Sentences with phrase «where curated exhibitions»

Widely traveled and looking to bring new types of programming to the msueum, Kholeif was most recently senior curator at the Whitechapel Gallery in London, where he curated exhibitions including «Fiona Banner: Stamp out Photographie» and «Electronic Superhighway: From Experiments in Art and Technology to Art After the Internet.»

She previously served as associate curator at Pérez Art Museum Miami (PAMM) for five years, where she curated exhibitions including «John Dunkley: Neither Day nor Night,» «Adler Guerrier: Formulating a Plot,» «Iman Issa: Heritage Studies» and «Nari Ward: Sun Splashed,» a mid-career survey of the artist's work.

Harris was previously the Assistant Curator at the DePaul Art Museum in Chicago, where he curated exhibitions including Sonja Thomsen: Glowing Wavelengths in Between (2015), The Sochi Project: An Atlas of War and Tourism in the Caucasus (2014), and Studio Malick: Portraits from Mali (2012).

She was curator at Fundación Jumex Arte Contemporáneo between 2011 and 2014, where she curated exhibitions of artists such as James Lee Byars... + more

Cosmin Costinaş is curator at BAK, basis voor actuele kunst since early 2009, where he curated the exhibitions I, the Undersigned by Rabih Mroué; Expo Zero (together with Boris Charmatz and Martina Hochmuth); and Surplus Value by Mona Vătămanu and Florin Tudor.

She is the former Curator of Exhibitions and Projects at Modern Art Oxford where she curated exhibitions by Barbara Kruger, Josh Kline, Lynn Hershman Leeson and Christian Boltanski, among many others.

She previously held the position of Senior Curator at the Contemporary Arts Museum Houston from 1999 to 2008, where she curated exhibitions that include Andrea Zittel: Critical Space and Subject Plural: Crowds in Contemporary Art, as well as Wishing for Synchronicity: Works by Pipilotti Rist.

From 2013 to 2016 she was Chief Curator at KW Institute for Contemporary Art in Berlin, where she curated the exhibitions «Fire and Forget.

From 2013 - 2017 she was the Director of Murray Guy, New York, where she curated exhibitions of work by gallery artists such as Moyra Davey, Zoe Leonard, and Alejandro Cesarco, among others.

Meg also maintains a curatorial practice, formerly as Exhibitions and Programming Director at Weinberg / Newton Gallery (Chicago, IL) where she curated exhibitions focused on issues of social justice in partnership with organizations.

From 1991 - 1998, she was curator at the MIT List Visual Arts Center, Cambridge, MA where she curated exhibitions of contemporary art and wrote the accompanying catalogues.

Five 19th - century warehouses live on as more than 9,000 square feet of exhibition space where curated exhibitions and site - specific installations reflect the global nature of contemporary culture.

The historic Hill Building has been re-imagined to showcase more than 10,500 square feet of exhibition space where curated exhibitions and site - specific installations reflect the global nature of contemporary culture.

From 2009 to 2013, she was Associate Curator at the Museo Tamayo where she curated exhibitions of Monika Sosnowska, Michael Stevenson, Pia Rönicke, Amalia Pica, and Carlos Amorales.

He formerly served as the Weisenberger Fellow in American Art at the Indianapolis Museum of Art, where he curated the exhibition Venetian Views: American Works on Paper.

He has been in residencies across the country for the last seven consecutive years, most recently as an artist - in - residence at Project Row Houses, Houston, where he curated the exhibition eco, xiang, echo: meditations on the african, andean & asian diasporas.

In 2004 she held the position of Curator at Kunsthalle Basel, Switzerland, where she curated the exhibition «Flesh at War with Enigma» (with rediscovered postwar Polish sculptor Alina Szapocznikow in dialog with four international contemporary artists).

Their collection is now partly accessible at the two exhibition spaces, where they curate exhibitions in collaboration with some of the world's best artists, curators, museums and galleries.

From 2003 until 2010, he was the director of Tate Modern, where he curated the exhibition Sigmar Polke: History of Everything (2003), with the close involvement of Sigmar Polke.

