Sentences with phrase «where visitors to the exhibition»

Site of Criticism presents twenty - one paintings by Jörg Immendorff, made between 1970 and 2002, plus documentation of a specially - built platform where visitors to the exhibition (at Museum Ludwig) could contribute their thoughts on art in general and art by Immendorff in particular.

Not exact matches

The 20th anniversary of Vinexpo Hong Kong exhibition will take place from 29 to 31 May, where 1300 exhibitors from 28 countries will showcase their products to an expected 18,000 visitors.

The 20th anniversary of Vinexpo Hong Kong exhibition will take place from May 29 to 31, where 1300 exhibitors from 28 countries will showcase their products to an expected 18000 visitors.

Besides the Museum, Vinci offers many itineraries to discover Leonardo's world: from the Castle of the Guidi Counts to the Villa del Ferrale, where the Leonardo Impossibile exhibition is set, or the birthplace in Anchiano — where visitors could actually meet Leonardo in a very special way — without forgetting naturalistic paths to explore on foot the hills loved by the Genius, or spots and contemporary art installations directly inspired by Leonardo.

And closest to where it awaits visitors, as England grapples with the xenophobia and resentment in last summer's Brexit vote, the exhibition resonates in its own particular way.

The multi-floor exhibition led visitors from the ground floor to the ninth and back finally to the third floors where additional works, installations, and apartments were curated by invited neighborhood organizations.

Past works have included culinary experiences and recreations of the artist's apartment, where visitors were welcomed to cook meals, watch movies, or even spend the night at the exhibition.

Features over 40 artists from across generations, including Ian Cheng, Heman Chong, Andrea Fraser, Jonas Mekas, Rachel Rose, and Amalia Ulman, this latest iteration applies the same ethos where visitors are encouraged to engage with and take ownership of the artworks, curating their own collections and directly impacting the exhibition landscape.

The exhibition also features an interactive gallery evocative of the artist's studio where visitors are encouraged to engage with the design process through a variety of hands - on activities.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

According to the guidelines in the exhibition, «while the dancer performs, visitors become bystanders and etiquette decrees that during that time, no one except the performer can set foot in the space», and the way the visitors are guided to circulate is reminiscent of Bronstein's earlier work, Concept for a Public Square (2005) where visitors could not step across, but had to skirt around a low wall demarcating an area of dead space.

Emily Roysdon opens the exhibition with the nearly invisible wallpaper print saying Who Am I To Feel So Free to give the exhibition a thoughtful and nearly ironic starting point entering as visitors enter the MoMA PS1 lobby, where Xaviera Simmons has mounted a photo installation for Greater New York that visualizes fugitives onboard boats out in the open ocean, after having left, but before arrivinTo Feel So Free to give the exhibition a thoughtful and nearly ironic starting point entering as visitors enter the MoMA PS1 lobby, where Xaviera Simmons has mounted a photo installation for Greater New York that visualizes fugitives onboard boats out in the open ocean, after having left, but before arrivinto give the exhibition a thoughtful and nearly ironic starting point entering as visitors enter the MoMA PS1 lobby, where Xaviera Simmons has mounted a photo installation for Greater New York that visualizes fugitives onboard boats out in the open ocean, after having left, but before arriving.

The doc is no less an infomercial today — for Abramovic and for Sean Kelly Gallery — and also a product placement for the Museum of Modern Art, where Abramovic's exhibition last spring invited visitors to pass through a tight gate formed by two of her nude acolytes or to sit across a table from a silent stern Abramovic for 15 minutes.

Johnson intended for the building to serve as an on - site visitor center where guests would gather to view small exhibitions and film before touring the grounds.

These twin aspects of Konitz's work were particularly evident in this past spring's Whitney Biennial, where, according to a poster hung alongside three of her sculptures, visitors to the exhibition could purchase a $ 4 raffle ticket in the museum's lobby for an opportunity to

If you missed the Yayoi Kusama: Infinity Mirrors frenzy at the Broad in Los Angeles, or The Obliteration Room — where visitors were invited to add 750,000 stickers to the walls and seating — at the Hirshhorn Museum earlier this year, the Kusama craze has returned to New York, with two major concurrent exhibitions by Yayoi Kusama at David Zwirner's two gallery spaces.

Designed pro bono by Lee H. Skolnick (AR» 79) and his company, Lee H. Skolnick Architecture + Design Partnership, the exhibition is located just outside the Great Hall where it provides visitors to Cooper Union with a broad view of the institution and its place in New York City history.

Home to select Artists in Residence each season, as well as occasional group exhibitions by visiting artists and curators, Project Space is a place of exchange among working artists and visitors — a place where ideas are germinated, conversations are shared, and new work is made.

In London, his eyes had been opened to modern and contemporary art, and he had become an assiduous visitor to the Institute of Contemporary Arts, where Richard Hamilton and Eduardo Paolozzi were among the artist regulars, and Lawrence Alloway, among others, was curating exhibitions that brought in the most advanced international art.

Most recently, Friel was Visitor Services Supervisor at Cranbrook Art Museum in Detroit, where he provided supplemental information and education resources to the museum's visitors and led dynamic exhibition tours.

The visitors the exhibition Where Is My Home in DOX are encouraged to further contribute to the project with their ideas on the subject.

