Sentences with phrase «which contemporary audiences»

These shocks and chills, which contemporary audiences have come to expect, were established early on and Paul Wegener's 1920 telling of the golem legend is a strong specimen.

Not exact matches

This person knew that the chapter was full of meaning and featured the rich, evocative sound of names, names which mean very little to a contemporary audience but names of people who were a vital part of Christ's story.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs composed by Alan Menken.

The screenwriters have established a reputation for churning out rom - coms that resonate with contemporary audiences, but do not stray far from the tried - and - true plot formulas and conventions which have earned the sub-genre fans since... well, the early days of narrative filmmaking, to be honest.

Cannavale said the updates bring the beloved musical «to a contemporary American audience which is one of many different colors, shapes, sizes and ethnicities.»

Every step of the way, he was keying into ways in which filmmakers could access contemporary resources to make great art — and find an audience for it.

It feels both divorced from and intrinsically tied to its source material, the 1953 dystopian novel by Ray Bradbury, which is maybe inevitable when bringing a decades - old work to a contemporary audience.

«A terrifically enjoyable movie which sends - up the well - worn tropes of the horror genre while cleverly entrapping its audience into laughing heartily at what is actually (still) the sad state of contemporary racial politics.

Granted, the intended audience of contemporary youth for American Pie will be largely unfamiliar with most of the garbage which splashed across the screens in the 1980s and will find this movie is something original, especially compared to similar films that are watered down once the PG - 13 rating became the norm for teen fare.

• «Beauty and The Beast» Sneak Peek — An exciting first look into the live - action re-telling of «Beauty and the Beast,» which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

Their black - humored deconstruction of the paternalistic WASP ideals, from which the Western and the American contemporary culture feed until today, undermines the audience expectations with relentless nihilism, caustic wit and famous actors...

My target audience is primarily lovers of contemporary romance novels, of which maybe 80 % — 90 % are women.

«Rather than snubbing the District, the New York gala is part of the effort «to totally transform» the modern and contemporary art museum, which must broaden its audience and donor base to survive,» the Post reported, quoting Hirshhorn Deputy Director Elizabeth Duggal.

Rather than snubbing the District, the New York gala is part of the effort «to totally transform» the modern and contemporary art museum, which must broaden its audience and donor base to survive.

Her role will also consist in devising and leading innovative curatorial projects which investigate how museums and collections can work collaboratively with contemporary artists to address diverse audiences for visual art in Britain.

For more than fifty years, the American multidisciplinary artist David Hammons has astounded and enlightened audiences with his diverse, incisive, and conceptually brilliant artworks, many of which have since become icons of contemporary art history and lodestones for younger artists like Hank Willis Thomas and Rashid Johnson who continue to explore race in their work.

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

Other highlights include «LA / LA and Institutional Collaboration», which will use Pacific Standard Time: LA / LA as a reference point to examine how institutions can encourage the growth of regional art scenes; «Digital Museums and Virtual Audiences», focusing on digital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporary art.

Atlanta Contemporary held the second annual ART PARTY with a site - specific installation curated by Joey Orr entitled Exquisite Exhibit: Parlour Games from the Studio Artist Program, which sought to engage new and established audiences with twenty - one artists from the last decade of the Studio Artist Program.

In a contemporary artworld, much of which continues to second guess its audience whilst faking radicality, rare work like that of Eric Fischl's sets itself aside with its material, emotional and psychological enquiry.

ISCP organizes exhibitions, events and offsite projects, which are free and open to all, sustaining a vibrant community of contemporary art practitioners and diverse audiences.

«Through ICA SPEAKS, ICA Miami continues to bolster its commitment to providing a platform for contemporary artists worldwide and offers another way in which audiences can directly connect to the art of today.»

We could call these the «first» and «third» audiences of the Biennale, one that is immediately interested and involved in contemporary art, and one that is present in other ways, and which challenges the confines of contemporary artistic practices.

It does so by raising the funds to purchase and commission new works of contemporary art for a national network of public collections, which subscribe as Member Museums, and by soliciting gifts of works to these collections which have audiences of millions.

After the notoriety it attracted in the 1990s (which, lest we forget, introduced contemporary art to a wholly new audience in this country), the Tate is keen to present the Turner Prize as a serious affair.

After graduating from the U.K's Slade School of Fine Art in London in 2011, she found an eager audience for her painting - meets - sculpture environments, which often feature traditional canvases hung at unusual angles like her solo show, «Turner,» at the Northern Gallery for Contemporary Art in Sunderland, where most of the works adorned the floor of the Pepto - pink colored gallery.

It is clear, though, that by now whatever marginalization to which Fernández was referring has ended - digital media are now not simply permitted, but demanded in contemporary arts spaces, having transformed the relationship between audiences and institutions so fully as to necessitate investment in and revamping of «digital experience» and «digital education» departments to handle the «digital content» and «digital immersion» in nearly all major museums.

