Sentences with phrase «which archetypal characters»

Not exact matches

This is nonsense and it's been promulgated by both the mainstream media and the financial web, both of which sometimes opt for a cleaner story with pret - a-porter viewpoints and archetypal characters.

The archetypal example may be Max Ophuls» La Ronde, which followed a series of sexual contacts, leading to new characters and stories every 10 or 15 minutes.

With its linear, mission - centric plot and collection of archetypal characters, «Hostiles,» which Cooper adapted from an unproduced manuscript by the late screenwriter Donald E. Stewart («Missing»), bears more than passing resemblance to such towering John Ford classics as «Stagecoach» and «The Searchers,» an affinity underlined by the sweeping landscape and kinetic action captured with keen sensitivity by cinematographer Masanobu Takayanagi.

The new lead characters are slightly less archetypal than previous Delta squad members, but which isn't to say they are 3 - dimensional HBO characters.

In Stygian, you will create your main character from scratch, with access to several archetypal backgrounds, each with its own origin story, skills, traits, and belief system, the last of which determines how your character replenishes lost sanity as well as presenting unique dialog choices.

The gameplay involves choosing one of four archetypal characters (to fit different play - styles) and then going off and shooting things, collecting loot (in the form of weapons, shield mods and grenade mods) and cash, and completing missions (which generally involve shooting things).

On one hand Jones looks to Buddhist practices and meditation as a source of energy in the creation of his work yet everywhere we look we see Wolverine masks and Black Flag logos (originally designed by Raymond Pettibon in the late 70's) which conjure a kind of brash male ego enterprise (the rocker, the comic book character) The use of these two archetypal symbols feel earnest.

The Lion and the Unicorn is a short film in which three archetypal characters debate points of view on nationalism, trade and finance, natural resources and politics.

Individually and uniformly titled La fusione della campana, 2007, the works are inspired by the film, Andrei Rublev, 1966, directed by Andrei Tarkovsky, in which the main character, Andrei Rublev, is an artist battling an archetypal internal struggle.