Sentences with phrase «where contemporary works»

It's the first presentation viewers see when they enter the fifth floor where the contemporary works in «America is Hard to See» are exhibited.

The exhibition begins in the museum's ground floor galleries and courts and continues in the China galleries on the second and third floors, where contemporary works can be seen alongside traditional art from the museum's collection.

Wild Style invites the viewer to experience the exhibition in a horizontal as opposed to a vertical manner, where contemporary works of art stand as equals with works from different cultures and periods.

Not exact matches

«It is a generous gesture which seems to recognise that Catholics are valued participants in the civic life of contemporary Scotland, where we seek to work with others in advancing the common good.»

Douthat and Salam's youth» they're among the brightest lights in the next generation of conservative writers» gives them a new perspective on the contemporary political scene, allowing them to step out beyond traditional conservative fixations on tax cutting and limited government» where the supposed Reagan solution is always the correct solution» and to offer incisive criticisms of how the Grand Old Party's ideology frequently serves as a blinder to effective policies for the working class.

Again and again in reading the works of these and other critics of the role of technology in the contemporary world, one comes upon the claim that at the core of the modern dilemma is the association of scientific and technological rationality with power, control, and domination — where these are seen as operative both in the natural and social realms.

There are few theological schools where these groups do not compete for the students» interest and time, where some members of the former group do not feel that the scholarliness of theological study is being impaired by the attention claimed for field work and counseling, where teachers of preaching, church administration and pastoral care and directors of field work do not regard much of the theological work as somewhat beside the point in the education of a minister for the contemporary Church.

We have also worked most recently to develop large contemporary food halls where many brands of restaurants are located under one roof, with an extreme emphasis on creativity and high quality.

My work persona is actually a more individualistic version of me than the one I present socially, where I usually introduce some more relaxed, contemporary elements: jeans and a vintage or retro top, for example, instead of a full - on vintage - inspired ensemble, complete with full skirt, heels and accessories.

Surprisingly the contemporary music works in most instances however there is one or two times where the much more modern contemporary music seems out of place.

The more problematic Men at Work suffers from the same screenplay overcompensations, to the point where one wishes Estevez sought out Wise's contemporary, Billy Wilder, for advice instead.

Like the works of Voltaire, a contemporary of the times the film is set, and to whom the film pays constant homage, the tone is one of a comedy of madness, so grim and uncanny at times that it transcends misery to the point where one can only view some of the events as dastardly ironic and bleakly humorous.

The unit, where students work to find solutions to bushfire problems, incorporates an aspect of a new Geography syllabus — focused on the impact of a contemporary bushfire hazard — with a STEM unit.

«They should have the same conditions as their contemporaries who study through the medium of English, where there is no interference in the original work.

She is a graduate of the Columbia Publishing Course and has worked at Trident Media Group and InkWell Management, where she worked closely with leading voices in contemporary literature.

Once the site of a large industrial complex, MACRO (Museum of Contemporary Art Rome) sticks out in a city where it's hard to find a museum containing works less than a millennium old.

Experience life inside the rooms and suites where feminine colors work alongside the finest materials to create a level of comfort that can only be defined as contemporary luxury.

Among the highlights are the Bathurst Regional Art Gallery, a contemporary collection three hours west of Sydney, a tour of Bundanon on the south coast, where Australian artist Arthur Boyd lived and worked, and the Broken Hill Regional Art Gallery in the Outback, which shows a collection of Australian colonial works.

Players in Dead Maze take on the role as one of the few remaining survivors, who have to work together to stay alive in a ravaged contemporary world where death lurks around every corner.

They give you a chance to get out of the isolation of the studio, rub elbows with successful pro artists and motivated collectors, and get a solid overview of the current state of contemporary art and where you and your work stand in relation.

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

Their massive collection of contemporary art, which includes works by Jean - Michel Basquiat, Keith Haring, Damien Hirst, Jeff Koons, Cindy Sherman, Kara Walker, and Andy Warhol, is housed in a 45,000 - square - foot private museum in Miami, where they often unveil new shows during Art Basel Miami Beach every December.

For ten years he worked at the London Institute, now the University of the Arts in London, where he was responsible for developing the London Institute Gallery where he built an exhibition programme showcasing the work of outstanding students alongside leading contemporary artists, designers and photographers including Julian Opie, Richard Deacon, Nicola Hicks, Mike Leigh and Tom Hunter.

One of Pakistan's most influential contemporary artists, Naiza Khan (born 1968) captures the experience of living and working in Karachi, where everyday life is affected by natural disaster, urban migration and political struggle.

She was the recipient, in 2012, of a Working Artist Project grant from the Museum of Contemporary Art of Georgia, where she had a solo show in the spring of 2014.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

The John Moores Painting Prize winner 2014, Rose Wylie, 82 is the subject of a major new exhibition at Turner Contemporary's ground floor Sunley Gallery, where they will be exhibiting a group of paintings and works on paper.