This edition is highly conceptual and visitors will often find the works hard to grasp as very little explanatory text is provided for an exhibition where it is desperately needed.

For the 2013 exhibition The Spirit of Utopia he staged a live stand - up comedy night open to the public, a fictitious exhibition archive and an event where «summer snow» emitted from large snow machines, temporarily showering visitors and passers - by with flecks of white foam in the height of summer.

Based on actions where Tiravanija cooked food and ate a meal with visitors to his exhibitions, this apron, made of butcher's paper and twine, is screen - printed with the image of a link of pork sausage made by Tiravanija.

The exhibition will be displayed in a setting where the visitors will be able to walk through several of the works.

This is one of the few exhibitions where the wall texts seem to genuinely enrich the show's content and, thus, «educate» the visitor.

To help visitors make their own connections between the works in the exhibition and works in the collection, VMFA has prepared a space, The Art Lounge: Connect Kehinde Wiley to VMFA, where visitors can access art history books, touch screens, and free cards to look deeper into Wiley's artistic procesTo help visitors make their own connections between the works in the exhibition and works in the collection, VMFA has prepared a space, The Art Lounge: Connect Kehinde Wiley to VMFA, where visitors can access art history books, touch screens, and free cards to look deeper into Wiley's artistic procesto VMFA, where visitors can access art history books, touch screens, and free cards to look deeper into Wiley's artistic procesto look deeper into Wiley's artistic process.

Hyperallergic instructs visitors to get caught up in the «mathematics of identity, in the rights and wrongs of the art world, and in the aesthetics of documentation as art» in the exhibition Lorraine O'Grady: Where Margins Become Centers.

Born in Essen, Namuth is encouraged by his mother to take an interest in the arts, becoming a regular visitor to the Folkwang Museum, where he sees exhibitions of German Expressionism and French Impressionism.

Ward recalls an exhibition called Hip - Hop Nation: Roots, Rhymes and Rage at New York's Brooklyn Museum where visitors had to trek past galleries of huge 19th century landscape paintings to get to the show.

Drawn from the private collection of Dr. Esmond Bradley Martin, this exhibition will offer a space where visitors can get close to artworks whose intimate nature invites contemplation and close - up viewing.

Visitors to Mark Bradford's exhibition as the official United States representative to the 2017 Venice Biennale must enter the neoclassical US pavilion using a single side entrance, where they immediately encounter a massive, hulking obstacle suspended from the ceiling.

Aside from all the exhibitions on view in Antwerp Art Weekend, a number of programmes have been created specifically for the weekend such as The Image Generator, billed as a four day happening at Extra City Kunsthal, that crosses the line between visual and performance art where visitors will be encouraged to participate in the actions of a changing scenography (full times and details on their website).

WHAT: Bank of Hawaii Family Sunday: Abstract Expressions WHEN: Sunday, Sept. 17, 11 a.m. - 5 p.m., activities end at 3 p.m. WHERE: Honolulu Museum of Art, 900 S. Beretania St. COST: Museum admission free; admission to special exhibition Abstract Expressionism: Looking East from the Far West is $ 10 for visitors age 19 and up INFO: 808-532-8701, honolulumuseum.org (publishable) High - res images available on request.

Stella at 79 maintains the momentum of an express train, giving us the computer - aided reliefs, sculpture and the massive painting Das Erdbeben in Chili -LCB- N # 3 -RCB-(1999), which offers a fanfare to visitors as the elevator doors open on the fifth floor, where the exhibition is located.

The exhibition, which attracted over two thousand five hundred visitors in the opening three days, continues until 16 January, before travelling to the Louisiana Museum of Modern Art in Humlebæk, Denmark where it will be displayed from 11 February to 29 May 2011.

Highlights included the inclusion of projects by lesser - known members of the group, such as Tatsu Izumi's proto - Relational «Events» exhibition held in July 1963 at the legendary Naiqua Gallery in Shimbashi, where the artist emptied the space, numbered and labeled the permanent fixtures, and then provided a water cooler with powdered orange juice for visitors to drink.

Visitors will be able to book a night in Elevator Bed, which is «equipped with all the comforts of a luxury hotel room,» where they will experience the rest of the exhibition as the bed rotates and goes up and down, rising up to 3.5 metres above the ground.

Ground Floor Gallery / Baltic Square Part of the Great Exhibition of the North The Turner Prize 2017 winner presents an exhibition which will echo an outdoor commission taking traditional Kanga patterns together with slogans to create a shared environment where visitors are invited to rearrange the placement of the flags inside thExhibition of the North The Turner Prize 2017 winner presents an exhibition which will echo an outdoor commission taking traditional Kanga patterns together with slogans to create a shared environment where visitors are invited to rearrange the placement of the flags inside thexhibition which will echo an outdoor commission taking traditional Kanga patterns together with slogans to create a shared environment where visitors are invited to rearrange the placement of the flags inside the gallery.

The exhibition was the first to be held in the gallery's dedicated Playback Room, where visitors can listen to Tillmans» music selections on high - end speakers.

All visitors to the exhibition can come and visit us at our stand and receive a 15 minute mini career coaching session where we offer strategic insights, guidance and career planning services.