Sentences with phrase «where images from the film»

Apart from the film, the exhibition presents many different items: on - the - spot sketches, preliminary drawings, storyboard, collages, ink roughs and watercolours which fill out the project's origins and development; portraits of riders and of costumed horses and the actual costumes used on the day, as well as sculptural installations where images from the film are printed onto sections of car bodies.

Not exact matches

In the new film, he gives one fond and musing speech — «I grew up lookin» at Oklahoma, from the south bank of the Red River» — that may be the most placid interlude in any Friedkin film, and the cinematographer, Caleb Deschanel, backs it up with some tack - sharp images of busy pizza parlors and empty pool halls, where life clatters on or comes to a lonely halt.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

There are several moments in this film where I recalled images from the pages of the novel.

The film opens majestically, with great wit, as the director himself plays a man magically transported from a hotel room to a cinema hall, where he gazes down upon an audience enraptured by moving images from the 1890s.

Indeed, Leigh's own capsule description of his film, published in the Cannes film festival catalog, sounds like the sort of thing Jack Valenti might have come up with for an after - dinner speech: «Secrets and Lies is about roots and identity, the ever - changing images we all have of ourselves and each other, and our compulsive need to reaffirm constantly who and what we are, and where we come from.

In collaboration with the Parisian agency les bons faiseurs, La Semaine chose the image which better reflects this 50 +5 edition: the magnificent actress Jessica Chastain in a scene from Take Shelter, second feature film by Jeff Nichols where her performance in one of her first leading roles was particularly remarked.

The most enduring images from the film are those of Cronauer on the air, where he churns out bizarre impressions, off - the - wall jokes, and popular songs that have aged better than the quieter types of music that military radio preferred to play.

The gloom doesn't begin to lift until Harry and company abandon faith in their elders and institutions and re-create a young magicians» insurgency that Harry's father helped form the last time Voldemort loomed; from that moment on, director David Yates slowly and subtly restores warmth to the film's palette, to the point where the images mimic the hard luminescence that distinguished The Prisoner of Azkaban and The Goblet of Fire.

It's a great play with a great cast and a perfectly suited director, and with production underway in Northern Ireland (where the film will now be set), Screen Daily have the first images from the project.

Be sure to stick around during the closing credits where actual photos from the real - life Argo exodus are placed side - by - side with images from the film.

It Comes at Night Rated R for violence, disturbing images, and language Rotten Tomatoes Score: 89 % Texas filmmaker Trey Edward Shults (Krisha) follows up his huge 2015 SXSW winner with this pseudo horror film about a post-apocalyptic world where husband and father Joel Egerton and family live safely in their well - protected home, hiding from whatever it is out there, until he allows a young family to seek refuge in their hiding spot.

Today, Linda DeLibero — Director, Film and Media Studies, Johns Hopkins University — and Christopher Llewellyn Reed (that's me)-- Chair and Professor, Department of Film & Moving Image, Stevenson University — joined Dan Rodricks on his Baltimore Sun podcast, «Roughly Speaking,» where we discussed the films out in theaters in May and June of this year, with clips from the following six movies:

The film is full of visual spectacle, from the towering citadel of the station's main clock with a panoramic view of the City of Lights (where Hugo has a harrowing climb to hide from Gustav that echoes the iconic image of Harold Lloyd dangling from hand of a clock in Safety Last!)

Day 2 of my Roald Dahl themed Summer Camp (originally for Korean EFL students) Includes: * A short summary of the story - using images from the film and Quentin Blake illustrations * A board game and counters that I made (the same rules as «snakes and ladders») * Team activity «Egg Drop» where students must construct a contraption using art supplies to protect their egg when it is dropped from a window.

The other thing I kind of knew going in, but I wanted to gather the language to say, is the idea of the sync point, which is stuff that comes from film sound theory, but it's where the sound you're hearing syncs up with the image you're seeing.

Bringing you the most incredible images and film footage we can so you can live the adventure from right where you are now!!

t Building and the Tweed Courthouse, both not far from Ludlow 38; the images depict artworks installed in the courthouses or image stills from films where they have appeared.

These images evolved from the artist's first film, Serendipity (2015), where Erizku symbolically destroyed Michelangelo's David and replaced it with a bust depicting the Egyptian queen Nefertiti.

The same year, Baldessari moved to Santa Monica, where he met many artists and writers, and began to collect photographic images from films and other commercial sources that he would use in his work; during the same period, he photographed himself in deliberately amateurish compositions, and employed local sign painters to execute text - based works.

A documentary, work of fiction and essay film, Facs of Life maps several trajectories of life and thought, beginning from a series of encounters: with video footage of Gilles Deleuze's courses at Vincennes (1975 - 76), with a number of students who attended the seminar and who appear in these images, with the woods where the university buildings once stood, and with students of the new university at St Denis; The eight plateaus that compose the film each fall under a key concept - word that defines the territory of each student's relationship to Deleuze's thought and the nature of the filmmakers» encounter with them.

Though from 2010 onward her work still consists mainly of oil paintings and drawings, she is also doing new media animated video - films where the images are multi-layered like her painting.

From her early staged images with vaguely intimated story lines to her recent, structuralist - influenced films, Sharon Lockhart's work has consistently staked out an ambiguous territory between the photographic and the cinematic - a location where the flow of narrative and the stasis of repetition intersect.

It could be the equivalent of somebody looking at an old film, and realizing that the film came from a projector, and discovering that there is an image in the projector, and that it's made of molecules of grains of film - and then trying to find the mystery of the story by looking at ever more detailed molecules of film, thinking, If I finally get to the heart of that, will it tell me where my story comes from?