From 2008 to 2013, Sheridan worked as director of exhibitions and publications at Mercer Union, a recognized center for contemporary art in Toronto, where she has subsequently curated numerous well - received presentations and exhibitions by artists including Pierre Leguillon (2012), Aleksandra Mir (2011), and Sol LeWitt (2010).

Her annual Signal Culture residencies began in 2014 and continue in 2018 The artist's single - channel video works and multi-media installations have been exhibited throughout the USA, Europe, Australia, and Japan, including MOMA, PS1, The Whitney Museum Art, The Kitchen, Postmasters and New Math Gallery, The Bronx Museum for the Arts in NY, MOCA / GA, the Fay Gold Gallery, and The Atlanta Contemporary Art Center where she mounted a large - scale interactive installation environment, «A Thousand Plateaus» in 2001.

Christine Eyene is a Research Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by Lubaina Himid MBE artist and Professor of Contemporary Art at UCLan.

Instead of resigning herself to plan B, Kasper, 35, pitched an idea to the curators of the Whitney Biennial that would solve her problem and earn her a coveted spot in the contemporary art show: setting up shop in the Manhattan museum, where she could work, interact with patrons, and store her belongings for the show's three - month run.

Works by African American contemporary artists from Alabama, Tennessee, Georgia, Mississippi, and Florida will be presented in six spaces at the museum where the institution's permanent collection is usually on view.

Earlier on, I was separating those two ideas in my mind and in this new dialogue with the work and coupled with the contemporary moment where I feel like my body is forcibly reinscribed back into the paintings; it just had to claim that space.

The event is presented in collaboration with the African art museum where the New York - based artist's work is included in the exhibition «The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists.»

Gingeras is an independent curator as well as holding an adjunct curatorship at Dallas Contemporary, where she most recently curated Black Sheep Feminism: The Art of Sexual Politics, which examined the work of four radical feminist artists from the 1970s: Joan Semmel, Anita Steckel, Betty Tompkins, and Cosey Fanni Tutti.

Christine Eyene is a research fellow at the University of Central Lancashire (UCLan) where she is working on a project led by 2017 Turner Prize winner Lubaina Himid, a professor of contemporary art at UCLan.

He then spent some time in Chicago, where he worked as a guard at the Museum of Contemporary Art.

Fresh off a January appearance at Art Los Angeles Contemporary — where his colorful, geometric works at Galerie Christian Lethert inspired selfies — Eiben will be featured at Art Cologne's New Positions sector this month as one of the 14 young, emerging artists specially selected by the fair for solo presentations.

Not surprisingly, the artist's early influences can be traced more directly to European artists than to his American contemporaries in New York, where he had previously worked from 1946 to 1949.

David Joselit worked as a curator at The Institute of Contemporary Art in Boston from 1983 to 1989 where he co-organized several exhibitions including «Dissent: The Issue of Modern Art in Boston,» «Endgame: Reference and Simulation in Recent Painting and Sculpture,» and «The British Edge.»

White's work is, for me at least, really at the center of certain things going on in contemporary abstraction that i am still trying to understand, for instance the problematic issue of the self and how much it is invested in the work, or even where / how / if the self is.

Susette Min is currently the Assistant Curator of Contemporary Art at The Drawing Center where she is currently working on exhibitions with Margaret Honda (opening March 25, 2004), Richard Tuttle, and artists from the Viewing Program.

Where is the Madness that You Promised Me will be introducing a new body of work inspired by the contemporary world and encompassing citations, collages, recycling and references to various sources.

After closing a gallery he ran on 56th Street in Manhattan from 1964 to 1966, where he showed contemporary art and Oriental rugs, Mr. Siegelaub, still in his 20s, presented the work of artists who would become some of the core members of what would be termed conceptual art, like Douglas Huebler, Joseph Kosuth and Lawrence Weiner.

Her work has been included in national juried exhibitions, at venues such as Louisiana's Ogden Museum of Southern Art, New Orleans Contemporary Art Center, River Oaks Art Center, and at LSU's Student Union Gallery, where she was awarded first place at the 20x20x20 National Compact Exhibition.

Rocío Aranda - Alvarado is the curator at the Jersey City Museum where she organizes exhibitions of historical and contemporary art, drawing on the permanent collection and work by established and emerging American artists.

From 2008 - 2010 she worked at the Contemporary Art Department of the Museum of Art, Rhode Island School of Design, Providence, RI, where she curated a series of solo and group exhibitions for New Media Gallery.

Like a city, the design offers an organic, heuristic encounter with the Foundation's works and my hope is that it will become a place where artists and the wider community can be inspired to realize their own dreams through a meaningful experience with contemporary art.»

She's from Chicago and people think of her as a Chicago - based gallerist — the primary artists on her roster were the Chicago Imagists, so she showed Christina Ramberg, Ray Yoshida, Jim Nutt, Gladys Nilsson, Roger Brown, and Ed Paschke — but when I went to work for her she had a space on Greene Street, where she showed contemporary art on the ground floor and outsider artists simultaneously in a basement gallery.

He currently lives and works in Dyer, Indiana, where he and partner Linda Dorman ran the (now - defunct) respected contemporary art space, Uncle Freddy's Gallery.