Sentences with phrase «which artists feel»

David and Allen have joined forces to present the Summer Exhibition this year, and in order to make the sprawling annual event more coherent and connect to contemporary ideas, they have organised it around the theme of drawing — a topic about which both artists feel passionately.

[Editors» Note: This coming weekend, we'll be touring Brooklyn for GO open studios, an event in which visitors vote on which artist they feel deserves an exhibition at the Brooklyn Museum.

This exhibition also features his sculptural work, with which the artist feels that he is «able to shorten the distance between paintings and reality».

[Editors» Note: This coming weekend, we'll be touring Brooklyn for GO Open Studios, an event in which visitors vote on which artist they feel deserves to get an exhibition at the Brooklyn Museum.

Not exact matches

Artist and barista Jeoffrey Valiente channeled the feel of his Long Beach, Calif., neighborhood when he created a mural for the new store, which is partnering with a non-profit to help young people gain job skills.

While there's no doubt that artists should push into new territory, many listeners may wonder why their favorite indie rock band seems to be leading them through this particular soundscape, which at times feels like the backing music to the 1971 action movie Shaft.

Thus what is expressed in the work of art obscures from our vision that complex working process by which the artist forms the feeling for himself.8 The feeling is not formed in advance, awaiting externalization.

Rudolf Steiner (1861 - 1925), an Austrian philosopher, educator, scientist, artist, and the founder of Waldorf education, emphasized the importance of achieving balance in the three realms through which a person relates to the world — the realm of thinking, the life of feelings, and physical activity.

This gel formula, which celebrity makeup artist Huda Kattan loves, feels light and contains cucumber extract for a refreshing cooling effect on the sensitive skin around the eyes.

Owned by sisters Christine and Steph Savas (multitalented makeup artist / photographer / overall fashionistas), they carry a number of local designers (which I LOVE + appreciate), plus ones from California, New York, London... and you all know how I feel about British fashion.

For the works in this exhibit, the artist chose a bright ultramarine color for every canvas, which renders the feel of a blueprint.

I am a good natured, creative type individual seeking the same in another... likes to have fun, as well as cultivate the artist career, which I feel would be all the more vital along with a creative and lively girl.

Across its whole sweep — which in retrospect now does seem genuinely epic — the Harry Potter series offers one ravishing special effect no digital compositor or makeup artist can match: the opportunity to see the three leads, Radcliffe, Watson, and Grint, age from adorably buck - toothed 11 - year - olds into young men and women toward whom the audience now feels an oddly avuncular pride.

Where Bourdain and Melville go to painstaking lengths to describe the addictions, hardships, and unending effort that went into the toils at the center of their tales, Feed the Beast only expresses a basic admiration for the process and love for the end product, which makes [creator Clyde] Phillips's perspective feel more like that of a hungry customer than of a relentless artist in the kitchen.

Then there's the gleefully baffling Panda Bear spot, «Doin» It Right,» which feels like a perfect split between both artists» styles with the rhythmic focus, vocoder backing, and Noah Lennox's unmistakable vocal delivery.

And seven or eight documentaries that play in the Backlot, TFF's smallest venue, devoted to movies about movies and biographies of artists, including one I feel somewhat responsible for, Volker Schlondorff's 1977 «Portrait of Valeska Gert,» the Weimar era dancer and cabaret star, which I saw in Bologna at Il Cinema Ritrovato in 2016 and raved about.

The little - known Canadian folk artist Maud Lewis is the Maudie of the title of Aisling Walsh's grim - faced biopic, which feels frustratingly incomplete where it really counts.

The film has a small, intimate feel to it exploring the pained life and quirky antics of a great artist, which is becoming increasingly common these days (e.g. Inside Llewyn Davis, Maudie, Mr. Turner, Love & Mercy).

Making his surrogate Oliver (Ewan McGregor) an artist and illustrator helps to earn the more offbeat touches, which never feel precious.

Good thing Hollywood didn't bite, because if they'd made it big, Tommy and Greg wouldn't have felt put - out and desperate enough to make their own movie, in which case there'd be no cult of The Room to speak of and, thus, no excuse for James Franco to do whatever the hell it is he's is doing in The Disaster Artist.

The way the scene plays out, though, feels like a lazy narrative cheat, especially given a pop landscape in which older artists of all stripes lust after the very sort of back - to - basics career reboot that renders Danny inexplicably paralyzed with fear.

It's only as the movie charges into its comparatively disastrous midsection that the viewer's interest begins to wane, with the pervasive emphasis on Valentin's downfall (ie the character loses his career, his house, his wife, etc, etc) lending the proceedings a palpably stagnant feel that persists right up until around the one - hour mark - after which point The Artist slowly - but - surely recovers in the build - up to its admittedly engaging (and appropriately feel - good) finale.

A sense of gnawing inadequacy is a universal feeling, and The Disaster Artist certainly mines the notion that there's a little bit of the outsider in everybody — which is exactly the kind of magnanimity you'd expect.

The artist for this issue must have felt a lot of pressure to design wedding garments worthy of these characters, which is what Frank Cho did.