This was followed by periods of work at the media art gallery Weisser Raum in Hamburg and in Palma de Mallorca, where she curated an exhibition with video works from the collection of the TW - Stiftung Hamburg.

Featuring a contribution by Ruth Fine, a former curator at the National Gallery of Art where she curated an exhibition of Martin Puryear's work in 2008, the catalog «Martin Puryear: Multiple Dimensions» was published to coincide with the exhibition of the same name.

He was previously director of the Museo de Serralves in Porto, where he curated the exhibition Robert Morris: Films and Videos / Bodyspace Motionthings (2011), and numerous others, with Ryan Roa.

Not exact matches

The multi-floor exhibition led visitors from the ground floor to the ninth and back finally to the third floors where additional works, installations, and apartments were curated by invited neighborhood organizations.

Welcome to Art Provocateurs Week, in collaboration with Art Alliance, where we interview artists who are a part of the Shepard Fairey - curated «The Provocateurs» exhibition during Lollapalooza.

From 2008 to 2013, Sheridan worked as director of exhibitions and publications at Mercer Union, a recognized center for contemporary art in Toronto, where she has subsequently curated numerous well - received presentations and exhibitions by artists including Pierre Leguillon (2012), Aleksandra Mir (2011), and Sol LeWitt (2010).

2012 Roberto Paradise Josh Lilley Gallery, London, United Kingdom Pasiones Contemporaneas, Museo de Arte de Ponce, Ponce, Puerto Rico, curated by Maria de la Serna The Way In Popular Center, San Juan, Puerto Rico Curated by Io Carrion Someone Else's Dream, Hyde Park Art Center, Chicago, IL, Curated by John Mckinnon Idealizing the Imaginary, Oakland U. Art Museum, MI (catalogue) Chiquitolina La Quince, San Juan Puerto Rico, Curated by Jorge Roman Handler, Western Exhibitions, Chicago, IL, Curated by John Rippenhoff Michelle Grabner: The Inova Survey Inova, UW - Milwaukee, WI, Curated by John Rippenhoff Where My Cocurated by Maria de la Serna The Way In Popular Center, San Juan, Puerto Rico Curated by Io Carrion Someone Else's Dream, Hyde Park Art Center, Chicago, IL, Curated by John Mckinnon Idealizing the Imaginary, Oakland U. Art Museum, MI (catalogue) Chiquitolina La Quince, San Juan Puerto Rico, Curated by Jorge Roman Handler, Western Exhibitions, Chicago, IL, Curated by John Rippenhoff Michelle Grabner: The Inova Survey Inova, UW - Milwaukee, WI, Curated by John Rippenhoff Where My CoCurated by Io Carrion Someone Else's Dream, Hyde Park Art Center, Chicago, IL, Curated by John Mckinnon Idealizing the Imaginary, Oakland U. Art Museum, MI (catalogue) Chiquitolina La Quince, San Juan Puerto Rico, Curated by Jorge Roman Handler, Western Exhibitions, Chicago, IL, Curated by John Rippenhoff Michelle Grabner: The Inova Survey Inova, UW - Milwaukee, WI, Curated by John Rippenhoff Where My CoCurated by John Mckinnon Idealizing the Imaginary, Oakland U. Art Museum, MI (catalogue) Chiquitolina La Quince, San Juan Puerto Rico, Curated by Jorge Roman Handler, Western Exhibitions, Chicago, IL, Curated by John Rippenhoff Michelle Grabner: The Inova Survey Inova, UW - Milwaukee, WI, Curated by John Rippenhoff Where My CoCurated by Jorge Roman Handler, Western Exhibitions, Chicago, IL, Curated by John Rippenhoff Michelle Grabner: The Inova Survey Inova, UW - Milwaukee, WI, Curated by John Rippenhoff Where My CoCurated by John Rippenhoff Michelle Grabner: The Inova Survey Inova, UW - Milwaukee, WI, Curated by John Rippenhoff Where My CoCurated by John Rippenhoff Where My Cones At?

As NYPL's senior art librarian she curates exhibitions and events at New York Public Library where she has initiated several exhibition and program series featuring the work of emerging and renowned artists, authors, critics, designers and others.

