Sentences with phrase «where drawing and sculpture»

My practice emphasizes the intersections where drawing and sculpture, stasis and motion, and the functional and nonfunctional intermingle.

Not exact matches

The Museum is located opposite the Japanese American artist's former home and workplace for most of his career, where he created drawings for many installations, beautiful large sculptures, and projects for gardens, furniture, and other forms of art.

Where: Los Angeles Miles from highway: 5.8 Another must - see museum in Los Angeles, the Getty Center displays its collection — from pre-20th-century European paintings, drawings, and sculpture to 19th - and 20th - century American, European, and Asian photographs — in pavilions around a central garden.

You're welcome to focus on drawing or performance or ceramics or sculpture or painting or all of the above, so it's a highly mixed environment where disciplines are really butting up against one another and blurring between one another.

In 1965, Walter Hopps organized a solo exhibition of the artist's sculptures and drawings at the Pasadena Art Museum (now Norton Simon Museum) in California, where the artist completed a residency at the Tamarind Lithography Workshop the same year.

Born in Silver Spring, Md., Norment lives and works in Oslo, where her multidisciplinary practice includes sound, installation, light sculptures, drawing, performance and video.

He continues to live in New Orleans and serves as an Artist in Residence at the University of New Orleans where he teaches sculpture and drawing.

His work has been presented at numerous museums, among them the MAXXI in Rome, where he presented his seminal work Stigmata, Actions and Performances (1976 — 2013), and The Years of the Hour Blue: Drawings and Sculptures (1977 — 1992) the Busan Museum of Art in South Korea in 2013.

Palmieri has an extensive background in the arts; she studied visual art and architecture before attending the Fine Art Academy of Urbino, where she focused on painting, drawing, and sculpture.

In 1963, Mapplethorpe enrolled at Pratt Institute in nearby Brooklyn, where he studied drawing, painting, and sculpture.

Ruth Asawa, an artist who learned to draw in an internment camp for Japanese - Americans during World War II and later earned renown weaving wire into intricate, flowing, fanciful abstract sculptures, died on Aug. 6 at her home in San Francisco, where many of her works now dot the cityscape.

Parallels between the development of a city and a self are drawn in the center of the sculpture, where a small screening area shows a series of video episodes made in collaboration with Coralie Rouet.

He received his training at the Rhode Island School of Design where he studied classical drawing, painting, sculpture and anatomy.

Although he originally planned to study medicine, Barney instead ended up attending the prestigious Yale University School of Art, where he began work on his long - running, multi-part video, drawing, and sculpture suite Drawing Resdrawing, and sculpture suite Drawing ResDrawing Restraint.

She has had solo exhibitions at the Isabella Stewart Gardner Museum, where she was Artist - in - Residence in 2014; the deCordova Sculpture Park and Museum; the Zimmerli Museum at Rutgers University; The Drawing Center, New York; Kunstmuseum Bonn, Germany; and the Beatriz Esguerra Gallery, Bogotà, Colombia.

He teaches at Tyler School of Art where he is Associate Professor and Chair of the Department of Painting, Drawing, and Sculpture.

Drawing upon social - sculpture practice where other strategies have failed, Saro - Wiwa advances different ways of knowing about the Niger Delta and its global implications while prompting a reconsideration of the parameters of contemporary «Afropolitan» identities — a term coined in 2005 by writer Taiye Selasi to describe the transnational experience of a new generation of globally mobile Africans.

The New York Studio School is where drawing, painting and sculpture are studied in depth, debated energetically and created with passion.

Where the End Starts features his key paintings, sculptures, drawings, toys, and advertisement interventions to examine KAWS's prolific career in depth, revealing critical aspects of his formal, co

Tatiana Trouvé produces sculptures, drawings, and installations, which limns the boundaries between mental and physical where time, space and memory converge.

Sturtevant's first solo exhibition has been held in 1965 at the Bianchini Gallery in NY where she showed, beside Jasper John's flags, Oldenburg's soft sculptures, and a Rosenquist drawing, Warhol's Flowers, a series of silk - screen prints that he revealed to the audience a few weeks before [2].

Leonid Lerman was born in Odessa, Russia, where he studied drawing and sculpture at the Odessa School of Art and the Professional School of Mosaics and Woodcarving.

Combining painting, sculpture, and found objects, Prouvost draws us into a shifting terrain where we lose our grasp of words and meanings, while the objects around us seem to gain theirs.

The drawing shows a cave - like interior where terrazzo floors, pools of light and diagonal shadows of trees and totemic sculptures provide a space for reflection.

