Fortunately, technology doesn't have to trap readers in closed and airless ecosystems; digital tools can enable every passionate book advocate to have a voice —
whether author or publisher, independent bookseller or reader.»
Although it remains to be seen
whether an author or a publisher with opinions or agendas that opose those of the media outlets will have a tougher time disseminating messages in the very near future, inevitably, that is what will happen.
Not exact matches
The odds of an
author getting noticed and getting picked up by a major
publisher are (my assessment) about the same
whether you do this with their affiliate
or with another.
Whether through a U.S.
or international imprint, self - publishing helps
authors be recognized and, in rare circumstances, potentially acquired by a traditional
publisher or film producers, some of whom have turned to
Author Solutions to uncover new talent and emerging voices.
You have to decide
whether you are a hobbyist
or casual
author publisher,
or ready to dive in and publish - publish.
Whether an
author gets a book deal from a Big 5
Publisher or a regional press down the block, they oftentimes have no idea what to expect once a contract is in place.
Whether you are a self -
publisher,
author, small press, experienced
publisher,
or anyone else who needs book printing services... we want to help!
I think one of the biggest problems, to put this in concrete terms, is
authors hear this kind of disembodied advice,
whether that's from their
publisher or somebody else, to get on Twitter, start a blog,
or start a Facebook page.
Cindy was really asking me
whether or not I believe using a news clipping service was a good investment for most
authors and
publishers who were involved in the world of independent book publishing.
Your project is as important to us as it is you —
whether you are a first time
author or an established
publisher.
I disagree with Kozlowski I review books both from
Publishers and Indies — and I think he has sour grapes, I do not distinguish between
whether the
author has paid it all themselves — or whether they have gone the traditional route and been fortunate to be picked up — YES Indie Publishing means that the Author gets the profits faster — BUT THEY HAVE PAID for Editors, Covers etc and had to market the book themselves out their own p
author has paid it all themselves —
or whether they have gone the traditional route and been fortunate to be picked up — YES Indie Publishing means that the
Author gets the profits faster — BUT THEY HAVE PAID for Editors, Covers etc and had to market the book themselves out their own p
Author gets the profits faster — BUT THEY HAVE PAID for Editors, Covers etc and had to market the book themselves out their own pocket!
«Though the publishing industry is filled with people who care deeply about books, it always privileges someone above the
author —
whether it's the retailer, the distributor,
or the
publisher.
It does not matter
whether you are dealing with a
publisher, a bookstore, a newsstand, a paper manufacturer, a bookseller, an
author,
or a printmaker, because what matters to immunity is the object, not the person.»
This change means that the very
publishers who sell their own works —
whether they are the
authors themselves, fully operating
publishers,
or authors with their own imprint for business purposes — can now be undersold and therefore not be the actual seller when a consumer (oblivious to the rule change) clicks «add to cart.»
And even if you do find an ISBN by checking Smashwords, Kobo
or Google Play, you'll still have to compare vendor prefixes
or look up the registry record if you wish to determine
whether the number belongs to a distributor
or the
author /
publisher.
Whether you publish something yourself
or through a
publisher, you're still an
author and a writer.
Whether it's the latest title from a legacy
publisher's hottest
author,
or a graduate - level biochemistry textbook, there is a severe disillusion on the part of the reading public that ebooks should automatically... [Read more...]
I'm sorry, but if you're going to write an article debating
whether or not self -
publishers should be allowed to call themselves
authors, at least take the time to edit your own work.
I now check every new entry in the Audible new release SF list to see
whether the «
publisher» is also the «
author,»
or whether the publishing «company» happens to feature only works by the same writer.
Independent publishing has changed the way
authors look at the industry, with many questioning
whether it's worthwhile to play the waiting game and pray for the payoff from a traditional
publisher,
or instead take their fate into their own hands.
Whether you're a first - time writer struggling to break into print
or a published
author whose last book did anything but make your
publisher a fortune, the reality is the same: a manuscript that needs editing is more likely to be rejected than published.
Whether you are a brand new
author just trying to figure things out
or a veteran self -
publisher, one of the most important decisions you will need to make about your books is how to distribute them.
«Not every
author can make the NY Times bestseller list» says Mark, «but every talented
author deserves to reach as many people as possible...
whether it's with a traditional
publisher like Random House
or through self - publishing supported by smart book marketing.