NEW YORK - «Histories of Sexuality» situates Wynne Greenwood's work in proximity to two programs from the New Museum's past that focused on sexuality and gender in then - recent video works: «HOMO Video: Where We Are Now» (1986 — 87), curated by William Olander, and the video programs associated with Marcia Tucker's «Bad Girls» exhibition (1994), curated by filmmaker Cheryl Dunye.

The exhibition was curated by Caitlin Jones for Western Front, Vancouver (where it appeared last fall), and organized for The Kitchen by Tim Griffin and Lumi Tan.

About Catherine J. Morris: Catherine Morris is the Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum where, since 2009, she has curated and co-curated numerous exhibitions including We Wanted a Revolution: Black Radical Women, 1965 - 1985; Judith Scott - Bound and Unbound; and Materializing Six Years: Lucy R. Lippard and the Emergence of Conceptual Art.

Curated Exhibitions 2017 Dreams, Community and Individual Voices - Spoken Through Symbolism, guest curator, Saint Louis Art Museum's Danforth Collection, St. Louis, MO 2016/2017 Sinew: Female Native Artists of the Twin Cities: Artistry, Bloomington, MN, Tweed Museum of Art, Duluth, MN 2016 American Art: It's Complicated (co-curated), Minnesota Museum of American Art, St. Paul, MN 2016 Synthesis: Paintings by Aza Erdrich, All My Relations Gallery, Minneapolis, MN 2014 Rosalie Favell: Relations, All My Relations Gallery, Minneapolis, MN 2014 On Fertile Ground, All My Relations Gallery, Minneapolis, MN 2014 Where I Fit, All My Relations Gallery, Minneapolis, MN 2013 Found, All My Relations Gallery, Minneapolis, MN 2013 Make it Pop, All My Relations Gallery, Minneapolis, MN 2012 Indian First, All My Relations Gallery, Minneapolis, MN 2012 Ded Unk» Unpi — We Are Here, All My Relations Gallery, Minneapolis, MN, Minnesota History Center, St. Paul, MN 2012 The Hopeman Family Collection, All My Relations Gallery, Minneapolis, MN 2011 Mni Sota: Reflections of Time and Place, All My Relations Gallery, Minneapolis, MN, Mayo Clinic, Rochester, MN, Mille Lacs Indian Museum, MN, Nash Gallery University of Minnesota, Tweed Museum of Art, Duluth, MN.

Where the Sand Worm Slumbers Curated by Adam D. Miller and Devon Oder of The Pit: Exhibitions & Editions from Los Angeles February 28 - April 11, 2015

The final chapter, Living Labor (2013), which was produced for the artist's solo exhibition at the Pérez Art Museum Miami, and will be shown at the Palais de Tokyo and Institut français» off - site exhibition in Chicago, curated by Katell Jaffrès and entitled Singing Stones, is sited in New York, where five undocumented workers tell of exploitative working conditions, indignity, and invisibility in the United States.

He was curator at the Institute of Contemporary Arts (ICA), London from 2007 to 2010, where he curated and organized exhibitions and events including Nought to Sixty, Talk Show (with Will Holder), Calling Out Of Context (with Jamie Eastman), Cosey Complex (with Maria Fusco), Billy Childish — Unknowable But Certain (with Matthew Higgs) and Chto Delat?

, An Adventure in Conceptual Art (2013, Generali Foundation, Vienna, Austria); Gestures of the mind (La Verrière, Brussels); A Universal Exhibition, documentary section (Louvain - la - Neuve biennale, Belgium, 2013), Curated Session # 1: The Dora Garcia Files (Perez Art Museum, Miami, 2014), There was a time in the Past where the Future was Present (Museum of Art and History, Saint - Denis / Paris, 2014), Ma'aminim, The Believers (Tranzitdisplay, Prague, 2015).

From 2009 to 2010, she served as Curatorial Director of X Initiative, New York, a year - long experimental non-profit space where she curated numerous exhibitions including solo shows by Keren Cytter, Luke Fowler, Hans Haacke, Christian Holstad, Derek Jarman, Mika Tajima, Tris Vonna - Michell and Artur Zmijewski.

