Sentences with phrase «which curators»

The last biennial, which curators Elisabeth Sussman and Jay Sanders used as an opportunity to showcase the ways in which artists were embracing a hybridized approach to their mediums in order to invent new directions forward, was an enormous critical success — raising the stakes for this year's curators, the themselves - hybridized trio of former Tate Modern film curator Stuart Comer (now at MoMA), Art Institute of Chicago professor and artist Michelle Grabner, and ICA Philadelphia curator and WhiteWalls editor Anthony Elms.
What is terrific about the relatively modest installations downstairs is the fluidity with which the curators, Jodi Hauptman and Sarah Suzuki, juxtapose more and less familiar works to generate fresh (and in some instances even quirky) insights and associations.
Davidson and Dubbin have been invited to produce a new set of speaker sculptures which the curators put forward to a group of 8 artists, asking them to produce a new multichannel sound work that responded to the ideas of the Sound Spill exhibition as well as addressing the particularities of the Volumes for Sound project.
The book — which curators planned to make copies of via Xerox — posed poignant questions over the display, ownership and distribution of art while marking a major moment in the Conceptual Art movement.
At Houston's Menil Collection, where he was an exhibitions assistant for 18 years, he made miniatures of artworks for the museum's scale model, which the curators would use to plan shows.
Perl continues noting that «what makes «Impressionists on the Water» a success is the confidence with which the curators stay inside the story they're telling, keeping the plot line simple enough that the paintings emerge with their subtlety and complexity intact.»
The workshop will be followed by a public lecture at OCA on 26 November at 2 pm, in which the curators will discuss the 89plus project in general, as well as the fruits of their research in Norway in particular.
A painting by Hungarian artist Simon Hantai, which the curators said they believe has been on display just once since its acquisition in the early 1970s, was selected after they discovered it heavily wrapped and «stuck behind two Lichtensteins» while foraging for pieces in the museum's storage site in Queens.
Organized with a strict set of guidelines that outlines the need for each vendor to present an aesthetically pleasing display, the Essex Street Market is in many ways like a gallery, or even an art fair, in which curators are expected to arrange their designated spaces as they vie for the interest of viewers.
Gallery artist Alex Da Corte will participate in the group exhibition, New Skin for the Old Ceremony for which curators Lorca Cohen and Darin Klein asked artist - filmmakers to «reimagine and interpret» Leonard Cohen's 1974 album of the same name.
Tate Britain on Millbank is staging a show simply called Watercolour, opening on Wednesday, which the curators hope will blow away the myths and falsehoods about a medium sometimes seen as very British, profoundly conservative and, to put it bluntly, not very cool.
Indian Highway pioneers a radical model of curating, in which curators will be invited to develop a «show within a show» inside the exhibition.
(The show also includes a small selection of Neel's cityscapes, which the curators say «round out her stated intention of depicting the zeitgeist of her era.»)
Crisp's Spirit shows us the allegorical figure lifting high her «torch of knowledge» and her mirror, which the curators» commentary tells us «reflects the news of the world.»
Maybe that gives a slight, sunny edge to Sweden's The Square, in which a curator enters a downward spiral after a relatively benign setback: the loss of his phone.
In the galleries, we can create memorable happenings to which a curator has brought all of her or his insights; that excite collectors; and that serve the artists and their work.
Its less restrictive, more intuitive approach is clearly evident in the group show Drawings (1958 — 59), for which curator Michaela Weisselberg selected works by 45 artists who would not otherwise have shared the same space, among them Franz Kline, Georg Grosz, Milton Resnick, Grooms, Claes Oldenburg, and Philip Guston.
PARIS — Bridget Riley's retrospective at the Modern Art Museum of the city of Paris opens with landscape drawings from the 1950s, passes through the Op Art with which she became famous, soars into the big lusciously colored abstracts of recent years and ends with a wall painting which the curator sees as a homage to the museum's prize possession, «La Danse» by Matisse.
The phrase, which the curator says he borrowed from a professor at the University of Southern California, is a handy framework for understanding how he and co-curator Jonathan Katz selected the 125 pieces in the exhibit.
There's a dumb entry gag in which the curator has put a rubber hose from the museum's archives on display on a plinth in a Curating 101 («What is a work of art?»)
Join ICI for a presentation in which each curator will discuss five artists under 35 years old that they believe could become the most influential practitioners of their generation.
Miller has also decidedly gone bigger in the period leading up to and after the 2017 Venice Biennale for which curator Christine Macel selected his work for the central exhibition «Viva Arte Viva.»
The earliest works in the exhibition are examples of Bloom's «advertisements» of windows for modernist homes, «Crittall Metal Windows» (1972), which the curator, Douglas Ecklund, writes were a manifestation of Bloom's interest in producing an artwork «so certain that it would disappear».
Unlike many large - scale exhibitions in which the curator's statement is lacking in focus, Enzewor's truly presents what he proclaims: an attempt to «offer the world a global sounding board.»
Images like these were very influential in psychedelic art, which curator Andrew Blauvelt asserts is an art form warranting scholarship, despite its lowbrow status as the purview of commercial artists, designers, and engineers more often than fine artists.
Supported by a catalogue essay in which the curator Catherine Lampert discusses their habits and methods and introduces previously unseen writing by the artists, the exhibition will look at the way their conversations impacted on the development of their work, demonstrating that despite their wide - ranging styles they are each linked by a desire to catch what Bacon describes as «the mystery of appearance within the mystery of making», and in doing so broke new ground in contemporary painting The exhibition includes major works by each artist, several borrowed from public collections, among them Francis Bacon's Pope I 1951 from Aberdeen Art Gallery, David Hockney's Man in a Museum 1962 from the British Council and others like Frank Auerbach's Primrose Hill, Winter Sunshine 1962 - 64 and Euan Uglow's Nude, Lady C 1959 - 60 which have not been seen in public for many years.
Sounding a bit like the promotional spiel for a sci - fi convention, the tagline for the Fifty - fifth Carnegie International — which curator Douglas Fogle blithely titled «Life on Mars,» after David Bowie's 1971 classic — inspires visions of Roswell, tinfoil hats, and Heaven's Gate.
The show was in response to the museum's previous exhibition The 1930s: Painting and Sculpture in America (1968), in which curator Bill Agee neglected to include African Americans despite their involvement in the visual arts, specifically through the Works Progress Administration.
«Sean Scully: Resistance and Persistence» complements Sean Scully's extraordinarily successful and ground - breaking exhibition «Follow the Heart: the Art of Sean Scully» which opened at Shanghai Himalayas Art Museum and moved to Beijing Central Academy of Fine Arts Museum (CAFAM) in 2015, about which Global Times said «there is a Sean Scully hurricane blowing through China» and about which the curator Wang Chunchen said «it is as important an exhibition as Rauschenberg's ’85 show in China».
His work was shown in the 1923 exhibition in Mannheim, for which curator Gustav Friedrich Hartlaub coined the movement Neue Sachlichkeit (New Objectivity), but Beckmann was never an overt a societal chronicler as peers Otto Dix and George Grosz.
The exhibition, on view January 22 through April 22, 2012, follows The 2010 deCordova Biennial, the first of deCordova's revamped regional showcase, for which Curator Dina Deitsch won critical acclaim for her fresh curatorial approach.
The documents are kept in a giant vault which the curator has to open for you after you identify the documents you want to view

