Sentences with phrase «where color spaces»

This is where color spaces and color profiles come in.

Not exact matches

«We wanted to create a space where people were happy coming in to work,» says Longin, who previously studied psychology and color theory at the Art Institute of Chicago.

Of color and open spaces, tired of My twilit world where things silver with thought And grow dry.

To elaborate: consider the formal sentence «x is Ø,» where Ø stands for an ensemble of sense data associated with the alleged substantial entity, x. Let x = «billiard ball,» and we can associate a definite Øb» a set of properties in a descriptive sentence corresponding to sense data in an ensemble actually characterizing a portion of our perceptual space, consisting of things like sphericity, hardness, color, elasticity and the like.

In his terms, when we are not grossly deceived, we are having physical feelings or prehensions of the events in the immediate past in the region of space where we locate the patches of color.

There could be generalizations of Extensive Abstraction applicable to colors and so on, but the particular example he develops concerns space and time, where proceeding from perceived events one achieves points as ideal limits of a series of approximations.

Let them pick some colors, posters, tools, and materials and have some say in where they want their homework space to go.

As we make great strides in safeguarding civil rights for all, we remain committed to creating open, accepting and inclusive spaces in the Bronx where everyone, regardless of color, creed, religion or sexual orientation, can live and thrive.

The massive galaxy cluster Abell 2744, nicknamed Pandora's Cluster, takes on a ghostly look in this Hubble Space Telescope view where the total starlight from the cluster has been artificially colored blue.

Then a large eruption shot the crystals in a stream of water or ice out into space, where they picked up their striking blue color.

Hubble, being a space - based observatory with state - of - the - art spectrographs, can search for the missing colors of light absorbed by the intergalactic gas, particularly in the high - energy ultraviolet colors where the hot intergalactic gas does a significant amount of absorption.

«Prior to the founding of POC Yoga, all yoga studios in the Seattle metropolitan area were overwhelmingly white spaces where people of color frequently felt uncomfortable.

The colors and patterns you choose make your bedroom everything it is; a happy and energetic space where you love to spend time.

Next week I'll take you through how I came up with it's color palette and why I used certain fabrics where to cozy up the space.

Creating a space above your desk where you can put different frames, prints, and colors makes your desk space even more stylish and fun.

The open concept of this space features a living room, dining room and kitchen where we recently placed a splash of both color and pattern over

I wanted a space where I could share all the things I love and use the fonts and colors I wanted.

Featuring bright colors, fun patterns, and well - thought - out details at every turn, it's clear that the Be Inspired / Inspired By This space is an embodiment of the brand itself: a place where the team and guests can celebrate big wins, major milestones, and great design.

Kiwa, a student profiled in Coloring in the White Spaces, asks, «What good is an education that completely diminishes your cultural right to know who you are, what you are, where you're from, and what blood runs through your veins?»

«In other words, they have an awareness of how the classroom can be a racialized space, where microaggression or other kinds of circumstances are detrimental to students of color.»

The Barbara Jackson Scholars Network represents for me a call for institutions and communities to challenge the silencing of scholars of color and simultaneously provide a space where the voices, contributions, and lived experiences of emerging scholars of color are valued.

I recently attended the media preview for the 2018 New York International Auto Show, where candy - colored cars filled the exhibit space.

I just wonder where exactly you've found the figures under «Create Space rates for making print versions of your coloring book?»

After finding the location — a whitewashed, early - 20th - century mansion in the Vila Mariana neighborhood — Mr. Perez asked the architect Felipe Hess to design the seven dorm rooms, two private rooms and multiple common spaces (including a «glass room» with wraparound windows and a low slate roof, where guests are invited to leave their mark in chalk) with a black - and - white color scheme.

The background has been given attention as well; instead of a boring plain color they've gone with a clear class looking out into space where asteroids are lazily floating around.

That said, I'd point to SPACE COLORS as the first real game where I very intentionally used discrete colors to set the tone of the game, discern what's going in heated combat encounters — a top - down space shooter on iOS was not the easiest thing to maSPACE COLORS as the first real game where I very intentionally used discrete colors to set the tone of the game, discern what's going in heated combat encounters — a top - down space shooter on iOS was not the easiest thing to mCOLORS as the first real game where I very intentionally used discrete colors to set the tone of the game, discern what's going in heated combat encounters — a top - down space shooter on iOS was not the easiest thing to mcolors to set the tone of the game, discern what's going in heated combat encounters — a top - down space shooter on iOS was not the easiest thing to maspace shooter on iOS was not the easiest thing to manage.

The perfect game would be called My dad: It would be a shooter where I (and u) go on a journey through space, gritty bland color warfare battlefields searching for my dad but for some reason your also fighting aliens and stopping the US from getting blown up.The game would end with you being inside my dad and fighting tiny robots that took over him and made him leave my mom when she said she was preggo.The game would end with a kinect enabled reunited Hug till you hear a gun shot and the credits roll (got ta setup the sequel now)..

