Sentences with phrase «which artists»

Gary Petersen, Smashed, 2008 Oil on canvas, 56 x 40 inches January 8 — February 7, 2009 This exhibition examines many of the ways in which artists use line as the dominant element in creating abstract imagery.

The installation features a variety of different methods and applications, focusing on the versatility of silkscreen and the different ways in which artists choose to use the medium.

«Rituals of Rented Island» offers a fascinating view into the revolutionary performance art movement in Manhattan in the 70s and 80s and the manner in which artists used printed matter to promote and document events.

The exhibition explores expanded narratives of sculpture through works in which artists have sought to replicate the literal, living presence of the human body.

Jerry Saltz labels the market as a powerful but unstable force, which artists have to fight, critique, and exploit every step of the way.

«I have personally been fascinated by their work, drawn to the ways in which both artists» activist instincts are realized throughout their practice.

Ever since then, Obrist has curated intimate exhibitions like this, which artists wouldn't produce otherwise.

If one has to mention the 1950s, think of early acrylic paints, which artists back then generally found too runny for common use.

And for all the studied ambivalence and ambiguity in which artists and their associates indulge, sometimes you just have to go with the flow.

Visitors will vote electronically on which artists should be included in a group exhibition to be held at the Brooklyn Museum in December.

SpringBoard Exhibition Professional artists are invited to apply for SpringBoard as an opportunity to showcase their artwork and pursue a two - week mentorship in which artists guide young artists through their creative work processes as they prepare for their first professional art show: DualConcepts.

I am also always curious as to which artists from past issues of New American Paintings have made it to what is arguably the biggest stage in the commercial world today (for example, Andrew Brischler who appeared in NAP just a couple of years ago and now finds himself at the big show with GAVLAK).

See which artists the award - winning actress and lifestyle guru collects, what she wore to the art world's most exclusive events, and more.

Lines & Myths: Abstraction in American Art, 1941 - 1951 explores the manner in which artists experimented with Surrealist automatism during the 1940s - an era of complex growth and transition which proved instrumental in the genesis of abstract expressionism.

Rauschenberg and his close friend Jasper Johns are referred to as Neo Dadaists; this category of artists continued the earlier Dada movement in which artists questioned the very definition of a work of art.

Our artworld is one in which artists are exploring new media and new ideas often with political or personal overtones — like the Triennial at the New Museum with art from all over the world.

This section continues with a group of works in which the artists borrow elements from another medium or language, or decontextualize the images themselves.

The exhibition investigates the ways in which artists Grace Hartigan and Joan Mitchell, and gallerist Martha Jackson resisted rigid categorizations of gender roles in Post-World War II New York.

Curated by Christopher Lew and Mia Locks, the Biennial will explore the ways in which artists can confront global instability and turbulence.

This is, after all, a world in which artists continue to give form to the bigger questions — to life and death — and to create objects that are as beautiful as they are poignant.

Artpark: 1974 — 1984 chronicles the seminal years of this innovative residency program located in Lewiston, New York, just north of Niagara Falls, in which artists spent Read More»

Continuing the gallery's publishing mission to provide a space for related but autonomous content as a supplement to exhibitions, the gallery published a soft cover booklet as an accompaniment to the exhibition, to which both artists have contributed a unique compilation of materials.

Focusing on sculpture in which artists have sought to replicate the living body, Hirst's «Virgin (exposed)» will be displayed alongside figurative works by artists including El Greco, Auguste Rodin, Louise Bourgeois and Duane Hanson.

Works on display by Sanford Robinson Gifford, John F. Kensett, and William Trost Richards demonstrate the manner in which artists sought to preserve in paint a wilderness that was quickly disappearing amid the industrial revolution.

Insightful responses from students, faculty, and the general public in large part informed, which artists were ultimately selected as part of The Fifteen.

Academic drawing, representation, and other forms of traditional «craftsmanship» seemed inadequate for an advanced art, which artists in the twentieth century wanted to root in the realm of feelings, sensations, and human experience (which opened the doors to abstraction).

This major exhibition looks at the ways in which artists have explored the intersection of rock and culture in tools, structures, myths, language, and systems of abstract thought as man has strived to understand and manage our world.

The presence of compelling black - and - white paintings by Wool and Joyce Pensato effectively attested to the impact of the New York Studio School, which both artists attended a few years after Reed studied there.

The artist - in - residence program at The Cosmopolitan of Las Vegas represents one component of its larger art program, in which artists create projects that are interactive and participatory, giving guests the opportunity to connect at an authentic and personal level.

NK: What are your most important influences and, in particular, which artists influenced you most?

EM BODY THE SILENT BARN EM BODY is a collective, multi-disciplinary and improvised show, within which artists» proposals meet and...

The one in which artists colonise cheap spaces in an industrial area, gallerists follow, restaurants and bars arrive to keep everyone fed an happy, then people with more money «discover» the place, chasing prices up and the artworld out — only to repeat the cycle elsewhere?

This exhibition focuses on the analysis of a set of works from the Berardo Collection in which the artists have made free and creative use of line, form and colour, elements which are intrinsically linked to our lives, to all that we see, touch and feel and can be considered the main building blocks of abstract art since the beginning of the 20th century.

Works of art across all mediums are displayed together, acknowledging the ways in which artists have engaged various modes of production and broken the boundaries between them.

Rauschenberg, who died in 2008 and whose work is the subject of a major retrospective that opened this month at Tate Modern, was an outspoken critic of auction houses and the outsize profits from which artists were excluded, making Ms. MacLear, who will become a vice chair of Sotheby's fine arts division, an unusual choice.

If the only constant is change, «Inventing Downtown» represents an ambitious act of recovery and a reminder of the ways in which artists struggle, and survive, amid political and civic unrest.

The Dedalus Foundation, Jamestown Charitable Foundation, and Brooklyn Rail mount a benefit exhibition for Sandy at a location in which artists are being forced out due to rent increases.

In addition to prints, the exhibition includes works in other media for which the artists are better known.

Firmin recently organized Artpark: 1974 — 1984, which chronicles the seminal years of this innovative residency program located in Lewiston, New York, just north of Niagara Falls, in which artists spent summers creating temporary artworks outdoors.

Below, we bring you six painting methods for which artists eschewed the brush in favor of innovative tools and techniques.

The way in which artists work is constantly changing and he adapted to the fact that we are beings who are constantly on computers.

Titled Ityala aliboli / Debt don't rot, the show is a conceptual confrontation of the economic crisis in South Africa, which the artists assert — while exploring the legacies of colonialism and apartheid as well as the disappointment of democracy — exponentially precedes the global recession of the past few years.

WHO KNOWS WHERE WE ARE is the name of its most recent collaborative project, in which artists Borga Kantürk, Evrim Kavcar, Gökce Süvari, Gümüs Özdes, Merve Ünsal and Sevgi Ortac lived together with Selda Asal for one turbulent month.

A feature of the exhibition is the wide range within which these artists explore and express geometric abstraction.

A recent exhibition at Fraenkel Gallery in San Francisco examined the ways in which artists have been drawn to records and their covers as mediums for original works of art.

Bourgeois also held her renowned Sunday salons in the space, during which artists, writers and curators would share their work for discussion.

«Borrowed» Art Gets Show — For «Thanks,» his new group show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the show).

The exhibition presents around 50 artistic approaches, illustrating the network of links between journalism and art, and the ways in which artists draw on media for their creative production.

By providing a physical space in which artists can display works made in reaction to current events, Emergency Room takes the pulse of the artistic community today.

For a gallery to invest in such an ad gives a clear indication of their priorities and interests and of which artists they were trying to promote and support.