Not exact matches

«Some of the curators maybe familiar to you, which is a great entry point if you know and trust their taste,» explains Hunt.
Whereas Nicole's strategy was to thank curators for sharing her content and hope for a follow back, Jason's strategy is to thank those who have already followed his account and hope for a retweet, which will lead to more impressions for his brand.
However, I do wish the curators had done the right thing and chosen not to include the cross, which could easily have been placed outside one of the countless Christian churches in that neighborhood.
A four - minute video clip by the late artist David Wojnarowicz was part of a larger exhibit titled «Hide / Seek: Difference and Desire in American Portraiture,» which looks at «sexual difference in the making of modern American portraiture,» according to gallery curators.
Hitler killed gay people, ill people, anyone who opposed him, and Jewish people — when he was younger he showed his artwork to art curators who were Jewish and they refused his art which made him mad — also Hitlers father was Jewish and was abusive to him — Hitlers Utopia was self serving — 3.
Its curators» decisions to display particular objects, such as the Artifact, in the Museum are not state actions to which Constitutional protections apply.»
Readers should be aware that Lyle Dorsett curator of the Wade Collection and the person who videotaped the approximately seven - and - a-half hour oral history interview with Douglas, has said that the comment to which Wilson is evidently alluding here actually refers to a time after their (ecclesiastical) marriage, when Gresham had come to live in Lewis's home.
My concern is to draw a connection between the broader situation Gioia describes and the dealer's observation, which cuts to the heart of who I am, as a Christian, and the work I do as an art critic, curator, and art historian.
she could have carried a pickett sign in front of the museum or wrote a letter to the curator of the musuem but NOT GO IN AND DESTROY something that did not belong to her and which I assume the artist worked hard on whether we like it or not.
His Face as a Message: At the end of the 50th anniversary special when The Curator appeared — and it was Tom Baker, the 4th Doctor — they implied that he could choose his face, that he might «revisit the old favourites» which was completely fascinating turn.
It has been dated by Dietrich von Bothmer, Curator of Greek and Roman Art at the Metropolitan Museum in New York, at about 510 B.C.. Its decoration, by an unknown artist of Attica, the peninsula which was the site of the city - state of Athens, portrays discus and javelin throwers and a sprinter and a trainer.
Every generation since has used Washington as a canvas on which it paints its own feelings about the meaning of being an American,» says Tom Kelleher, Curator at Old Sturbridge Village.
- WGN Radio - April 12, 2016 It's not everyday that someone gets to interview a curator of urban ecology, which is Steve Sullivan's title at the Peggy Notebaert Nature Museum.
The Naperville museum's «Food for Thought» exhibit features hands - on stations where visitors can help create the display, which Jennifer Bridge, curator of exhibits and interpretation, said will «add to the experience they have on the grounds.»
«They tell lots of stories,» said Jennifer Bridge, an assistant curator at the Naper Settlement, which opened «Doorknobs: A Handle on History» on Friday.
Yet its art curator, Peter Millard, has assembled a collection of provocative works which, taken together, capture the essence of British political life.
The «interactive» elements of the exhibition — suitably underdone for a publication which so often lampoons the techno - obsessed — superbly conjure up what the curator, Julius Bryant, calls «the creative mayhem in the editor's office, the Aladdin's cave of detritus».
«There's a very deep connection between Titanic and New York City,» said Sarah Henry, chief curator for the Museum of the City of New York, which runs the South Street Seaport Museum.
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