Sentences with phrase «where human art»

This is probably where human art for the sake of beauty has its origins — like all primates we're pretty dull looking.

Not exact matches

It was obvious to me at that time that where there is art, there is an Artist, and I realize this most of all every time I look at another human being.

Yet so similar are the sources in the human spirit that through all ages, and not in Christianity alone, the worship of God has found natural expression in music and song, poetry and the graphic arts, the drama of sacrificial rites, and where not inhibited by convention, the dance.

But Nietzsche easily outdoes him here, especially in his polemical essay Human, All Too Human, where he roundly declares all art false to the core:

Only a few examples of the attempt to link values with the arts and sciences have been published (see, for example, A Vision for India Tomorrow: Explorations in Social Ethics, edited by J. Daniel and R. Gopalan [Madras Christian College, 1984]-RRB- But already evident is a sense of social conscience linked to economic development; a theology of vocation that replaces the ascriptive caste definitions of occupation; a theistically based universalism conducive to science and human rights; and a modernizing, cosmopolitan outlook in a land where the sacredness of the cow signals both the power of tradition and a preference for the agrarian life.

Over the years, however, I've come to believe that history, literature, and the arts provide a more promising place to start on the ladder of intellectual love, for they train us to savor truth amid the flux and flow of human affairs, which is where we're destined to live.

In fact there is probably no area of human endeavor where the phenomenal richness of possibility is so apparent as in art, and where the sense of incompleteness is more evident.

Discovery of a novel, advanced technique to identify the rare cells where human immunodeficiency virus (HIV) hides in patients taking antiretroviral therapy (ART).

He recently moved back to academia as an associate professor in the departments of Neuroscience and Human Genetics & Genomic Sciences at the Icahn School of Medicine at Mount Sinai in New York, where he continues his basic research and translational efforts in AD using a state - of - the - art experimental and computational toolkit, in collaboration with Drs. Alison Goate and Anne Schaefer within the Ronald M. Loeb Center for Alzheimer's Disease.

Sensing the need to discover the world outside of his suburban neighborhood, Thomas attended the University of Chicago, where he received a Bachelor of the Arts in Human Development, with Departmental Honors.

I'll be dreaming of world where art is power, healthy forests back negative interest currency, former Wall Street bankers wear clown suits to work as human pollinators, the middle and working class are as strong as ever, Bernie Sanders is President, Charles Eisenstein is his Chief Economic Advisor, and all those things that could be... If only... everyone would just shut up and listen to Tacocat.

The film is ugly on so many levels — from art direction to human values — that it's hard to know where to begin.

Hugh Jackman plays a former prizefighter and full - time screw - up trying to make ends meet in a near future where human martial arts have been replaced with robot combat.

A — The Adventures of Robin Hood (1938; Michael Curtiz & William Keighley) B — Band of Outsiders (1964; Jean - Luc Godard) C — City of Lost Children (1995; Jean - Pierre Jeunet) D — The Double Life of Veronique (1993; Krzysztof Kieslowski) E — Election (1999; Alexander Payne) F — The Fountain (2006; Darren Aronofsky) G — Gentlemen Prefer Blondes (1953; Howard Hawks) H — A Hard Day's Night (1964; Richard Lester) I — In a Lonely Place (1951; Nicholas Ray) J — JFK (1991; Oliver Stone) K — Key Largo (1948; John Huston) L — Lock, Stock, and Two Smoking Barrels (1998; Guy Ritchie) M — Mulholland Drive (2001; David Lynch) N — The Naked Kiss (1964; Samuel Fuller) O — O Brother Where Art Thou (2000; Joel & Ethan Coen) P — Persona (1966; Ingmar Bergman) Q — The Quiet Man (1952; John Ford) R — Rear Window (1954; Alfred Hitchcock) S — Sunrise: A Song of Two Humans (1927; F.W. Murnau) T — The Thin Man (1934; W.S. Van Dyke) U — The Umbrellas of Cherbourg (1964; Jacques Demy) V — Vertigo (1958; Alfred Hitchcock) W — The Women (1939; George Cukor) X — X-Men (2000; Bryan Singer) Y — Young Frankenstein (1974; Mel Brooks) Z — Zodiac (2007; David Fincher)

Adding cosmopolitan flair to the setting, the cast also includes Elisabeth Moss and Dominic West; she a journalist who awkwardly beds the classy Christian, only to unleash a neo-feminist inquisition the following day when he appears to have forgotten her name; and West, an esoteric artist whose sympathetic personality masks a deep conviction of self - importance that unravels in the film's over-the-top «performance art» set piece, involving a human anthropoid, programmed to conclude an important black tie donors» dinner, a set - up where Marx brothers jiggery - pokery meets the cruelty of Lars von Trier.

