Sentences with phrase «which contemporary performance»

These projects come together with this exhibition in an attempt to draw out the multiple histories from which contemporary performance has emerged.

Not exact matches

The calendar, which features over 40 workshops, performances, dinner programs, tours, and lectures relating to women's history and contemporary issues taking place locally during March, is available free at participating locations, the 37 County - wide Library branches, Erie County's Rath Building, and on the websites www.erie.gov and www1.buffalolib.org.

In short, if we carefully examine the state of contemporary cinema, we easily acknowledge that even though there is a defining economic and technological imbalance between Hollywood and the rest of national film industries, first, it would short - sighted to understand Hollywood cinema as a monolithic structure which survives through the repeated performance of a practice of top - down cannibalism.

And although Lanthimos and regular co-writer Efthymis Filippou took the Best Screenplay award in Cannes, it's the film's sheer all - of - a-piece execution — from pacing and composition, to brilliant use of contemporary composers including (Kubrick fave) Ligeti and Gubaidulina, and expertly modulated performances — which holds you in its steely grip and just never lets go.

Among the other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.

It's pointedly meant to be a costumed actor like the old days of Boris Karloff as opposed to the contemporary style of motion - capture performances which may have been utilized under a different director.

Most Americans now believe that some sort of accountability in which communities can compare the academic performance of their students with their contemporaries» nationwide is essential.

The 914/6 models, of which only about 3,300 were built, boasted 125 hp from the 2.0 - liter flat - six and could hit 60 mph in around 8 seconds — considerably quicker than the regular VW - engined 914 and close to the performance of contemporary 911s.

The 2011 Ford Mustang GT 5.0 faced off against the contemporary M3, with which it shared nearly identical performance figures.

Contemporary styling, powerful engines, swift performance and rich interiors are some of the attributes which have been critically acclaimed all over.

Principle to the huge performance leap of the Vantage was a significant upgrade to the V8 engine which in the contemporary AM V8 was struggling to achieve 300 bhp.

Sla307 produces a number of contemporary art exhibitions throughout the year as well as a series of public programming which include lectures, performances, and film screenings.

Ballroom Marfa is an independent contemporary cultural arts space which supports emerging and established artists working in the visual arts, film, music and performance and in particular, on projects that would be impossible to stage in traditional gallery or museum settings.

Billed as a soft opening, Punjab's first - ever international contemporary arts festival launched on 3 March, with performances staged in the courtyard of the Ran - Baas and before the magnificent Darbar Hall, where the Raj had held court, and which still flourishes gilded plaster mouldings, walls inlaid with mirrored glass and 14 crystal, status - symbol, F&C Osler chandeliers.

The sharp and sinuous movements that make up Hollander's arresting performances are inspired by airport pat - downs, touchscreen swipes, and the temperature (65 degrees Fahrenheit) at which most art institutions display their works, among other gestures that define how we interact with the contemporary world.

Concluding the exhibition are commissioned works by emerging artists, which provide critical insight into the continued relevance of the artist's studio in understanding pervasive elements of contemporary life, such as the rapid exchange of information and emphasis on performance and spectacle.

Lastly, I would like to mention the Swedish - born duo Nathalie Djurberg and Hans Berg, whose work Worship (2016) resonates with different works from various disciplines, bringing performance up to the present day, conceptually and technologically, and also in the way in which it reflects the fluidity of contemporary creative practice.

«100 % Other: Artists and Psycho - Demographic Transitions» follows several recent critically acclaimed exhibitions, including «Patriot Acts» (the first installment of «Future of Nations») and «Incognegro,» which offered a contemporary critique of race through the exploration of infamous black - face performance.

Located at 888 Newark Ave., Jersey City, NJ, Mana Contemporary hosts two open houses each year during the spring and fall, which include special programs, performances, and open studios in addition to new and continuing exhibitions.

There's persuasive evidence to support this sharp reputational shift: this was the moment when post-industrial architecture led to new forms of loft living; it was the era in which performance, film and installation became central features of contemporary art; and it's where more fluid notions of gender and sexuality were evolving in pulsing clubs and decaying factories.

Their artistic practice spans diverse media including film, photography, painting, performance, and site - specific projects.Vătămanu and Tudor's broad - reaching practice has positioned them among the most compelling and literate interpreters of our contemporary post-communist condition, which extends far beyond their native Romania.