Though the mileage on its provocation will vary, he's not wrong, even if it feels like artists of color are in a unique position (if by no means must they bear the responsibility) to create reflexive portraits of the way in which their work has been absorbed and commoditized by the white mainstream.

Hire on a local artist, who would help give the group a similar style and feel, which would make those local sections look less chaotic and more groomed.

And if one has plenty of time to devote to marketing and a self - published e-book does well, clearly that's a great feeling in a world in which book writers, like most artists, earn so little.

That was the emotion I felt when reading World Hum's tribute to six travel writers (one of which was an artist) who «never made it home.»

The most noticeable change that long - time guests will notice is the lobby, which has been completely renovated, giving it a contemporary, Southwest feel featuring a color scheme reflecting the colors of the desert, and including a collection of art from local artists in the region.

Many of her works are still hung around the hotel — as well as those of up and coming Melbournian artists which give the hotel a great feel.

«Our game is a collection of tales that are meant to feel mysterious, unsettling and strange, which is a feeling Japanese artists seem to capture really well,» writes Giant Sparrow.

Yet at the same time Rosa Bonheur is forced to admit: «My trousers have been my great protectors... Many times I have congratulated myself for having dared to break with traditions which would have forced me to abstain from certain kinds of work, due to the obligation to drag my skirts everywhere...» Yet the famous artist again feels obliged to qualify her honest admission with an ill - assumed «femininity»: «Despite my metamorphoses of costume, there is not a daughter of Eve who appreciates the niceties more than I do; my brusque and even slightly unsociable nature has never prevented my heart from remaining completely feminine.»

Additional highlights include Helen Frankenthaler's Belfry and February Turn (both 1979), which mimic the look and feel of Abstract Expressionism yet in truth represent a rupture with that tradition through the use of a staining technique that seemingly minimizes the artist's role in the process; Frank Stella's Double Scramble (1978), whose nested squares, color contrasts, and pulsing optical effects bridge the artist's early minimalism and later illusionism; and Robert Rauschenberg's Golden Chalice (1989) which, insofar as it marries abstraction and representation and juxtaposes gestural brushwork and photographic media, affords a crucial link to late 20th - century abstraction.

You often feel a sensibility that alternates between the two, which is why I think you often sense the off - stage presence of the artist herself.

Only time, he said, could sort out the twin perils that beset every artist: theory, by which «most people enter a painting», and fashion - what an audience feels it should or should not be moved by.

Arlington, VA — In May, the Focus Gallery features our all - media national juried show, «RED,» which explores this powerful color, used by artists to attract attention, express emotion or interpret a feeling.

«Ancienne Rive,» meaning ancient river, calls upon ideas of history, authenticity, and something with deep roots, which contradicts the artist's self proclaimed feelings of loneliness, foreign alienation and the notion of being both nowhere and everywhere.

The resulting paintings, which are often small in scale, demonstrate the artist's deeply felt exploration of her surroundings and also her sense of their underlying energies.

I've felt very honoured and grateful to receive this recognition, which wouldn't have happened if I hadn't been an artist - in - residence at Arquetopia.

Perhaps one of the most intriguing recent developments in the field is the espousal of print - based media by a number of contemporary artists who do not define themselves as printmakers, but feel that it is the most appropriate medium in which to express themselves in today's media - saturated environment — a context that renders the hand - produced object antiquated and quaint.

While it can feel disjointed, this approach is more inclusive in its attempts to move beyond prescribed art - historical labels, revealing the extent to which women or black artists, for example, contributed to a cutting - edge downtown scene.

He is not a typical artist, and I think at some point in his life, he felt the need to distance himself from the New York art world, which is a decision we all respected here at the gallery.

The strategic omissions in his title and artist statement * provide gaps into which the viewer can project their feelings.

Souvenir I (1971), which imprisons photographs of the artist as a child and a deceased victim of the concentration camps in polyester resin and fibreglass, feels like a premature elegy.

This exhibition focuses on the analysis of a set of works from the Berardo Collection in which the artists have made free and creative use of line, form and colour, elements which are intrinsically linked to our lives, to all that we see, touch and feel and can be considered the main building blocks of abstract art since the beginning of the 20th century.

On the contrary, it gave rise to myriad expressive possibilities, some of which we will try to analyse in this exhibition through the concepts, intuitions and feelings that the artists explore and that trigger different emotions and interpretations, thus making them emancipating and renouncing the messages that are imposed on us.

CATHERINE WAGNER: Which artist do you feel is the most overlooked or undervalued in the world today and why?

These artists explore a great many ways of making art, but what characterizes their production is the utmost importance they lend to sensibility and feeling, pushing often even towards the edge of meaninglessness, which is one of the most precious assets we can cultivate in a culture that tends to package any and all activities into sensational or publicizeable instant explanations.

click here to download PDF By Tara Plath While Smoke, Nearby, an exhibition of work by Mexico City - based Tania Pérez Córdova, which recently opened at the Museum of Contemporary Art Chicago, marks the artist's first solo appearance in the United States, the show feels like somewhat of a homecoming.

Which offers a hilarious handout interview with David Reed in which the artist discusses the torture he feels making his Which offers a hilarious handout interview with David Reed in which the artist discusses the torture he feels making his which the artist discusses the torture he feels making his work.