Stimulated by existential queries and investigations into what - ifs, each one of his artworks acts as a vessel to tell a new story, all collectively fitting into an overarching narrative
where fictions and realities collide.
«It has been a unique and uncanny pleasure to recreate an iconic film concerned with authenticity in the very location of Vertigo, and to learn about the «ghosts» haunting both museums, providing ample material for a project questioning identity and representation, in this era
where fiction and reality have become increasingly blurred», states Lynn Hershman Leeson.
Not exact matches
Shortly thereafter, in 1992, just as Berners - Lee's World Wide Web had come to fruition, Neal Stephenson was inspired by the recent invention, which led to him publishing Snow Crash, a science -
fiction novel that illustrated much of today's online life, including a virtual
reality where people meet, do business,
and play.
Fiction could be combined with
reality and imaginations
where as life of Last Prophet Muhammad is TRULY based on realistic facts
and no Muslim would deny that, no matter if he / she is practicing Muslim or non-practicing Muslim.
Resnais constantly blurs the line between fantasy
and reality shifting the actors from the couch
where they watch the filmed play so that they take an active role within stylized dreamlike scenes,
where the
fiction of the play becomes their
reality.
Creating a space
where dreams,
reality, fantasy, politics,
fiction, non-
fiction and other seemingly disparate concepts intermingle with one another, the film is a serene, meditative experience
where anything feels possible.
Back in 1997, Michael Douglas
and Sean Penn starred in a film called The Game,
where Douglas was put through his paces in a live - action role - play that intentionally blurred the line between
fiction and reality.
Director R.J. Cutler, who comes out of documentaries,
reality TV («Flip That House»)
and series television («Nashville»), has succeeded with «If I Stay»
where several recent movies taken from teen - aimed
fiction have come up a little short.
Commercial for Wood House This science -
fiction tale plunges the reader into a future
where reality and technology blend imperceptibly,
and a teenage girl must race to save the world from a nano - revolution that a corporation calls «ReCreation Day.»
He is currently working on a series shot in Sweden, The Forest, which explores the dichotomous relationship between photography
and painting, the «sweet - spot»
where perceived
reality and fiction meet.
The culture of L.A. as a city
where the boundaries between
reality and fiction are often blurred is explored in a variety of ways by each creator.
«The installation will consist of elements that are placed in proximity to one another; these elements consist of recognizable
and unrecognizable signs which in the context of an installation become a kind of juncture between the world of
reality where things have meaning
and the world of
fiction where all meaning is an illusion.
This disquieting exchange of looks between the work itself
and the public, the symbolic reduction of man to eye, is one of the central themes of the American artist's work, focused on the relation between the individual
and a virtual dimension
where the boundaries between
reality and fiction become blurred.
Rider, Path
and Vehicle, PSM, 2017
Where do you see a link between
reality and fiction in your work?
Reflecting on multi-dimensional scapes
where notions of analog
and digital are merged to an extent
where new
realities are presented; the exhibition eliminates the juxtapositional gaps of context between abstraction
and representation, fact
and fiction, volume
and flatness.
Robert Hengeveld is an installation
and media artist whose work explores the boundaries between
reality and fiction,
and where we find ourselves within that relationship.
Citing examples
where musical lyrics become instigating factors to real - life violence, Violette refers to an over-identification with
fiction,
where fantasy
and reality are blurred.
These choreographed actions give form to narratives in which
reality and fiction are subjective,
and where man
and materiality are hopelessly entangled.
«It is a conversation about this idea of
reality and fiction and what is true
and what is not,
and where it blends,» Prouvost told the BBC's Arts Editor, Will Gompertz.