Sentences with phrase «which classical forms»

The exhibition will feature contemporary works in which classical forms receive provocative new expression — such as the fragmentary bodies by contemporary artist Marc Quinn — alongside more oblique or suggestive uses of ancient themes, such as Bruce Nauman's landmark video performance, Walk with Contrapposto (1968).

Not exact matches

You may recall that in my own blog at eforum21.com, I have repeatedly explored the reasons behind the difference between «productive» and «unproductive» investment - which, as you know, formed the basis for the essential distinction in Classical Political Economy between productive and unproductive labour.

In other parts of the world which still embrace classical forms, the Gospel still speaks quite loudly through the works of Handel, Bach, and so many other composers (some of whom have, admittedly, complicated personal lives).

By «classical spirituality,» Wells is referring to the devotional habits and moral demeanor of the Protestant Reformers which had been «passed on in deepened pastoral form by the Puritans» and now have extended «down through history and into the present through people like Martyn Lloyd - Jones, J. I. Packer, John Stott, Francis Schaeffer, and Carl Henry.»

Blessed are the Cheesemakers I could spend all day correlating causation in a classical quantum state with the form and substance of the Holy Spirit yet never publish an accepted study simply because certain laws of physics can not be applied outside the field which limits their reflective properties (matter and energy chain of causation).

It rises above those forms of music which are associated only with localised cultural experience, and it operates separately from styles which are associated with high, artistic, classical derivation and aspiration.

To be sure, classical realism is lost to us, a development due in part to increased awareness of the extent to which the human mind and cultural forms are the irreducible prisms for any apprehension of reality.

J. Kittagawa, a colleague of Eliade, admits that a theological history of religions is legitimate and admissible but it should be kept distinct from the «humanistic» History of Religions, which develop sufficient understanding of classical forms of religious phenomena.

This reciprocal acting constitutes a tie or bond between them, which Leclerc identifies with the substantial form of classical Aristotelianism.

The general position of these writers, whose contributions vary considerably in approach and quality, is that Jesus made no claim of divinity for himself and that the doctrine of the incarnation was developed during the early centuries of the Christian era as an attempt to express the uniqueness of Jesus in the mythological language and thought forms of the Greek culture of the time.While recognizing the validity of the patristic theologians» work, which culminated in the classical christological definitions of Nicea and Chalcedon, the British theologians question whether these definitions are intelligible in the 20th century, and go on to suggest that some concept other than incarnation might better express the divine significance of Jesus today.

«9 We now realize that whatever is real and important must somehow include the present world of becoming which we most certainly know and affirm; and this means that we find the classical form of Christian theism simply incredible.

The second main reason for the rejection of this form of theism is that one can accept it only by affirming the entire classical metaphysical outlook of which it is integrally a part.

The classical description of the Father begetting the Son before all worlds can also describe the way in which God, in the Whiteheadian conceptuality, creates himself by envisaging all the pure forms as constituting the metaphysical order God and the world exemplify.

In a celebrated essay published during World War II, he acknowledged that the classical form of Christian proclamation (kerygma) in which the living Christ was communicated was couched in terminology drawn from the now obsolete cosmology of the ancient world.»

This abstraction has ultimately to be expressed precisely in some mathematical form that will give us a new description of implicate order, which is as systematic and coherent as that given in classical physics by the Cartesian co-ordinates.

I remember a modern Hebrew speaker insisting that ehyeh asher ehyeh means «I will be who I will be», not «I am who I am» (another example of the same verb), which is of course correct in modern Hebrew, but in classical Hebrew that form of the verb is completely timeless.

Classical liberalism, the philosophy formed in the Enlightenment by thinkers like John Locke, Voltaire, and Rousseau, and providing the driving force for both the American Revolution and the French Revolution, which states that the autonomy of the individual should be maximized, and the individual should be freed from whatever institutions are preventing them from reaching their potential, be it the Church or the State.

American liberalism, the dominant Ideology of the Democratic Party, was formed from two strands: Classical liberalism, the philosophy formed in the Enlightenment by thinkers like John Locke, Voltaire, and Rousseau, and providing the driving force for both the American Revolution and the French Revolution, which states that the autonomy of the individual...

In a classical material called artificial spin ice, which in certain phases appears disordered, the material is actually ordered, but in a «topological» form.

One way in which that could be true is if space were folded upon itself with a topology like that of a Klein bottle, forming a so - called Alice universe (Classical and Quantum Gravity, doi.org/fxbf2g).

Unlike a digital bit in a classical computer, which can take the form of either 0 or 1, a qubit can be both zero and one simultaneously, throwing open the door to vastly more powerful computation.

According to Alex Parker, one of the people responsible for the discovery of 2014 MU69, the object «belongs to the «Cold Classical» Kuiper Belt, a population that appears to be a surviving remnant of the disk of material from which the planets formed.

The Classical Ketogenic Diet was the original form of diet developed to mimic the ketosis which was observed with fasting.

The Ashtanga Vinyasa Yoga is a style of yoga codified and popularized by K. Pattabhi Jois during the 20th century which is often promoted as a modern - day form of classical Indian yoga.

You will learn classical or traditional Hatha & Ashtanga Yoga which are the yoga forms taught at Samatva Yogalaya.

This form has been talked about and mentioned in the classical Yoga texts by Sage Patanjali the exact life of which can only be approximated to be 3000 years or more.

