Sentences with phrase «where performance curator»

Not exact matches

[Performance curator] Jay Sanders is part of the inaugural programing and he has looked at where performance and the collection come into collusion, iPerformance curator] Jay Sanders is part of the inaugural programing and he has looked at where performance and the collection come into collusion, iperformance and the collection come into collusion, if you will.

Their donation of $ 3 million will endow the Chief Curator position held by Anthony Elms, who joined ICA in 2011 from Performa where he was part of the organizational team behind the 2011 visual art performance biennial in New York, along with other independent curatorial projects.

Past appointments include Associate Curator at The Studio Museum in Harlem, New York, and Curator at LAXART, Los Angeles, where she helped coordinate the 2012 Pacific Standard Time Public Art and Performance Festival for The Getty Research Institute, and «Made in L. A. 2012,» the Hammer Museum's first Los Angeles biennial.

Adrienne Edwards is curator - at - large at the Walker Art Center, curator for Performa, and a PhD candidate in performance studies at New York University, where she is a Corrigan Doctoral Fellow.

Previously, he was Assistant Curator at The Studio Museum in Harlem, where he organized When the Stars Begin to Fall: Imagination and the American South (2014); Radical Presence: Black Performance in Contemporary Art (2013), a traveling exhibition curated by Valerie Cassel Oliver; and Fore (2012), co-organized with Lauren Haynes and Naima J. Keith.

Thomas J. Lax is Associate Curator of Media and Performance Art at The Museum of Modern Art, where he recently organized Steffani Jemison: Promise Machine (2015).

After CCS Bard, Esseiva was appointed Director of Retrospective gallery in Hudson, NY; guest curator at the 2016 Glasgow International biennial festival of contemporary art; and curator at September gallery, in Hudson, NY, where she organized the Arcade Bloc performance series.

From 2008 - 2012 she was Assistant Curator for Performance in the Department of Media and Performance Art at The Museum of Modern Art, where she co-organized the Performance Exhibition Series.

Adrienne Edwards, recently appointed Engell Speyer Family Curator and Curator of Performance at the Whitney Museum of American Art (New York) where she starts in May, is Curator at Large at the Walker Art Center and formerly Curator at Performa.

She is Curator at Performa, New York's first performance biennial; Curator at Large at the Walker Art Center, Minneapolis; and a PhD candidate in Performance Studies at New York University, where she is a Corrigan Doctoperformance biennial; Curator at Large at the Walker Art Center, Minneapolis; and a PhD candidate in Performance Studies at New York University, where she is a Corrigan DoctoPerformance Studies at New York University, where she is a Corrigan Doctoral Fellow.

He has taught at the California Institute of the Arts and the University of California San Diego, and is currently an Associate Professor of Art at Pomona College, where he teaches, «Foundations of 2D design,» «Junior / Senior Art seminar,» «Performance in Contemporary Art,» and «Artist as Curator, Artist as Organizer.»

Adrienne Edwards is Curator at Performa (New York), Curator at Large at the Walker Art Center (Minneapolis), and also a PhD candidate in performance studies at New York University where she is a Corrigan Doctoral Fellow.

Andersson's multidisciplinary interests will be put to use at the CAC, where she and performance curator Raelle Myrick - Hodges plan to collaborate.

Anna Gritz / South London Gallery Anna Gritz is Associate Curator for Film, Performance and Talks at the South London Gallery, where she is currently working on forthcoming projects with Sidsel Meinchede Hansen, Jill Magid and Bonnie Camplin.

So far, his curators include Pierre Bal - Blanc, the director of Contemporary Art Center (CAC) Brétigny; Hendrik Folkerts, curator of performance, film, and discursive programs at the Stedelijk Museum in Amsterdam; Hila Peleg, the founder and artistic director of the Berlin Documentary Forum; Dieter Roelstraete, senior curator at the Museum of Contemporary Art Chicago; and Monika Szewczyk, visual arts program curator at the Reva and David Logan Center for the Arts, University of Chicago, where she also lectures in the departments of Visual Arts and Art History.

Indeed, Marclay, who now lives in London with his wife, curator Lydia Yee, was back in New York in November 2011 for a live performance at the Japan Society, in a show titled «Turntable Duo,» where he shared the stage with Otomo Yoshihide, with whom he has performed since the 1980s.

She was previously a curator at Wysing Arts Centre, Head of exhibitions at Nottingham Contemporary, and a curator at Tate Modern, where sheå specialized in performance and time - based media.