But at least Portman is playing someone who is recognizably human, unlike her dancer in «Black Swan,» where she was a projection of the director's pop - schlock fantasies done up in a high - art tutu.

Instead, we have entered an age where the priority for the arts and humanities has been overshadowed by what is commonly considered «employable skills», the same skills that are quickly eradicating what it means to truly be human.

He brings nearly 20 years of experience working in Human Resources at diverse, mission - driven organizations, formerly serving as the head of HR for the Sports & Arts in Schools Foundation and in progressive leadership roles at Safe Horizon, where he served as the senior director of HR.

Where Amazon seems cold and tech focused Kobo seems more human and art focused.

In no particular order: Forecast; The Storytelling Animal: How Stories Make Us Human; Investing: The Last Liberal Art; The Signal and the Noise; The Success Equation: Untangling Skill and Luck in Business, Sports, and Investing; Mastermind: How to Think Like Sherlock Holmes; The Last Battle: When U.S. and German Soldiers Joined Forces in the Waning Hours of World War II in Europe; Risk; Skating Where the Puck Was: The Correlation Game in a Flat World; and Trading Bases: A Story About Wall Street, Gambling, and Baseball (Not Necessarily in That Order).

The Studio Ghibli-esque art style is beautiful, offering a unique blend of fantasy and science fiction in a world where anthropomorphic animals coexist with humans.

Therefore to know whether art worthily fulfills its proper mission as initiator, whether the artist is truly of the avant - garde, one must know where Humanity is going, know what the destiny of the human race is... 2

In any event, I think it is axiomatic that in a world where technology and industry increasingly replaces or intermediates human engagement and interaction, the role of art and literature in society becomes even more profoundly important.

Marrinon received the Anne & Gordon Samstag International Visual Arts Scholarship in 2001, which enabled her to attend the New York Academy of Art, where she was introduced to traditional techniques of figurative sculpture and gained a greater technical understanding of human anatomy.

The featured works are Cleaning the Mirror (1995), where one person carefully scrubs a human skeleton in a confrontation with mortality, Freeing Series (1975), where the voice, memory, and body are liberated, and Art Must Be Beautiful, Artist Must Be Beautiful (1975), where the same phrase and action are repeated obsessively, like an incantation.

Reben is a graduate of the MIT Media Lab where he studied human - robot symbiosis and art.

Given its scale, it is instructive to compare this large piece with the paintings featured in the show: where form and an entirely flat painted surface lend strength to the paintings, the subtle human touch inherent to the printers art yields a different sort of gravity, and perhaps timelessness, to the works on paper.

From lingerie made of sealskin to temporary ice paintings captured on film, the show provides a glimpse at the teeming natural and cultural ecosystem found at Floe Edge, where human, ocean, animal and art all support and challenge each other.

He required patients in order to collect information for his theories and hypotheses, just as West needed human receptacles where he could place his art and ideas.

Laurentiu Dimisca believes that art is an expression of what is within; that art is a way to show the connectedness of the human experience, one that reaches deep within the points that separate humans into groups and sews the cracks back together to show the world where they came from.

Rupert, Sarah Michelle and Weinberg, Michelle ed., Women Painting: Works from the collection of Francie Bishop Good & David Horvitz, Fort Lauderdale: Girl's Club, 2017 Berry, Ian, and McNamara, Rebecca ed., Accelerate No1: Access and Inclusion, Saratoga Springs: The Frances Young Tang Museum, 2017 Berry, Ian, ed., The Young Years, Saratoga Springs: The Frances Young Tang Museum, 2017 «A Stained - Glass World Where Women Are Worshipped» Monica Uszerowicz, HYPERALLERGIC, May 2nd, 2017 «Salty / Fresh: Paula Wilson's House of Art «Rhonda Garelick, Brooklyn Rail, May 1, 2017 «Race, Gender, and Human Identity» Kim Carpenter, Omaha World Herald, Go Magazine insert, March 23, 2017.

Natural disasters and accidents are inevitable but it is human aggression where we experience the loss of art, architecture and historical sites that are neither designed nor intends to be destroyed.

Where Dada had Hugo Ball and Surrealism had André Breton, the Gutai had Yoshihara whose Gutai Manifesto proclaimed, «In Gutai Art, the human spirit and matter shake hands with each other while keeping their distance» and «Gutai aspires to present exhibitions filled with vibrant spirit, exhibitions in which an intense cry accompanies the discovery of the new life of matter.»

