Sentences with phrase «which contemporary practice»

Integrated Family Therapy celebrates the way in which contemporary practice now recognises the importance of incorporating discussion of family strengths and resilience in therapeutic conversations, promoted in the last two decades by Froma Walsh.

Not exact matches

«Lear's counterpart in the contemporary Church,» writes Mankowski, «is a certain segment of clergymen which has made it a practice to vindicate its prejudices by affecting to consult with the faithful, to listen to their concerns, only to announce with astonishment that God's Little Ones are pleading for precisely those changes for which the Listeners themselves have a deep and discerning sympathy.»
Thus, theology, even that theology which seeks to adhere to the principle of sola scriptura, becomes in practice the dynamic blending of Biblical, traditional, and contemporary sources.
Unfortunately, contemporary culture presents us — all too insistently — with issues which require a determined biblical and theological response: the continuation of the abortion regime; the intensifying pressure to acknowledge the legitimacy of same - sex «marriage»; the attacks on the religious liberty of Christians, forcing them to support practices offensive to their faith; and, most recently, «assisted suicide» now masquerading under the name «the right to die with dignity.»
What appears to be happening is that multiple strategies are emerging out of the current trend and contemporary practices, taking into account the urgent need to find solutions given the dramatic situation in which hundreds of millions of people in the world find themselves and which risks ending up in collective suicide.
by saying: In three ways --(1) its members must fulfil their moral responsibilities and functions in a Christian spirit; (2) its members must exercise their purely civic rights in a Christian spirit; (3) it must itself supply them with a systematic statement of principles to aid them in doing these two things, and this will carry with it a denunciation of customs or institutions in contemporary life and practice which offend against those principles...
Theology begins and ends in the collective practice of living communities of faith — communities which seek clarity about their mission in the context of the contemporary world.
Holmer has been suspicious of contemporary models of theology which seem to depend heavily upon distinctions between theory and practice and between intellect and emotion.
But in keeping with Eugene V. Rostow's characterization of the contemporary Supreme Court as a «vital national seminar,» it is worth noting that the original charge to the Court was only that it render an aye or a nay.44 It quickly began handing down written opinions also, however, and under Marshall began the practice of trying for a single majority opinion, which gave «judicial pronouncements a forceful unity they had formerly lacked.
Linguistically the word evangelical is rooted in the Greek word evangelion and refers to those who preach and practice the good news; historically the word refers to those renewing groups in the church which from time to time have called the church back to the evangel; theologically it refers to a commitment to classical theology as expressed in the Apostles» Creed; and sociologically the word is used of various contemporary groupings of culturally conditioned evangelicals (i.e., fundamentalist evangelicals, Reformed evangelicals, Anabaptist evangelicals, conservative evangelicals).
For example, if U.S. birthing practices are employed (Wagner, 2006), or if U.S. contemporary childrearing mainstream norms are being followed which don't follow the evolved needs of babies (see below), pain that does not seem to have an immediate, direct cause can result.
It introduces a global model of intrapartum care, which takes into account the complexity and diverse nature of prevailing models of care and contemporary practice.
This mismatch between human infant biological needs and contemporary caregiving practices or contexts may be particularly heightened in western industrialized cultures within which sudden infant death syndrome (SIDS) and / or sudden unexpected infant death in infancy (SUID) are both more salient and prevalent.1, 2
In short, if we carefully examine the state of contemporary cinema, we easily acknowledge that even though there is a defining economic and technological imbalance between Hollywood and the rest of national film industries, first, it would short - sighted to understand Hollywood cinema as a monolithic structure which survives through the repeated performance of a practice of top - down cannibalism.
Thus, the book — which grew out of a series of three lectures — draws on a range of contemporary science and knowledge as Gardner reframes both the teaching and practice of old virtues within the constraints of a modern society.
It's not often that the wife of a Mormon bishop acts as an amateur sleuth in contemporary crime fiction, but Linda Wallheim finds herself wrapped up in a woman's disappearance in The Bishop's Wife, which was inspired by an actual crime and written by practicing Mormon Mette Ivie Harrison.
View works by contemporary Ubudian artists as well as traditional schools of art such as Batuan — practiced by Brahman artists — and Sanur, which features highly stylized paintings of sea creatures and other animals.
Arguing that this kind of conscious practicewhich now constitutes the avant - garde of the computer game medium — can inspire new working methods for designers, Flanagan offers a model for designing that will encourage the subversion of popular gaming tropes through new styles of game making, and proposes a theory of alternate game design that focuses on the reworking of contemporary popular game practices.
As a preview event, we're talking with Los Angeles Contemporary Exhibitions (L.A.C.E), which describes itself as «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imaginaContemporary Exhibitions (L.A.C.E), which describes itself as «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imaginacontemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imaginacontemporary art practices and inspire the public imagination.»
P.S. 1 Contemporary Art Center is pleased to present MY SECRET LIFE, Lutz Bacher's first museum survey exhibition, which spans several decades of the artist's wide - ranging conceptual practice.
With a frame reflecting the New Museum's approach to its own triennial — whereby it focuses on emerging artists — the show offered a platform upon which to explore a new generation of contemporary practices.
Sterling Ruby's interdisciplinary practice incorporates sculptures, collages, ceramics, paintings and videos, which act as markers and metaphors for the burdens that plague contemporary existence.
