mary Shelley did for writing Frankenstein — prompting more academics to publish their findings,
and encouraging the spread of practical manuals in fields like medicine, engineering
and agriculture.
In the Christian publishing industry,
where ideals
and the bottom line often collide
and where rejection is a part of the game, it can be especially tempting for both
authors and publishers to cite God's will as a reason for either moving forward with a project or leaving it behind.
That reminds me, I was looking on the Hesperian Foundation website (
publishers of «
Where There is No Doctor»
and other such titles for developing countries,
and which illustrious
author should they be selling in the store but Ina May, «America's leading midwife» (or something similarly gushy).
It could also help novice writers see how their style compares with bestselling
authors,
and give
publishers an indication of
where a manuscript might fit in the market.
This finding comes to prove once again how little we know about the life in caves,
where even in the best prospected areas, one can still find incredible animals» says the lead
author Pavel Stoev, Pensoft
Publishers and National Museum of Natural History, Sofia.
Today marks World Book Day, a day
where we celebrate the
authors, the illustrators, the
publishers and the stories that have brought us all so many fond memories.
The Food Wine Conference is a venue
where we can connect with brands, small businesses,
authors,
publishers,
and public relation agencies.
Our community is a place
where authors can share, receive tips
and tactics for building their books,
and support each other on what we all know is the challenging (yet rewarding) path of the self -
publisher.
NetGalley provides a place
where authors /
publishers can upload their ebooks (ARCs or older titles)
and reviewers can request a copy for review.
Our job as
author /
publishers is to ensure our books are
where the readers are,
and today, the readers have chosen Amazon.
Hybrid models have
publishers pay for some,
where the
author pays for some
and gets a higher royalty percentage.
Something
where the
author retains the eBook rights
and the
publisher pushes the hardcover
and paperback copies.
The worst thing on the planet for me would be
where trad
publishers start paying 50 % or more to their
authors,
and lose their battle with Amazon, only to see their books priced in the weeds.
If Book Expo wants to become a trade show
where authors big
and small can get a chance for their books again, then it has to help
publishers make these major shifts.
He once told me a story about an invitation - only event he attended,
where the Who's Who of
Authors and Publishers had gathered together.
And I don't see
where you get the idea that it is easier to make money going indie than it is traditional, -LCB- to join these organizations you have to earn «x» amount of money over a single calendar year,
where the specified amount for indie
publishers is a * multiple * of the requirement for traditionally - published
authors minimum income, because it is easier to make money by going indie, -RCB- because it is actually harder.
I have seen several books
where the
author and or
publisher have decided to make all of their money on selling a tiny amount of expensive e-books.
Goohreads community for vast site
where authors, artists
and publishers can get the word out about their work.
Mass market goes for like $ 6.99
and the
author makes like 6 - 8 % So when suddenly (in the last 5 years) people are taking a third of sales hit because people think they are entitled to your work for free... you have the situation we have
where publishers are cutting books they buy.
Because the iPad's
and Kindle Fire's full - color touchscreen
and advanced ebook capabilities are perfectly suited for the fixed - layout format, Apple's iBookstore
and Amazon (for the Kindle Fire) are the only places
where authors and independent
publishers can sell fixed - layout ebooks.
Be advised, this is about 5 % as efficient a process as using Amazon's API, but I feel it is a good idea that NovelRank continues to offer solutions for
authors where other websites
and publishers can not provide the information.
I won't deny Amazon has pushed the industry to become much more open to indies,
and has empowered us by giving power to independent
authors and publishers where there was little before, but that doesn't mean we should let Amazon off the hook with nearly anything.
«We've reached a point
where authors and small
publishers can make much more revenue by self - publishing through places like Lulu.com
and are free to experiment in ways big
publishers can't.
Hachette Book Group USA,
where authors include Stephenie Meyer
and Malcolm Gladwell, announced Thursday its support for the agency model, which gives
publishers more control over pricing.
Finally, on a pure process level, I am wary of a world without agents or
publishers: that would mean that you have large booksellers, who have substantial market power, dealing with
authors directly, the vast majority of whom do not have any substantial market power,
and where there are antitrust issues that may arise from collective action.
In 2008, she joined Literary Ventures Fund,
where she worked as a marketing, publicity
and foreign rights consultant with various
authors, agents,
and publishers.
We are a traditional
publisher, which essentially means that we publish titles
where the
author does not pay a cent,
and where we professionally edit, proofread, format in - block text, have covers created, assign ISBNs,
and insert into professional distribution systems.
And covers and how to do them is where things get really spread out in author and indie publisher tast
And covers
and how to do them is where things get really spread out in author and indie publisher tast
and how to do them is
where things get really spread out in
author and indie publisher tast
and indie
publisher tastes.
Our
authors are given everything needed to have a good - looking, well - edited,
and formatted book with a guaranteed push at launch with a free set - up
and an all - inclusive price that takes off
where most
publishers stop.
The majority of traditional
publishers, small, medium
and large, are legitimate concerns
and it is up to the
author to choose
where they want to enter the business.
So
where is the quality control which would make this appealing to these
publishers,
and what incentive is there for the service to make sure it's helping the
authors to sell?
Yet overwhelming numbers of
authors choose the seemingly easier vanity press model
where the
author pays all the bills
and the
publisher makes all the money.
About two - thirds of American adults make stuff using digital social media
and other formats,
and it's become a world now
where anybody can be a
publisher and an
author if they choose to be.
NetGalley for
Authors I started a NetGalley co-op that makes it more affordable for indie authors to participate (NetGalley is a clearinghouse where authors / publisher upload their ebooks (ARCs or older titles) and reviewers can request a copy for
Authors I started a NetGalley co-op that makes it more affordable for indie
authors to participate (NetGalley is a clearinghouse where authors / publisher upload their ebooks (ARCs or older titles) and reviewers can request a copy for
authors to participate (NetGalley is a clearinghouse
where authors / publisher upload their ebooks (ARCs or older titles) and reviewers can request a copy for
authors /
publisher upload their ebooks (ARCs or older titles)
and reviewers can request a copy for review.
Alan Rinzler: There was a piece in the New York Times that Perseus has started a self - publishing division, joining Bloomsbury
and many other companies in offering
authors a self - publishing resource
where they get 70 percent of the royalties
and the
author is the publisher — and they provide some services if you pay for them, just like iUniverse or Exlibris or Author Solutions or Lulu or A
author is the
publisher —
and they provide some services if you pay for them, just like iUniverse or Exlibris or
Author Solutions or Lulu or A
Author Solutions or Lulu or Amazon.
When you mention your book title in a blog post (or anyone's book title) Always hyperlink the title to amazon
and Lachesis Publishing or the web site of the
author you are writing about, or their
publisher's site or any other site
where the books you mention are sold.
A good
publisher will have blogs
and forums
where you can interconnect with fellow
authors.