Even where massive sculptures and neon, pop - art prints threaten to draw your attention elsewhere, Larry Clark's black and white prints from his Tulsa portfolio, which lead the exhibition chapter «Raw War,» are alluring, provocative, and unavoidable.

Her work exists at the intersection of sculpture, drawing and architecture where her formal interest in light, air and movement is coupled with an intuitive understanding of colour and texture.

Devree, Howard, «Picked by Critics: Selected American Paintings Since 1900 — Watercolor Annual — Abstraction», New York Times, 24 February, section 2, p. 9 Art Digest (New York), 1 March, volume 26, p. 19 McBride, Henry, «By Henry McBride: Glasco changes, too», Art News (New York), April, volume 51, no. 2, p. 47 Fitzsimmons, J, «Whitney Annual: many talents, few commitments», Art Digest (New York), April, volume 26, pp.6 - 7 McBride, Henry, «No exit at the Whitney: New American watercolors, drawings and sculpture make a controversial cross-section», Art News (New York), April, volume 51, no. 2, pp. 36 - 37 & 64 Hess, Thomas B, «The Modern Museum's fifteen: Where U.S. extremes meet», Art News (New York), April, volume 51, no. 2, pp.16 - 19 & 65 - 66 Devree, Howard, «Modern Museum has Varied Show: «Fifteen Americans» Paintings and Sculpture, Will Open to the Public Tomorrow», New York Times, 9 April, p. 25 Devree, Howard, «Diverse Americans: Fifteen in Museum of Modern Art Show — New Work by Nordfeldt and Laurent», New York Times, 13 April, section 2, p. 9 More, Hermon, Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings, catalogue, Whitney Museum of American Art, New York Miller, Dorthy C, 15 Americans, catalogue, Museum of Modern Art, drawings and sculpture make a controversial cross-section», Art News (New York), April, volume 51, no. 2, pp. 36 - 37 & 64 Hess, Thomas B, «The Modern Museum's fifteen: Where U.S. extremes meet», Art News (New York), April, volume 51, no. 2, pp.16 - 19 & 65 - 66 Devree, Howard, «Modern Museum has Varied Show: «Fifteen Americans» Paintings and Sculpture, Will Open to the Public Tomorrow», New York Times, 9 April, p. 25 Devree, Howard, «Diverse Americans: Fifteen in Museum of Modern Art Show — New Work by Nordfeldt and Laurent», New York Times, 13 April, section 2, p. 9 More, Hermon, Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings, catalogue, Whitney Museum of American Art, New York Miller, Dorthy C, 15 Americans, catalogue, Museum of Modern Art,sculpture make a controversial cross-section», Art News (New York), April, volume 51, no. 2, pp. 36 - 37 & 64 Hess, Thomas B, «The Modern Museum's fifteen: Where U.S. extremes meet», Art News (New York), April, volume 51, no. 2, pp.16 - 19 & 65 - 66 Devree, Howard, «Modern Museum has Varied Show: «Fifteen Americans» Paintings and Sculpture, Will Open to the Public Tomorrow», New York Times, 9 April, p. 25 Devree, Howard, «Diverse Americans: Fifteen in Museum of Modern Art Show — New Work by Nordfeldt and Laurent», New York Times, 13 April, section 2, p. 9 More, Hermon, Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings, catalogue, Whitney Museum of American Art, New York Miller, Dorthy C, 15 Americans, catalogue, Museum of Modern Art,Sculpture, Will Open to the Public Tomorrow», New York Times, 9 April, p. 25 Devree, Howard, «Diverse Americans: Fifteen in Museum of Modern Art Show — New Work by Nordfeldt and Laurent», New York Times, 13 April, section 2, p. 9 More, Hermon, Annual Exhibition of Contemporary American Sculpture, Watercolors, Drawings, catalogue, Whitney Museum of American Art, New York Miller, Dorthy C, 15 Americans, catalogue, Museum of Modern Art,Sculpture, Watercolors, Drawings, catalogue, Whitney Museum of American Art, New York Miller, Dorthy C, 15 Americans, catalogue, Museum of Modern Art, Drawings, catalogue, Whitney Museum of American Art, New York Miller, Dorthy C, 15 Americans, catalogue, Museum of Modern Art, New York

She was previously a curator at The Drawing Center in New York City, where she co-directed Open Sessions, a two - year residency / exhibition hybrid program organized with local, national, and international artists, supporting drawing practices in relation to film, architecture, sculpture, music, and other Drawing Center in New York City, where she co-directed Open Sessions, a two - year residency / exhibition hybrid program organized with local, national, and international artists, supporting drawing practices in relation to film, architecture, sculpture, music, and other drawing practices in relation to film, architecture, sculpture, music, and other fields.