In his hometown of Biella, Pistoletto created the Cittadellarte foundation as a concrete action of his «Progetto Arte Manifesto» where Michelangelo Pistoletto proposed a new role for the artist: Placing art in direct interaction with all the areas of human activity which form society.

In the past year alone, Akunyili Crosby — whose first name is pronounced «nnn - jee - deh - car» — has participated in several group shows (including the Whitney's current portraiture survey, «Human Interest») and five solo efforts (at L.A.'s Hammer Museum, Mark Bradford's Art + Practice, the Norton Museum of Art, the Whitney's billboard project and London's Victoria Miro Gallery, where she'll make her solo European debut in October), while earning a spot on Foreign Policy's 2015 list of the Leading Global Thinkers.

So, where do we see figure art today, more importantly, what place does the human figure hold in Contemporary Aart today, more importantly, what place does the human figure hold in Contemporary ArtArt?

From postcards of ballerinas to digital shots where the performers barely look human, the art of snapping dancers has had a dramatic evolution

The continent that we travel is the continent of art where human history and experience are fundamental.

After making quite a name for himself in 2014 through his Ghost In The Machine project, where he created a series of drawings using his own blood fed into a modified CNC machine — today, he's making waves with his sculptural work that focuses on form and figure to uncover the role art and technology play in our classification and understanding of the human condition.

Swords, daggers, demons,, animal, human and hybrid beings, an imagery that often draws from art history and, more generally, from a spiritual and mystic dimension, guide us through a twilight where figures emerge from the scrawled surface — they seem to prevail, and then again they are absorbed by the invasive gesture of the pen.

Thus, it provides an important analysis of a visually exhausted and exploited terrain that has been overproduced by media images for decades, by Human Rights discourses as well as by the field of international contemporary art, the arena where

She has also participated in many international group exhibitions, including: New Visions, Tensta Konsthal, Stockholm, Sweden (2016); Geometries of Difference, Samuel Dorsky Museum of Art, New York, USA (2015); The Language of Human Consciousness, Athr Gallery, Jeddah, Saudi Arabia (2014); Summer Show, The Third Line, Dubai, UAE (2014); Summer Exhibition, Royal Academy of Arts, London, UK (2012) where she received the Jack Goldhill Award for Sculpture.

An art review on Friday about «Human Interest: Portraits From the Whitney's Collection» at the Whitney Museum of American Art in Manhattan, which includes a sculpture by Gary Simmons, omitted an organizer of the group show «March Madness» at the nearby Fort Gansevoort gallery, where more of Mr. Simmons's work can be seart review on Friday about «Human Interest: Portraits From the Whitney's Collection» at the Whitney Museum of American Art in Manhattan, which includes a sculpture by Gary Simmons, omitted an organizer of the group show «March Madness» at the nearby Fort Gansevoort gallery, where more of Mr. Simmons's work can be seArt in Manhattan, which includes a sculpture by Gary Simmons, omitted an organizer of the group show «March Madness» at the nearby Fort Gansevoort gallery, where more of Mr. Simmons's work can be seen.

She is interested in exploring the relationships between contemporary art and other disciplines such as critical pedagogy, gender studies, human rights and literature in order to imagine and materialize the present and nearby futures, where creation and collaboration lead the way.

Yuen - Ying Lam's art practice explores the emotionality of being human in this absurd world, where many relationships are tainted by power, fear and hatred.

Fereshteh is an Assistant Professor of Art at Florida International University in Miami, where she directs The Nature Connection Arts Lab, dedicated to exploring the connection between nonhuman and human health through contemplative art and creative researArt at Florida International University in Miami, where she directs The Nature Connection Arts Lab, dedicated to exploring the connection between nonhuman and human health through contemplative art and creative researart and creative research.

Without any preconceived notions, exploring the worlds of tales and legends, the mysteries and structures of human and animal bodies, and their relationships, Kiki Smith creates works of art where the apparent innocence and delicate brutality are a source of dreams, interrogations and fascination.

Jennie Goldstein is Assistant Curator at the Whitney Museum of American Art where she most recently collaborated on the large - scale exhibition «Human Interest: Portraits» from the Whitney's Collection.

(To recap: In 1941, Dominique, a Schlumberger heiress, and her husband, John, a Schlumberger executive, moved to Houston, where they built one of the world's greatest private art collections; championed artists, architects and filmmakers; supported — and sometimes squabbled with - arts institutions, some of which they were instrumental in creating; and embraced civil - and human - rights causes.

The work takes the form of an architectural intervention including sculptural floor objects and it combines elements of historical research around the first human journey into outer space as well as participatory conversations with more than 90inhabitants in Hangzhou, among them students of the China Academy of Art of Hangzhou where the artist is presently a visiting artist.