At Fourteen30 Contemporary, Rafferty, a participant in this year's Whitney Biennial, presents new work concerning language and the body, a connection bridged through the concept of «figure drawing,» which applies both to the classical practice of artists observing and representing a model as well as using the innate elasticity of words to suggest multiple, sometimes contradictory meanings.
The relationship between historical art and contemporary practice is further explored through the acclaimed Frieze Masters Talks programme, which was curated in 2017 by Tim Marlow (Royal Academy, London).
Sargent's Daughters, which opened in November 2013, has an interest in artists who work in a traditional medium while challenging contemporary artistic practice.
As the contemporary practice of painting continues to expand exponentially, with many artists becoming less concerned with the physical medium of paint itself, Cain's practice — a combination of control, happenstance, and environmental information — is made unique through its reliance on space and the structural conditions of the locations in which her work is exhibited.
The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.
Lastly, I would like to mention the Swedish - born duo Nathalie Djurberg and Hans Berg, whose work Worship (2016) resonates with different works from various disciplines, bringing performance up to the present day, conceptually and technologically, and also in the way in which it reflects the fluidity of contemporary creative practice.
Object - based art, which grew into a major twentieth - century trend and continues today, took its cue from the ready - made, and Re-Object explores the continuation and transformation of both lines in contemporary artistic practice, via large - format photographs and analytical essays on the artists.
The artists» selection of artwork developed through many conversations with curator Gary Garrels, in which they discussed the issues of their work, their individual studio practices, their appraisal of art history, and the current status of contemporary art.
Their artistic practice spans diverse media including film, photography, painting, performance, and site - specific projects.Vătămanu and Tudor's broad - reaching practice has positioned them among the most compelling and literate interpreters of our contemporary post-communist condition, which extends far beyond their native Romania.
Focused specifically on the processes of making art, and those ideas which feed into contemporary artistic practice, the gallery seeks to take risks and push the boundaries of how work is traditionally represented within formal institutions.
Metz, a Brooklyn - based contemporary artist, echoes and reinvents the practice established by Louis, which is defined by saturated paint and amorphous shapes.
The artist refers to a traditional genre — a» landscape of fantasy» which is uncommon for contemporary art practices.
There, he revealed his deep passion for performative practices and so - called «outsider» artists with two trailblazing shows: «Radical Presence: Black Performance in Contemporary Art» (2013 — 14), which tracked black performance art from the 1960s to today, and «When the Stars Begin to Fall: Imagination and the American South» (2014), which questioned the exclusory term «outsider art» by bringing together both self - taught and formally educated black artists.
Victor Ekpuk's practice, which began as an exploration of nsibidi graphics and writing systems, has evolved to embrace a wider spectrum of meaning that is rooted in African and global contemporary art discourses.
Current projects include In the Shadow of the Negress: A Brief History of Modern Artistic Practice, which explores the constitutive role played by fictions of black womanhood in Western art from the late - eighteenth century to the present, and a companion volume — tentatively entitled Touched by the Mother: Contemporary Artists, Black Masculinities, and the Ends of the American Century — that brings together many of his new and previously published critical essays.
For the last eight years, Lemus's practice has explored divisions between African - American and Latino cultures, and the means by which identity is assigned in contemporary culture.
Previously she was the inaugural international curator at the Ullens Center for Contemporary Art in Beijing (2007 - 08) and chair of the Master's Program in Curatorial Practice, which she co-founded in 2002 for California College of the Arts in San Francisco.
This month will offer his fans a chance to luxuriate in his warmly welcoming art when it comes to the Bronx Museum for a sweeping retrospective of Feher's work, which promises plenty to marvel at for both newcomers to contemporary practice and experience veterans.
Ashley Bickerton's vibrant and often dystopic vision of contemporary culture has been at the center of his four - decade - long practice, which includes painting, photography, sculpture, and every possible combination therein.
It explores the various modes in which contemporary artists persist in, yet significantly expand upon, the historical practice of grisaille.
But also experiencing other historical works in dialogue with contemporary practice, which is something that the breadth of our programme at Turner Contemporary allocontemporary practice, which is something that the breadth of our programme at Turner Contemporary alloContemporary allows us to do.
I therefore know something about the area of contemporary artistic practice which I regard as one of the liveliest, most vigorous and most creative sectors of the contemporary arts anywhere.»
The last couple of months have been spent researching George Hallett pre-exile photography practice in 1960s South Africa, visiting the 13th Sharjah Biennial (read the review on Contemporary And) and Reunion Island as part of the Frac (Fonds Régional d'Art Contemporain), which was also an occasion to meet artists across the island and give a talk at the Ecole Supérieure d'Art.
In 2011 Goodman Gallery curators Tony East and Claire van Blerck produced The Night Show, a 3 - part exhibition staged at Goodman Gallery Cape Town, which sought to destabilise the notion of the white cube and to engage with contemporary art practice on its own terms, courting the spontaneous and embracing the ephemeral.
A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.
Reading Room explores some of the ways in which contemporary visual artists, poets, writers, and scholars practice in the rich seam between art and writing.
Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.
The second point comes from a quote in the publication, The Sublime from the «Whitechapel: Documents of Contemporary Art» series by Simon Morley which states: «this anthology explores the range of recent artistic theory and practice that attempts to articulate such moments of mute encounter with all that exceeds our comprehension.»
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