Sentences with phrase «which ikon»

The two companies struck a deal in which Ikon paid the retailer $ 5 million in cash for the property, while issuing $ 2 million in trade credits or coupons for a variety of services.

Not exact matches

Ikon has removed the middlemen or broker system, which in the past has led to workers being exploited.

Perhaps because of the incandescence of the YBAs in the 1990s, British art in the 1980s often gets short thrift in terms of column inches in histories of modern and contemporary art, but — as Ikon's new show on the decade should demonstrate — it was a period of free - wheeling experimentation, in which figurative painting made a comeback, the variety of abstract styles increased, installation art grew in ambition and cut - and - paste appropriation prevailed.

The evolving ambition of Creed can be gauged at the Ikon Gallery in Birmingham, which is staging a career - long survey of his work.

Ikon presents an exhibition of new work by British artists Ben Langlands and Nikki Bell, marking the 40th year of their artistic partnership which started in 1978 while studying Fine Art at Middlesex Polytechnic, London.

Banner's tactile approach to material is evident too in Work 3 (2014), a lifesized glass scaffold tower which stands tall in Ikon's vaulted space, its fragility undermining any possibility of usefulness.

Join artist Edmund Clark as he discusses with Jonathan Watkins, Director of Ikon Gallery, his artistic practice, which combines a range of reference and forms including photography, video, found image, text and installation.

Proceeds will support Ikon's 50th Anniversary Investment Fund which will be used for the new commissions and organizing the gallery's artistic programs in the future.

At the Hayward Gallery in 1989 was Ades's show (on which Brett was a key collaborator) Art in Latin America: The Modern Era, 1820 - 1980, while in 1990 Brett curated the smaller but also influential Transcontinental: Nine Latin American Artists at the Ikon Gallery in Birmingham, following it in 1999 with a solo exhibition of the work of Victor Grippo, also at the Ikon, and with Force Fields: Phases of the Kinetic in 2000 at the Hayward Gallery, London, the exhibition which most clearly continued the aesthetic concerns first raised through Signals.

In the decade since winning the Turner Prize he has exhibited extensively throughout the world, including large survey shows at Trussardi Foundation, Milan («I Like Things»), Bard College, New York («Feelings»), and a touring exhibition which started at Ikon Gallery Birmingham and toured to Hiroshima and Seoul.

A planning application will be lodged with Birmingham City Council for the temporary installation, which will be staged in collaboration with the city's Ikon Gallery.

Located here is a small but significant gallery, Eastside Projects which along with Ikon attracts both British and international contemporary artists to exhibit in the city.

This book contains the essay «Beatriz Milhazes or The Advantages of Never Leaving the Labyrinth in Painting,» by curator Frédéric Paul; as well as the re-edition and the first translation to Spanish of two key texts about the artist: «Beatriz Milhazes — The Brazilian Trove» by critic and curator Paulo Herkenhoff, first published in 2001 for her exhibit at the Ikon Gallery (England) and at the Birmingham Museum of Art (United States), and an interview with fashion designer Christian Lacroix, which was originally published in Beatriz Milhazes / Avenida Brasil (Frédéric Paul ed., Domaine de Kerguéhennec, Centre d'art contemporain, 2004).

Her exhibitions at Tate Britain and the Ikon Gallery, Birmingham, showed the innovative ways in which Gallaccio continues to explore the language of sculpture.

Days Out THE BIRMINGHAM GEM THAT TV»S LAURENCE OVERLOOKED Birmingham Evening Mail (England); February 23, 2007; Graham Young; 700 + words... concentrating on art, the Ikon Gallery, which began life... Town Hall etc..

Her first monographic presentation in Europe was held at the Ikon Gallery in Birmingham, England, in 2009, which then traveled to Museum Pfalzgalerie, Kaiserslautern, Germany.

As an editorial photographer, he found himself working with teenage fathers and elderly prisoners, and this set him on his route to working with terror suspects, prisoners in Guantánamo Bay, and, most recently, a three - year residency at the UK's only wholly therapeutic prison, HMP Grendon, where he worked with the inmates to produce four new bodies of challenging work, each employing methods new to his practice, which are now on show at the Ikon Gallery, Birmingham.

The judicious survey of early drawings, studies, sculptural pieces and ambitious installations — including a new commission made for Ikon — showcases the visually compelling and intellectually sharp works which have established Lee Bul as one of the most important artists of her generation.