Sentences with phrase «which debuted at»

The latest addition to the initiative is a semi-annual publication, also called, On Common Ground, which debuted at the recent NAR convention in San Francisco.

Many of the options, which debuted at the 2012 International Builders Show, should begin premiering in Real Estate developments this year.

It's all thanks to the Vuzix Blade AR sunglasses, which debuted at the show in Las Vegas.

The latest of these is Elgato's new line of «Eve» connected home sensors, which debuted at the IFA 2014 trade show in Berlin, Germany.

As for the price, the Apple iPhone 8 will reportedly be valued at 10 - 20 % more than the current price of the iPhone 7, which debuted at $ 649.

Awkwardness aside, Lawrence went on to help Elliott with her first feature film, Clara's Ghost, which debuted at the 2018 Sundance Film Festival.

The Japanese original equipment manufacturer hasn't commercialized a 4K smartphone since the Xperia XZ Premium which debuted at MWC 2017 and launched last June, still using the firm's OmniBalance design.

These two phones are the Huawei Mate 9, which recently arrived in the U.S., and the LG V20, which debuted at the tail end of 2016.

With the G Flex in 2014, and its sequel which debuted at CES this year, LG's been trying to figure out how to make curved - screen smartphones work.

However, it has worked on activity trackers in the past, such as the Venus 1 and Venus 2, both of which debuted at Mobile World Congress 2016.

In terms of new releases, none made a bigger splash than Lineage M from NCSOFT, which debuted at No. 5 overall and No. 2 on Google Play.

Architect Michelle Kaufmann designed the house, which debuted at Sunset's Celebration Weekend in Menlo Park, California.

There, a new version of Cosmic Generator was joined by sculptural installations (incorporating emergency food supplies, ceiling fans, and inflatable palm trees) and a second video, NoNoseKnows, which debuted at the 2015 Venice Biennale.

Henrot's career has been gaining steam since she won the Silver Lion award at the 2013 Venice Biennale for the video Grosse Fatigue, a visually snappy meditation blending scientific facts and creation stories through items in the Smithsonian Institution's archives; a subsequent companion installation, The Pale Fox, which debuted at London's Chisenhale Gallery in 2014, explored our collective obsession with objects.

Among the highlights of this year's fair, will be the return of ART HK PROJECTS, a feature section which debuted at last year's event.

The installation, which debuted at Frieze London last year, unfurls the history of espionage, architecture, and mythology in the West Bengali town for which it's named.

The BMA will also present Broomberg & Chanarin's 12 - minute film, Rudiments (2015), which debuted at Lisson Gallery London in October 2015.

Jeff Koons's Made in Heaven, which debuted at the Venice Bienniale in 1990, immortalized his marital union with the Italian porn star and politician known as La Cicciolina.

The second leg of the tour, which debuted at the Wexner Center last fall, is also its sole West Coast engagement.

This is artist Daniel Arsham's vision of the future as he presents it in his film series, «Future Relic», the 4th installment of which debuted at the Miami Beach EDITION hotel last week.

During the residency, she was the stage designer for the opera «Conference of the Birds Unfeathered» which debuted at the Mondavi Center for the Arts at UC Davis and at Montalvo.

Recent projects include Sundown Schoolhouse, an itinerant educational program; Edible Estates, an international series of domestic edible landscapes; and Animal Estates, a housing initiative for native animals in cities around the world which debuted at the 2008 Whitney Biennial.

In 2015, Kentridge directed a new production of Alban Berg's Lulu, which debuted at the Metropolitan Opera, New York; it was subsequently taken to the English National Opera (ENO), London (2016 — 17).

David Hammons» Untitled (African American Flag)(1991/2015), a cutting statement on black identity, which debuted at the Studio Museum in Harlem in the last millennium, is currently flying above PS1's courtyard — a fair enough warning that the past is afoot.

Cinderella and the Virgin by Kutlug Ataman is a continuation of Kuba, a large - scale work, which debuted at the Carnegie International and won the prestigious Carnegie Award.

The exhibition which debuted at Stadthaus Ulm in 2012, now travels to Museum Goch with close to one hundred photographs from some of Bieber's most significant series: Between Dogs and Wolves, 1994 — 2004; Going Home: Illegality and Repatriation, South Africa to Mozambique, 2001; Real Beauty, Survivors, Las Canas, Women who Murder their Husbands, 2005.

The Scrying Trilogy incorporates three new works: Another Circle, Crystal Forest and Hydromancy, each expanding on the ballet SCRYING, which debuted at the Museum of Modern Art in New York earlier this year.