Segade is a founding member of the collective My Barbarian, whose fantastical, political performances and videos have been exhibited at the Hammer Museum, the Museum of Contemporary Art, and Los Angeles County Museum of Art in Los Angeles; The Kitchen, the New Museum, the Whitney Museum, MoMA P.S. 1, Joe's Pub, the Studio Museum in Harlem, and Participants Inc. in New York; San Francisco Museum of Modern Art and Yerba Buena Center in San Francisco; the Museum of Contemporary Art, Miami, Museo Experimental El Eco, Mexico City, the Power Plant, Toronto, De Appel, Amsterdam, El Matadero and ARCO, Madrid, Galleria Civica di Arte Contempraneo, Trento, Italy, the Center for Contemporary Art, Tel Aviv, and Rawabet Theater / Townhouse Gallery in Cairo, for which the group received an Art Matters grant in 2008.

At both locations, you may notice people giving these paintings the kind of time that is expended more frequently on contemporary works in video, performance and installation, which require it.

Based in New York they maintain an expansive inventory of 15,000 titles by over 6,000 artists as well as maintaining a busy programming calendar which includes exhibitions of contemporary and historically significant artists books, artist talks, book launches and performances.

Culled from the artist's archive of hundreds of color slides originally shot using Ektachrome film (which Kodak discontinued in 2013), Harris initially presented selections from his archive publicly as digital projections at Yale University, as well as in conjunction with the exhibition Radical Presence: Black Performance in Contemporary Art at New York University's Grey Art Gallery and the Studio Museum in Harlem in 2013 - 14.

The exhibition, which will be held at the Museum of Contemporary Art, Andros, through September 26, 2010, will feature a total of 76 works, including 42 sculptures, 34 drawings and preliminary sketches, and a series of photographs documenting stage sets designed by the artist for various performances, as well as public works realized across Europe, Asia and the United States.

Miami Art basel included 268 premier galleries from 32 countries, all of whom presented works ranging from Modern masterpieces to contemporary painting, sculpture, performance, photography and works on paper and film — some of which were created specifically for the fair.

Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.

There, he revealed his deep passion for performative practices and so - called «outsider» artists with two trailblazing shows: «Radical Presence: Black Performance in Contemporary Art» (2013 — 14), which tracked black performance art from the 1960s to today, and «When the Stars Begin to Fall: Imagination and the American South» (2014), which questioned the exclusory term «outsider art» by bringing together both self - taught and formally educated blaPerformance in Contemporary Art» (2013 — 14), which tracked black performance art from the 1960s to today, and «When the Stars Begin to Fall: Imagination and the American South» (2014), which questioned the exclusory term «outsider art» by bringing together both self - taught and formally educated blaperformance art from the 1960s to today, and «When the Stars Begin to Fall: Imagination and the American South» (2014), which questioned the exclusory term «outsider art» by bringing together both self - taught and formally educated black artists.

From the renowned Performa Commissions program — with ambitious new work by Paweł Althamer, Rosa Barba, Boris Charmatz, Raqs Media Collective, Subodh Gupta, Florian Hecker, Rashid Johnson, Joan Jonas, Ryan McNamara, Eddie Peake, Alexandre Singh, Marianne Vitale, and Tori Wraanes — to the inaugural Pavilions Without Walls, in which the biennial explored the character of contemporary art in Norway and Poland, and including special thematic focuses on ideas of Citizenship, the Voice, and the historic anchor of Surrealism, Performa 13 is an exhilarating look at the state of artists» performance today.

Dr Omar Kholeif, Manilow Senior Curator at the Museum of Contemporary Art Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film programmes.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

The performances, installations and videos exhibited serve not only as explorations of the complex identity of black youthful opposition but also a way in which to question whether these contemporary traditions can exist with the established traditions of art institutions and discourse.

Calder quickly gained renown for his beloved work of performance art, Cirque Calder, which many of his artist contemporaries came to see, including Piet Mondrian, who reciprocated by opening the doors to his Paris studio in October of 1930.

The texts considerGilmore's contemporary reassessment of both hardcore and feminist performance practices that emerged in the 1960s and 70s, which explored physical limits and social norms, often through exposure and endurance.