Vinyasa Yoga — Named and founded by K. Pattabhis Jois is kind of a modern form of classical ashtanaga / hatha yoga practice which lays special emphasis on Breath while performing the postures or journey between the postures (asanas) and drishti (focused Gaze).

What is interesting about the Egg Fast, is that looking at its macronutrient ratio, the regime resembles a classical ketogenic diet, which, in its unpopularised form, is surprisingly strict.

Not surprisingly, he excels in music class, but he also wants to be a regular guy and forms a rock»n' roll band with his roommates — which sometimes conflict with classical music opportunities.

Indeed, the book outlines the full gamut of historical periods associated with different kinds of biopic subjects: the classical, celebratory form (melodrama); warts - and - all (melodrama / realism); transition from producer's genre to auteur's genre; critical investigation and atomisation of the subject; parody; culture based on consumerism and celebrity; minority appropriation (queer, feminist, African American, Third World, etc.); and neoclassical biopic, which integrates all of the above.

Unfortunately, this return to classical form also comes with many archaic problems, most of which will cause many to skip out on this nostalgic action trip.

The installation forms part of The Classical Now, a major exhibition exploring the ways in which Graeco - Roman art has sparked the modern imagination.

The sculptor's signature monolithic marble forms approach the classical tradition with a contemporary spirit, finding in raw stone the organic fans and folds for which he is well known.

As Western metaphor the horse symbolizes power, grace, nobility, strength, endurance and freedom which I integrate into classical yet contemporary forms.

Whereas the artists of the Renaissance, for example, had been steeped in Classical history, mythology and the Bible, the artists of the modern era had been progressively schooled in the visual imagery of mass culture, which thus formed the chief substance of their own internal image banks.

As Rosen progressed, she began creating works «where you start to get the accumulation of things on the surface,» Cassel Oliver said, citing Classical Order: Red, Yellow, Orange Enamel, in which something that could have could have started life as a preposterously thick plate seems to have sprouted a colorful mound of spherical, spiraling forms.

As the artist explained, «my landscapes are not only beautiful or nostalgic, with a Romantic or classical suggestions of lost Paradises, but above all «untruthful» (even if I did not always find a way of showing it); and by untruthful I mean glorifying the way we look at Nature — Nature, which in all its forms is always against us, because it knows no meaning, no pity, no sympathy, because it knows nothing and is absolutely mindless; the total antithesis of ourselves, absolutely inhuman» (G. Richter, quoted in D. Elgar, Gerhard Richter: Landscapes, Hanover 2002, p. 30).

The three ceramic forms are taken from Wedgwood's vast body of vases and urns, which were inspired by the classical roman pots being excavated from all over Europe in the mid-1700's, most notably the Portland vase that Josiah Wedgwood saw on display in London in 1786, later producing his own version in his trademark Jasperware.

Carefully chosen to highlight the important influences and experiences which they shared, this new exhibition aims to bring a fresh perspective to Francis Bacon and Henry Moore, exploring themes in their work such as «the Biomorphic / Picassoesque form», «the human head», and «the Classical figure».

It emphasized the lyrical turn of the painter's late work, in which graffiti - like passages thicken into vine - like forms or give way altogether to inspiration by passages of classical literature or mythology.

A part of the fabled Vollard Suite — a group of 100 prints the artist created for the Paris art dealer in Ambroise Vollard in the 1930s that mingle the artist's erotic preoccupations and newfound obsession with classical forms — this piece functions as one of Picasso's many self - portraits - by - proxy, in which he imagines himself in the guise of a (usually priapic) artist from a different era, such as Degas or Raphael, often dallying with a model.

In 1959 King began teaching at St. Martin's with Anthony Caro and Eduardo Paolozzi, and in 1960 he won a Boise Scholarship to travel to Greece, where the classical architecture inspired a series of drawings in which he developed a new, abstract approach to sculptural form.

He is a founder of the string quartet Ethel, which performs classical works that are recast in interactive, electronic forms.

Fifteen years later, he further elaborated that «my landscapes are not only beautiful or nostalgic, with a Romantic or classical suggestion of lost Paradises, but above all «untruthful»... by untruthful I mean the glorifying way we look at Nature — Nature, which in all its forms is against us, because it knows no meaning, no pity, no sympathy...» Richter's approaches to landscape are various indeed, yet uniquely and recognizably his.

On the other hand he never felt entirely at home with the ideals of the Barbizon School, the members of which saw Romantic idealization of the countrysite as a form of escapism from urban banality, and he remained more faithful to the French Classical tradition than to the English or Dutch schools.

Her practice has been described as engaging in her own unique form of myth - making, one in which the interweaving of fact with fiction opens up possibilities for another group of symbolic female characterisations, markedly different from those that appear in either classical history or popular culture.

Thus, information on dynamics can not be retrieved from this equation which for that reason is never used in circulation models in its classical form.

In classical statistical terms, that means that, if the LNP loses (does not form a government) the null hypothesis that the betting odds are correct can be rejected with 90 per cent confidence, which is commonly considered good enough for social science work.

With the savings, either model will cost customers $ 179, which could help spur sales of the square form factor Android Wear wristwatch as consumer interest seems to be skewing towards a more classical circular watch shape...

LG has committed just as much time on the design, which has been inspired by the forms and styles of luxury cars, classical watches, and other jewelry.