Sentences with phrase «where big enemies»

This continuous barrage of new enemies meets with my approval, especially while playing the game on the harder modes like Dante Must Die where big enemies that require specific attacks are mixed in with crowds of smaller enemies, creating some brilliant fights as you have to react on the fly to make sure you're hitting the right enemies with the right moves, otherwise you could find yourself in some serious trouble, like sword in the arse trouble.

We live in a time where the biggest enemies of change are the teachers unions.

Not exact matches

This weeks View From The Enemy comes direct from the Official Southampton FC Website, where they give you all the facts and figures and Tells us which Southampton player is Arsenal's biggest danger tomorrow....

It lets Big Boss attach a balloon to enemy soldiers, trucks, tanks, weapon emplacements, even wild animals, then extract them back to Mother Base via aircraft, where they'll become part of the Diamond Dogs army.

This is where Musou games play best in my opinion; with a big army of enemies to pound through with a friend.

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The sequel now gives us a bigger playing field where we are free to approach the enemy as we desire.

One big feature in Shadow of Mordor is the Nemesis System, where each enemy encounter is procedurally generated and unique to everyone, from appearance, to personality type, to strengths and weaknesses, to distinct enemy missions.

This can lead to some stupid glitches where your «team» ambles in front of guards who completely ignore them because you're in stealth mode on the other side of the map, but they are surprisingly decent at gunning down the enemy, though real players are still much more effective.The biggest issue is that your A.I. comrades won't gather up gold or paintings or other objectives of that ilk, leaving you to wander back and forth between the gold boxes and the escape car, for example.

This is where the game takes a different direction to most shmups; the player is given a choice, use up some points to better take down enemy planes and earn back those points or save them up to score big but risk being underpowered.

Most of the time this is hardly a problem as you've got leeway to take as long as you want with puzzles, but in sections where you've got enemies coming at you or need to be fast the lack of smooth, accurate marker controls can be a mite irritating, although by no means do I feel it's as big a problem as some other reviews are claiming.

Yes Little Big Planet is purposefully not a carbon copy of Mario, but if you're explaining the game to someone, you might say «you can kill enemies by bouncing on their head or where ever their weakpoint is» and they might say «Oh like in a Mario game» and you're just going to confuse them by saying «It's nothing like Mario it's more like The Giana Sisters»

One of my biggest problems with Far Cry 3 is the complete disappearance of enemies in areas where I've cleared outposts.

Snake's comment about building an army from his enemies could also be a reference to Portable Ops and Peace Walker, where Big Boss could capture enemy soldiers to fight for his side.

In random games, people where sliced in half by those enemies with big knives as arms.

From here, you command each one of your groups and choose from where they attack, putting a bigger emphasis on enemy weak spots than other JRPGs.

Furthermore, Halo 5 benefits from an abundance of game modes that fans faithful of the series will recognise such as Big Team Battle, SWAT, Slayer variants etc. 343 have gone even further than this and included yet another new game mode called Breakout which is brilliant fast paced game type featuring a while slew of maps exclusive to the game mode itself and consists of rounds where players have on life each and have to take the enemy team out ala Counterstrike.

This is where Musou games play best in my opinion; with a big army of enemies to pound through with a friend.

One could easily imagine this mode in a more competitive setting where both teams engage the big monster and the first to bring it down can move forward to the enemy base.

The player has certain abilities (traversal being the big one), where they can move very fast, they can geta round enemies pretty quickly.

The biggest is a survival mode where you need to fight hoards of enemies until you finally die.

But very quickly, and naturally, my abilities have reached a level where I can take on the some of the biggest, hardest enemies and not feel like I'm out of my depth or being nerfed with enemies that are too easy.

The Art of Inferno now launches multiple fire balls instead of one bigger one, so you're always getting multiple hits, no matter where your enemies are standing.

I eventually had a sweet go - to combo where I was using bear traps to stun enemies, setting them on fire with one attack, and then following up with one more big hit.

There's not just a single player to Bigger and Boulder, there's also some decent offline and online multiplayer modes, including 2 - player co-op across the whole single - player campaign — where you both are able to create your defenses at the same time, on the same course and roll your boulders into the enemy structures.

Remember all the crazy big team battles in Dragon Ball Z where the Z Warriors all fought at the same time against super powered enemies?

Enemies are exactly where they were before, pits are just as big, and Funky's new moves aren't as overpowered as they may seem on paper.

Where the first game enlarged regular enemies, had DK and Diddy bounce on their heads a few times, and called it a day, DKC2 instead presents a more varied and challenging rogue's gallery of big bads, with even those that fall under the «big enemy» category bringing a unique challenge to the game.

Movement also plays a bigger role if Lightning Returns as you can now stagger enemies depending on how there facing and where your facing.

The general rule of thumb is the bigger the enemy, the more of a bullet sponge it is, and that results in a lot of protracted firefights where you're trying to unload as much laser fire into a boss ship as possible.

And here is where his goals descend into simple, bloody revenge — we know this happens, because Big Boss is the final enemy in 1987's Metal Gear, Kojima's debut as director and the beginning of the series.

I remember the witch doctor character in Diablo 3 having a move where you threw jars of spiders at enemies and they grew bigger and deadlier the more you leveled up.

Once the brain is retrained, it's hard to imagine controlling the Skylanders in their world without the ability to jump over enemies and projectiles, especially on the hard difficulty in the latter chapters where bigger Skylander collections to get through a chapter come in handy.

Imagine being that polar bear, having endured a life - threatening swim created by ever - distant ice floes created by our global warming, only to finally find a nice big chunk of ice where he could finally go fishing, only to confront and be murdered by enemy no. 1: mankind, in this case Icelanders.

He's not a big fan of debit cards, because, as he says, they have «become the enemy of the person who doesn't know where their money goes.»