Myriam Ben Salah is a curator and writer based in Paris, where she has been coordinating special projects and public programmes at the Palais de Tokyo since 2009, focusing particularly on performance art, video and publishing initiatives.

In 1990, he returned to Johannesburg where he worked as an artist, and art critic, curator and performance artist.

In 1968, she became gallery administrator and then curator of education and performance art at the former Newport Harbor Art Museum, now the Orange County Museum of Art, where she remained until 1982.

Her work as an artist, scholar, and curator explores the borders where animation intersects with painting, sculpture, puppetry, live performance, and immersive experience.

Myriam Ben Salah (b. 1985, Algiers) is a curator and writer based in Paris, where she has been coordinating special projects and public programs at Palais de Tokyo since 2009, focusing on performance art, video and publishing initiatives.

She has additionally held positions as curator at Wysing Arts Centre, Cambridge, United Kingdom; head of exhibitions at Nottingham Contemporary, United Kingdom; and curator at Tate Modern, London, where she arranged numerous commissions, exhibitions, and performances.

Curated by Naima J. Keith at the Studio Museum in Harlem, «Charles Gaines: Gridwork (1974 - 1989),» puts on view 10 of Mr. Gaines» early conceptual projects and deftly sketches out his context — from Castelli Gallery, where he showed in the 1980s, to Cal Arts, where his teaching has been influential to a generation of artists including his son, the performance artist and curator Malik Gaines.

From 1980 he began his career as a stage director and stage designer, while around the same time, thanks to the Jan Hoet, curator and the founder of Belgian Stedelijk Museum, the artist travels to New York, where he gives lectures and performances.

Ayas has also been a curator / programmer of PERFORMA since 2004, the biennial of visual art performance based in New York City, where she has managed the biennial's collaborative partnerships with a consortium of 80 + cultural institutions across New York City and (co --RRB- organized acclaimed projects and programs with an international roster of artists, architects, curators, and writers.

Prior to MoMA, he was Assistant Curator at The Studio Museum in Harlem, where he organized over a dozen exhibitions as well as numerous live performances and public programs.

Kelly Kivland is associate curator at Dia Art Foundation, where she is involved with new commission and performance programs.

is Curator at Performa (New York), Curator at Large at the Walker Art Center (Minneapolis), and also a PhD candidate in performance studies at New York University where she is a Corrigan Doctoral Fellow.

She is an associate curator at Performa and a PhD candidate in performance studies at New York University, where she is a Corrigan Doctoral Fellow.

This year's jurors are: Ruba Katrib, curator at SculptureCenter in Long Island City, New York, where she organizes exhibitions, educational and public programs, and publications, and coordinates program presentation; Clifford Owens, a New York - based contemporary artist who works in performance, photography, text, and video; and Nat Trotman, associate curator at the Solomon R. Guggenheim Museum.

Fionn Meade is an curator and writer who has previously worked at the Walker Art Center where exhibitions included Less ThanOne and Andrea Büttner, Radical Presence: Black Performance in Contemporary Art, and Question the Wall Itself, which presents a range of works conceived as rooms and interior architecture, and includes major installations by Tom Burr, Nina Beier, Cerith Wyn Evans, Lucy McKenzie, Akram Zaatari, Paul Sietsema, Jonathas de Andrade, Walid Raad, and Marc Camille Chaimowicz, among others; as well as Merce Cunningham: Common Time, a retrospective survey of Merce Cunningham's dynamic artistic collaborations, including work from more than seventy artists working across disciplines.

Rinder, who came from the Berkeley Art Museum, where he had been curator of 20th century art since 1991 and ran the eye - opening Matrix program of contemporary exhibitions, will program shows, performances and lectures at the college's historic Oakland campus and its ever - expanding San Francisco branch.

From 2009 to 2012, Tod was the curator and executive director of Esopus Space, an alternative exhibition and performance venue in New York City, where he mounted 18 exhibitions and staged 30 events.

Lees was previously Senior Curator of Public Programmes at the Serpentine Gallery London (2008 - 2013), where she oversaw interdisciplinary, time - based and performance projects and artist commissions as well as Park Nights, initiating the Serpentine Cinema series, and theSerpentine Gallery Marathon (co-curated with Hans Ulrich Obrist).

In 2009 he founded Low Lives, and international, multi-venue online performance festival, where he served as director, producer, and curator.