The exhibition centers on Kulendran Thomas's startup - as - artwork New Eelam (2016), which debuted at the Berlin Biennale this summer and proposes a future in which globetrotting subscribers to the service collectively own and occupy hiply furnished homes in cities around the world, while referencing the proposed state of Tamil Eelam, which was wiped out during Sri Lanka's 26 - year civil war, often characterized as a genocide.

Published on the occasion of the artist's first major survey, which debuted at Monash University Museum of Art, Melbourne and City Gallery, Wellington and will travel to Christchurch Art Gallery and Dunedin Public Art Gallery.

Among the exhibitions she has curated are «Feast: Radical Hospitality in Contemporary Art,» which debuted at the Smart Museum in 2012 before a national tour, and «Beyond Green: Toward a Sustainable Art» at the Smart in 2004.

Post-Op: «The Responsive Eye» Fifty Years After inaugurates a series of shows planned by the David Richard Gallery critically analyzing and reconsidering The Responsive Eye, which debuted at MoMA in February of 1965 and traveled to several American venues over the course of a year.

which debuted at the New Museum and was premiered by South London Gallery at Goldsmiths College.

«Energy That Is All Around: The Mission School,» which debuted at the San Francisco Art Institute in 2013, focused on the formative years of the Mission School in the early»90s, highlighting the importance of friendship and collaboration among then - unknown artists and their devotion to making non-monetized work with found materials in the streets of San Francisco before the tech booms.

by Sharon Hayes, which debuted at the 2013 Venice Biennale.

The show reunites three artists featured in the controversial exhibition and book Vier Meister der Erotischen Fotografie (Four Masters of Erotic Photography), which debuted at Cologne's Photokina in 1970.

The exhibition features key existing works and two significant new commissions, including Anthology, which debuted at MoMA PS1, New York in 2011.

Their softly subversive and critical artistic practice is best exemplified in their exhibition GCC: Achievements in Retrospective which debuted at MoMA PS1 and also shown at the Sharjah Art Foundation.

Tania Bruguera's The Francis Effect, which debuted at the Guggenheim Museum in New York in 2014, a performance in the guise of a political campaign, requests that the Pope grant Vatican citizenship to all immigrants and refugees and uses Pangea — a prehistoric supercontinent — as its logo.

Perhaps her best known work, Take Care of Yourself, which debuted at the 2007 Venice Biennale, invited women from all walks of life to interpret a break - up email she received from an ex-boyfriend, which ends with the line «Take Care of Yourself.»

More recent exhibitions include Josef Albers: A Retrospective organized by the Solomon R. Guggenheim Museum, New York (1988) with later venues in Finland and Germany; Josef Albers: Glass, Colour and Light, a traveling exhibition with venues in Europe and the U.S. organized by the Peggy Guggenheim Collection, Venice (1994 - 96); and Albers and Moholy - Nagy: from the Bauhaus to the New World organized by the Tate Modern, London (March 9 — June 4, 2006), which debuted at the Whitney Museum of American Art from November 2, 2006 — January 21, 2007.

(Blaffer director and chief curator Claudia Schmuckli organized the exhibition, which debuted at the Des Moines Art Center.)

The exhibition will also display the three - dimensional storyboards McCall developed for his most recent solid light work, Face to Face, which debuted at Sean Kelly in 2013.

She was awarded a Rhizome commission for her two - person play Playground, which debuted at the New Museum and was premiered by South London Gallery at Goldsmiths College.

So installing her Prop (which debuted at the British Pavilion of the Venice Biennale in 2017) on a rail spur at the lofty High Line park should only heighten Barlow's ability to conjure that delicious feeling of danger.

This group exhibition, which debuted at the Walker Art Center, features artists variously using scale, unusual materials, and sly contextual devices to reveal the manner in which their subjects» «authenticity» is manufactured.

In 2008, Martin Hellmold, Director of the Kunsthalle Tübingen, Germany, organized and curated Tim Eitel: Die Bewohner, a traveling exhibition which debuted at the museum and had subsequent installations at the Kunsthallen Brandts, Denmark and Kunsthalle zu Kiel, Germany.

MOCA presents the U.S. premiere of Hito Steyerl's landmark video installation, which debuted at the 2015 German Pavilion at the Venice Biennale.

In Standing Alone, which debuted at his 2013 Venice Biennale Bahamas Pavilion, Tavares Strachan plants the flag of his native Bahamas on the North Pole in proxy of a lunar landing, as a poignant post-colonial gesture.

# 6 Kaws x Black BFF Plush -2016 For his major exhibition «Where the end starts» which debuted at the Modern Art Museum of Fort Worth in Texas and now continues in Asia, the New York based artist created a black - colored BFF plush; a limited amount of BFF is made in a black body and a pink nose.

Market darling Mr. Grotjahn will be showing his new painted bronze casts of assemblages, which he debuted at the Nasher Sculpture Center in Dallas last year.