Rebecca Lewin is Exhibitions Curator at Serpentine Galleries, London, where she has curated shows including DAS INSTITUT, Michael Craig - Martin, Duane Hanson, Pascale Marthine Tayou, Cerith Wyn Evans, Ed Atkins, Martino Gamper and Wael Shawky.

For six years, she was director of Visual Arts and curator at Mains d'Œuvres, a multidisciplinary space in the north of Paris where she curated over 30 exhibitions.

Features over 40 artists from across generations, including Ian Cheng, Heman Chong, Andrea Fraser, Jonas Mekas, Rachel Rose, and Amalia Ulman, this latest iteration applies the same ethos where visitors are encouraged to engage with and take ownership of the artworks, curating their own collections and directly impacting the exhibition landscape.

From 2008 - 2010 she worked at the Contemporary Art Department of the Museum of Art, Rhode Island School of Design, Providence, RI, where she curated a series of solo and group exhibitions for New Media Gallery.

He has been director of SPACEX, Exeter from 1999 — 2005, where he curated more than fifty exhibitions and projects focussing on socially - engaged and context - led ventures.

He has curated numerous exhibitions for art institutions including the Addison Gallery of American Art, the Museum of Contemporary Photography, the Wadsworth Atheneum, the Weatherspoon Art Museum and the Hyde Park Art Center, where he has served as a board member since 2000 and the Chair of the Exhibitions Committee exhibitions for art institutions including the Addison Gallery of American Art, the Museum of Contemporary Photography, the Wadsworth Atheneum, the Weatherspoon Art Museum and the Hyde Park Art Center, where he has served as a board member since 2000 and the Chair of the Exhibitions Committee Exhibitions Committee since 2008.

Curated by Karim Crippa, the exhibition press release, written by Penny Rafferty, describes a speculative future where life on mars is ruled by a matriarchal system that respects the arts and leaves behind «the macho matter and their binary tech gadgets» of patriarchal earth.

Gallery artist Danny McCaw's work was including in Converge: Where Classical & Contemporary Art Collide 2012 — a group exhibition at 25CPW Gallery in New York City curated by Allison Malafronte.

Erin was a curator at The Bronx Museum of the Arts from 2005 — 2009 where she curated collection based and annual Artist in the Marketplace (AIM) exhibitions.

At the Swiss Institute in New York, where he served as Director from 2000 - 06, Wahler curated large - scale exhibitions with artists including Urs Fischer, Takashi Murakami, Jim Shaw, and Jutta Koether, and established initiatives to encourage collaboration amongst artists and leaders in fields as disparate as urban planning, chemistry, and sociology.

Curated by MOCA Director Jeffrey Deitch and Associate Curators Roger Gastman and Aaron Rose, the exhibition will trace the development of graffiti and street art from the 1970s to the global movement it has become today, concentrating on key cities such as New York, Los Angeles, San Francisco, London, and Sao Paulo, where a unique visual language or attitude has evolved.

Prieto also curated an exhibition with Direlia Lazo and Gretel Medina of «site - specific interventions... that re-configure, deconstruct, re-interpret, re-contextualize and confront the physical and intangible heritage» in the abandoned Vedado Bicycle Factory, where multimedia talents like Pierre Huyghe, Ryan Gander, and Abraham Cruzvillegas installed a range of lyrical pieces.

Curated by Paton Miller, the now fourth year of this popular exhibition continues to celebrate 29 new artists, honors the collectors who have supported them, and marks Southampton Arts Center as a home where the East End arts scene can continue to thrive.

Previously she held curatorial positions at the South London Gallery (SLG), the Institute of Contemporary Arts (ICA) in London and the Hayward Gallery in London where she curated film, performance and exhibitions, and commissioned new works by artists including Juliette Blightman, Michael Smith, Bonnie Camplin, Kapwani Kiwanga, Jill Magid, Lis Rhodes as well as the group exhibitions Last Seen Entering the Biltmore (2014) and independently Duh — Art and Stupidity (co-curated with Paul Clinton) at Focal Point Gallery (2015).