Due to the design of the base, the rear of the opposite painting is seen behind the person,
where flat planes of colored paint produce a loosely articulated second figure.
That language consists
of flat areas
of varying
colors and sizes; the interruptions
of paint drips, stains and abrasions; moments
where the stripes transmute into volumetric
planes and forms; and the addition
of trompe l'oeil supports and prosthetics to prop up or balance the whole.