Stop in at Minus Space, a site maintained by Matthew Deleget and Rossana Martinez, where you'll find reductive color in astonishing variety; Geoform, a cyber collection of geometric abstraction, curated by Julie Karabenick; and Color Chunks, John Tallman's utterly quirky view of slab, blocks, chunks and pieces of color, plus his own related color in astonishing variety; Geoform, a cyber collection of geometric abstraction, curated by Julie Karabenick; and Color Chunks, John Tallman's utterly quirky view of slab, blocks, chunks and pieces of color, plus his own related Color Chunks, John Tallman's utterly quirky view of slab, blocks, chunks and pieces of color, plus his own related color, plus his own related work.

This lost origin is fantastically reimagined at the end of the gallery spaces, where we glimpse brightly colored sculptural miniatures in an impossible dollhouse of abstract art.

The new gesture is more reminiscent of the early Barnett Newman zips, where he still allowed the color to feather across the soft boundaries and experimented with space.

In this case, low - key violets and greens along the edges set up an expectation of deep space in the center, exactly where an incandescent swath of yellow — by far the warm ¬ est, most saturated area — thrusts to the surface, asserting color, light and flatness as dominant concerns.

In 2014 they set up two exhibition spaces, Art House in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this article.

Proving the painting's flatness with frontal shapes or solid stripes must have seemed superfluous or monotonous to him; he wanted movement; he wanted your eyes to dance and skitter across the painting, where the ground might be mottled or solid, where the shifts of color and surface pull you closer, where the space between the planes and vibrate or smolder, where color intensities vary considerably.

In works like Darkytown Rebellion (2000), the artist uses overhead projectors to throw colored light onto the ceiling, walls, and floor of the exhibition space; the lights cast a shadow of the viewer's body onto the walls, where it mingles with Walker's black - paper figures and landscapes.

Gradually, de Crignis came to focus on the color blue, primarily ultramarine blue, aiming to «bring the blue onto a level where it becomes totally neutral... (so that the paintings) are just catalysts to create the space and the light.»

Jane Callister's «Santa Fe» and Kevin Appel's «Living Room with Oranges» evoke a sense of space where strong graphics and color dramatically capture moments in time.

Whilst in Hear, There, Where the Echoes Are (2016), beams of light and color pour into the space and over visitors through a kinetic installation of sound and light, with five projectors synchronized to the rhythm of a drum score, showing a more performative aspect of Rosa Barba's work.

During the mid-1910s, Sloan summered in Gloucester, Massachusetts, where he began to move away from his urban scenes and dark colors, instead focusing on landscapes that employed a brighter palette and condensed distorted space.

With an inimitable touch and shimmering layers of bold color where time and space seem to mingle and collide, Yu Yasuda depicts dream - like landscapes and a fluid, painterly world liberated from existing notions of space and time.

From expressionist human figures in the 1980s through to still lives in the 1990s, his work has evolved into austere canvases: fields of color in space where elliptical figures refer back to his earlier still lives.

Layers of electric colors organically bleed and drip into new ones, creating psychedelic zones where space and time collide and form new visual wormholes to crawl into.

The result is paintings whose vibrating color space, where image and afterimage interact, recall the utopian optical constructivism of painters like Wojciech Fangor, as well as the meticulously Photoshopped, if blithely neutered, color field photography of younger artists like Cory Arcangel.

The «Coloring Café» will be a free and open space where anybody and everybody can paint, making their own contribution to Happy City.

Chihuly's artworks will bring forward an extraordinary experience in the newly opened space, inviting audiences into a wondrous kaleidoscopic world, where all can enjoy a miraculous feast of color, light and form.

Her work exists in a state of flux, hovering in a space between fluid technique and measured stillness, where each object is animated by color and light.

In Johanna Winters» recent exhibition, Culling the Herd, the works were installed in such a way that evoked the comfortable space of a backyard clothing line where the prints are hung with clips and seemingly cheerful in color, drawing in the viewer.

the works were installed in such a way that evoked the comfortable space of a backyard clothing line where the prints are hung with clips and seemingly cheerful in color, drawing in the viewer.

Layers of electric colors organically bleed and drip into new ones, creating psychedelic zones where space and time collide and form new visual wormholes.

While this term is often associated with American painting, specifically Abstract Expressionism and Color Field painting, Declaring Space addresses this concept from an international viewpoint, blurring national labels for a set of spatial themes that were evoked in abstract art in the latter half of the twentieth century, where the boundaries of traditional pictorial space were crossed and a new realm of abstract theater was engSpace addresses this concept from an international viewpoint, blurring national labels for a set of spatial themes that were evoked in abstract art in the latter half of the twentieth century, where the boundaries of traditional pictorial space were crossed and a new realm of abstract theater was engspace were crossed and a new realm of abstract theater was engaged.

Joe Fucigna, Joan Grubin, Levan Mindiashvili, and Jo Yarrington will transform the gallery into space where one moves through warm fields of fluorescent colors, referencing historical and current issues.