This brainy show uses drawings, installations and sculptures to explore the idea that society has become «increasingly governed by rational thinking and scientific methodology» — through maps that offer «different accounts of the same territory» and an installation that appears to change shape depending where the viewer is standing.

Strikingly beautiful, her wire sculptures and wall drawings project optical experiences where questions of perception and misperception lead to further examination of the impact of twenty - first century technology on the arts.

In 1978, the American art collections were transformed by the decision of John D. Rockefeller III and Blanchette Hooker Rockefeller to donate their renowned collection of 110 paintings, 29 drawings, and 2 sculptures to the Fine Arts Museums of San Francisco where they would be on view at the de Young.

This all - encompassing experience leads into the exploration of a parallel cosmos where sculptures and drawings give added depth to this unfamiliar and at times surreal reality.

Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).

In advance of its 50th anniversary in 2017, the Lisson Gallery is staging a retrofuturistic survey of historical and contemporary British sculpture and installation that questions where the lines of time, influence and artistic inspiration could be drawn or where they might ultimately lead.

KIEFER RODIN As part of the Rodin centenary, new works by the German artist Anselm Kiefer respond to sculpture and drawings of Rodin in a show organized with Paris's Musée Rodin, where it went up first.

His latest drawings and sculptures search for those in - between spaces where void and the dividing line interact and coexist.

Teetering on the cusp of ordinary perception, David Harrison's paintings, drawings and sculptures present a world where the natural and supernatural go hand in hand.

From the outset his art was based on space and a constructivist organisation, which led to works of great formal rigour, where drawing, painting and sculpture were integrated into a spatial dimension that was architectural in scope.

Over the past few years Hazem Harb has developed a multifaceted practice, where he has worked with painting, video, drawing, sculpture and installation.

Where previous monographs have focused on a single genre within the artist's vast output, this stunningly illustrated survey encompasses his entire oeuvre, now stretching across more than a half - century of activity, including photo - paintings, abstracts, landscapes and seascapes, portraits, glass and mirror works, sculptures, drawings and photographs.

The importance of this practice and its parallel relation to Whiteread's sculptural work are reflected in the layout of her current workspace where a dedicated drawing studio is detached from the sculpture studio.

Using a variety of media — including photography, drawing, collage, and sculpture — as well as acts of alteration and appropriation, Something With Birds In It conjures a visual environment where anticipated meanings are called into question and in which contradictions and nonsense point to other kinds of truths.

With this shift we are also invited to consider new emergent themes in Reid's work: Claude Lége, Director of the Musée de Patrimone à Barthete de Boussan, remarks that there are parallels to be drawn between Reid's new sculptures and «the resin casts of Marvel superheroes, or plastic children's toys... «The resulting body of work is healthy and robust where humour is present, but does not exclude thought or transcendence».

Since graduating from the Glasgow School of Art in 1991, where he majored in environmental art, Shrigley has produced over 7,000 works, including drawings, sculptures, films, and spoken - word albums.

Dividing his time between Paris and a studio in Belle - Île, where reproductions of works by Pierre Bonnard, Paul Klee, and Pablo Picasso were tacked on his wall, Kelly produced a stunning variety of works, from extensive studies and drawings to mixed media paintings and small - scale relief sculptures.

As Pesenti says, Whiteread's drawings are «a place where painting and sculpture meet.»

Along with the more traditional mediums of painting, photography, drawing, sculpture, conceptual, video and performance art we also encourage the submission of sound, text, spoken word, dance, comedy, cooking, large scale painting... As a new century begins and the last still informs every move we make an anxiety of where we are takes many forms from the personal to the political.

In fact, Katz, whose parents were of Russian origin, and who grew up in Queen's, emerged in 1950 from art school where he had produced detailed drawings of classical sculpture and painted from life, into a hysterical New York where the new heroes of abstract expression, Jackson Pollock and Barnet Newman, were throwing everything up in the air and riding a wave of popularity.

Now he has a spectacular show at the New Museum, called «Night and Day,» where crowds of people murmur quietly while respectfully examining his appealing paintings, drawings, and sculptures.

Also in the exhibition is Benicia Bench, 1991, a cast of the sculpture commissioned by the city of Benicia, California - where Arneson was born and died - accompanied by a series of working drawings.