Haunted: Contemporary Photography / Video / Performance examines the myriad ways by which photographic imagery is incorporated into recent art practices, and in the process underscores the unique power of reproductive media — while documenting a widespread contemporary obsession with accessing and retrieviContemporary Photography / Video / Performance examines the myriad ways by which photographic imagery is incorporated into recent art practices, and in the process underscores the unique power of reproductive media — while documenting a widespread contemporary obsession with accessing and retrievicontemporary obsession with accessing and retrieving the past.

«This is so contemporary» could be one of the lines of Andrea Fraser's satirical performance of «May I Help You», which I once witnessed at the Ludwig Museum.

The Moore Space is dedicated to presenting international contemporary art forms and aims to achieve this through an experimental program of cross-disciplinary exhibitions, performances, artists and curators residencies and public programs which reflect the state of contemporary art today.

Several of Burden's other performance pieces were considered somewhat controversial at the time: another «danger piece» was Doomed (1975), in which Burden lay motionless in a gallery at the Museum of Contemporary Art, Chicago under a 5 ft × 8 ft (1.5 m × 2.4 m) slanted sheet of glass near a running wall clock.

The way these aspirations and expectations about love play out in the real world - between and among partners, friends, and families - is the theme of The Progress of Love at the Centre for Contemporary Art, Lagos, which will present a series of performative exhibitions, performances, and film screenings.

Currently she works as an interviewer on the Smithsonian Visual Art and the AIDS epidemic oral history project and co-curates the reading and performance series Adult Contemporary, which released its first book of art and literature last fall.

FAENA ART presents two distinct but related exhibitions, opening to the public on May 31, 2015 at Faena Art Center Buenos Aires (FAC), which demonstrate the power of performing bodies, in both physical and digital forms, to explore temporality and the role of gender in contemporary art and performance.

A Performa Commission with HAU and SFMOMA, the performance continues SFMOMA's Now Playing live art series, which has transformed the nature of the museum's public programming by embracing the event - driven, performance - based aspect of much contemporary art.

A director at a prominent European gallery told Studio International that this was helped by the nearby Frieze Masters, which was launched in 2012 and covers art from ancient times to the mid-20th century: «Lots of galleries that were at Frieze last year have made the move over to Frieze Masters this time, which has left more space for live and performance art here at the contemporary fair.»

Goldberg is the final presentation of the Armory's 2015 season, which encompassed site - specific installations, commissions, and cross-disciplinary collaborations across a range of art forms including: FLEXN — an evolution of the Brooklyn - born street dance flex co-directed by Peter Sellars and dance pioneer Reggie (Regg Roc) Gray; H -LCB- N) Y P N (Y -RCB- OSIS, Philippe Parreno's largest exhibition in the U.S. to date, a multi-sensory journey within the monumental interior of the Armory's drill hall; the U.S. premiere of the new contemporary dance Tree of Codes by Wayne McGregor, Olafur Eliasson, and Jamie xx; HABEAS CORPUS, a penetrating new work by Laurie Anderson in collaboration with Mohammed el Gharani; and the third annual recital series featuring the U.S. premiere of The Night Dances by Charlotte Rampling and Sonia Wieder - Atherton, a concert of songs from World War I by Ian Bostridge, a performance of Viennese lieder by Christian Gerhaher and Gerold Huber, and more.

During her tenure with the Guggenheim she has also organized touring exhibitions such as Family Pictures: Contemporary Photographs and Videos from the Collection of the Guggenheim Museum; Speaking with Hands: Photographs from The Buhl Collection; and Rrose is a Rrose is a Rrose: Gender Performance in Photography (all of which, like Haunted, featured the work of Robert Mapplethorpe).

The engagement marks the inauguration of the Artists Studio, a new series of contemporary performances curated by Moran throughout 2016 and featuring innovative artists and artistic pairings which will activate the historic room.

Merge Festival is an annual festival to encourage and promote a set of exhibitions, performances, events and happenings which draw on the rich heritage and contemporary culture of Bankside.

Witnessing «Survival AIDS» panel presented by Visual AIDS, hosted by Participant Inc, as part of The Reconfigured City series and on the occasion of Survival AIDS, a major solo exhibition by Hunter Reynolds examining different ways in which HIV / AIDS reconfigured / reconfigures queer identify formation and contemporary visual and performance art.

The Contemporary Arts Museum Houston is alive with the dazzlingly chaotic hum of the late Stan VanDerBeek's category - defying, utopian hybrids of film, technology and performance, including one of his «movie murals,» which combine film excerpts with slide and acetate projections on an epic scale.