(And by the way, I'm rooting for * any * platform
or company that gives
authors a fair shake,
whether it's Amazon, iTunes, B&N, Kobo, small - to medium - size presses, some new distribution system being dreamed up right now in someone's back bedroom,
or even any of the Big 5
publishers willing to significantly change their contract terms and treat
authors more equitably.)
Whether you're an
author, a
publisher or an avid reader who just likes to learn more about the world of books, let this be at an occasional stop on your regular online adventures.
The standard agency commission doesn't just pertain to domestic book sales, but any and all of the book's subsidiary rights sales,
whether sold by the agent,
author,
or publisher.
And on a much smaller scale,
Authors After Dark (one of the best conventions ever) manages to just let us sell our own books regardless of
whether we're with a
publisher or not (
or have returnable books
or not).
If those
authors have clear goals, they'll be better able to judge
whether to use the same
publisher for their new series,
or if they want to diversify with a new genre,
or whether their agent is steering them in a different direction from what they want.
Whether it's
publishers, booksellers, agents, film producers
or authors - the movers of the industry meet at Frankfurter Buchmesse.
The biggest decision an
author faces after completing his
or her manuscript is
whether to self - publish
or to seek an agent and hopefully find a
publisher.
I have no idea
whether the separate rooms at the Book Fair was an intentional slight to Indie
authors, an attempt at keeping their accounting fluid, plain old poor planning / stupidity
or the pressure applied by Traditional
publishers to keep their stars away from the riffraff, nor do I care.
No matter
whether you're a successful
author or a small
publisher if you are somehow connected to the publishing industry there is no question that you should attend these events.
Your
publisher or printer is not responsible for book marketing —
Whether the book is being published traditionally
or through self - publishing, the
author is responsible for marketing.
As an
author,
whether you are indie
or published through a «traditional»
publisher (no matter what their size), you need to check what is going on.
I think most of this process would apply
whether or not you're an
author publisher like me.
Frankly, this is true
whether the
author is submitting a title to a
publisher or he's publishing it himself.
As Kate and I both noted, publishing is easy, but distribution and marketing isn't,
whether you're a traditional
publisher, new media start - up,
or indie
author.
Google makes money from advertising
whether the e-books are being sold legally by the
publisher or author,
or whether they are being sold illegally by a pirate,
or whether they are being «shared» in violation of the
authors» copyright by some blogger via links to a file - sharing site.
Recognizing that no book is the work of a single individual, perhaps it is time that the publishing industry started publishing a list of credits for each book produced that acknowledges not just the role of the
author, but also editor,
publisher etc - irrespective of
whether the book was created in the traditional sense
or packaged!
Any
publisher —
whether he's from a major publishing house
or a room - over-the-garage
author who publishes his own writing — can tell you that the most significant expenses involved in creating a book are not in which format to use.
Whether it's the latest title from a legacy
publisher's hottest
author,
or a graduate - level biochemistry textbook, there is a severe disillusion on the part of the reading public that ebooks should automatically be exponentially cheaper than print books, and it's a topic that hasn't made much headway in the last several years.
More generally,
whether it's your editor relationship
or no,
publishers do more for
authors they like.
«Become a Real Self -
Publisher» by Michael N. Marcus is a must read for all
authors whether they are first time
authors or on the New York Times bestseller list.
Luckily, the steps she took are available to all
authors,
whether they are traditionally published, self - published
or with an indie
publisher!
Whether you need editing, design
or PR support, this new one - stop agency for
authors and
publishers aims to buck the trend for «impersonal» service providers.
I also wondered
whether an individual small press
or self - published
author, absent publishing house funding, could replicate what
publishers do — contact these people, get this kind of interview, make a video, etc..
Fortunately, for those writers who are determined to publish a novel,
whether as an indie
author,
or through a traditional
publisher, there is no shortage of advice.
I provide professional cover design across all fiction and non-fiction genres,
whether you're an established
publisher or an individual
author.
In the past,
publishers have usually been more concerned with their own brand but now they're beginning to realize that readers care more about
author's identity and personality, than they do about who the
publisher is,
or whether a book is commercially
or self - published.
Whether you're an
author,
publisher, content creator,
or internet marketer, having an effective content marketing strategy is essential.