«This is a truly transformative opportunity for Margate to be part of something which invites conversations on an international scale, connecting our audiences to outstanding contemporary art and inspiring future generations of creative talent,» said Pomery.

The collector also founded the Athens - based contemporary art foundation NEON, which stages free exhibitions and other cultural events and programs to present contemporary art to a broader audience in Greece.

But the drive toward narrative, and an art audience's fascination with stories, has resurfaced in recent years, often in video, but perhaps more evocatively in installations, which invite comparisons with developments in contemporary fiction — shuffled chapters, meandering plot lines, mash - ups of genres, and elusive or unreliable narrators.

He is one of the seven painters included in the book Selected Contemporary Figurative Painters, published in 2010 by the Tianjin People's Fine Arts Publishing House and edited by Qimin Liu, which introduces contemporary American realist painting to the ChineContemporary Figurative Painters, published in 2010 by the Tianjin People's Fine Arts Publishing House and edited by Qimin Liu, which introduces contemporary American realist painting to the Chinecontemporary American realist painting to the Chinese audience.

The Broad is home to the 2,000 works of art in the Broad collection, which is among the most prominent holdings of postwar and contemporary art worldwide, and presents an active program of rotating temporary exhibitions and innovative audience engagement.

An internationally acclaimed contemporary artist, Rirkrit Tiravanija encourages audience participation to create the spaces of social engagement for which he is so well known.

Our integrated Public Programme consist of commissions, residencies, education and interpretation projects, which attract and inform significant audiences as well as providing artists with platforms and opportunities for debate and critique, as well as developing the discourse on contemporary sculptural practice.

Contemporary artist and experimental «noise musician», Marco Fusinato, has witnessed some scary audience reactions to his enormous sound installation, Constellations, 2015/2018, which invites visitors to pick up a baseball bat and bash what seems to be a plain white gallery wall.

People will talk about his art — his paintings, his exquisite late photographs, the wild performance piece at the Contemporary Arts Museum in which he pointed a machine gun at the audience and declaimed a punk - rock art manifesto.

The Review Panel, organized by artcritical.com, now in its eleventh year and its second season in Brooklyn, is a monthly critics» forum in which moderator David Cohen is joined by three other critics for a live discussion, with an audience, of selected current exhibitions of contemporary art in New York City.

Ligon draws important visual and thematic comparisons between the subtle shades of blue and black used in Ofili's Blue Devils (2014) and the «mood indigo» of the installation Concerto in Black and Blue (2002) by David Hammons — helping to further contextualize and integrate his artworks into a timeline of contemporary - art reference points with which U.S. and wider international audiences might be more familiar (87).

PEET's work will be included in the new Phaidon Press publication Vitamin C: New Perspectives in Contemporary Art, Clay and Ceramics, the latest in the series of «Vitamin» books, which introduce developments in contemporary art of a specific medium to a broContemporary Art, Clay and Ceramics, the latest in the series of «Vitamin» books, which introduce developments in contemporary art of a specific medium to a brocontemporary art of a specific medium to a broad audience.

The Human Touch: Selections from the RBC Wealth Management Art Collection showcases work from contemporary artists working in multiple media, and examines how corporate collections are assembled and the ways in which they serve multiple audiences.

The exhibition, one of the myriad events running concurrently with the Venice Biennale, which opens May 13, gives international audiences a chance to see the work of one of Canada's exceptional contemporary artists.

The exhibition will present newly commissioned works as well as existing artworks by the four finalists, through which the audience will partake in the artists» vision of what contemporary art holds in terms of promising potential and new directions.

And contemporary audiences tend to perceive it as a cohesive movement, one in which the artists involved had an understood agenda, or were at least moving in a cohesive aesthetic direction.

Speaking about What We Call Love, IMMA Director Sarah Glennie said «IMMA is delighted to be staging this important and fascinating exhibition, which is a great opportunity for audiences to experience, at first hand, 20th century masterworks from some of the world's most important collections, shown in the context of contemporary art from Ireland and around the world.

Essential Experiments takes place every month and screens a wide variety of work form the full range of artist's moving image practice from avant garde classics to contemporary digital works in order to provide the audiences with the context in which the works were made and way of understanding them.

This volume, which accompanies a major presentation of Holzer's work in various media from the 1990s onward at the Museum of Contemporary Art, Chicago, goes a long way towards rectifying this situation, and reintroduces her to the American audience at a timely political moment.

Artistic currency has much to do with both how and why contemporary artists make the work they do, the contexts in which they create, and what audiences are inspired to think and say in response to their art.

For six weeks, the 33rd floor of 1500 Broadway will be transformed into a space for US audiences to discover the activities of the London ‐ based Zabludowicz Collection, which supports emerging artists and innovative curatorial practice by collecting and exhibiting contemporary art, as well as through an extensive education and events programme.

Other featured artists include Italian - born, Anchorage, Alaska - based artist Paola Pivi who creates clever interactive musical experiences for Dallas Contemporary visitors in which audience members interact with colorful feathered bears based on ideas from Native American folklore.