Not exact matches
The New York Times, for example, says
ebook sales fell by 10 % in the first five months of this year, according to the Association of American
Publishers, which collects data from nearly 1,200 p
Publishers,
which collects data from nearly 1,200
publisherspublishers.
In both situations, Apple had convinced major book
publishers to go with an «agency model,»
which would let them set their own prices on
ebooks (as in raise prices on
ebooks).
The terms,
which are undisclosed, are contingent on the outcome of Apple's appeal of an antitrust ruling that it conspired with five major
publishers to make
eBooks more expensive.
Publisher / line Year (or projected year) of release Which book it is of yours / for that publisher (1st, 5th, etc.) Advance per book (if any) Standard royalty percentage (for regular print sales AND for ebook sales) Total earnout to date (INCLUDING advance) Title acronym with month / year of release (
Publisher / line Year (or projected year) of release
Which book it is of yours / for that
publisher (1st, 5th, etc.) Advance per book (if any) Standard royalty percentage (for regular print sales AND for ebook sales) Total earnout to date (INCLUDING advance) Title acronym with month / year of release (
publisher (1st, 5th, etc.) Advance per book (if any) Standard royalty percentage (for regular print sales AND for
ebook sales) Total earnout to date (INCLUDING advance) Title acronym with month / year of release (if known)
Is the purpose of self - publishing
ebooks really to snag a traditional
publisher, at
which time your royalties will subsequently plummet?
Libraries use different systems for
ebook lending, many of
which don't communicate effectively with one another — so if a
publisher chooses one platform over another, many libraries will have to do without their titles in electronic form.
And even online, with library
eBooks,
publishers may --- again over time — prefer to revise and enhance only certain formats selectively, so that
eBooks which started out identical do not remain so in the longer term.
Publishers may --- over time — prefer to revise and enhance only certain formats selectively, so that
eBooks which started out identical do not remain so in the longer term.
Like the revolution
which happened in the book industry, from book stores to
ebooks, from big and medium press
publishers to indie publishing, the film industry is undergoing a similar revolution.
Library Directwill allow libraries to bundle books in Smashwords» catalog and select the books based on sales ranking; partnered with the new Pricing Manager
which allows authors and
publishers to set the prices that libraries will pay, even opting to make their titles free to libraries, the amount of
ebook titles that libraries can offer to patrons will increase.
Publishers, though, have stated they are witnessing a rise in demand for printed books,
which they have attributed to the increasing popularity of
ebooks in the country.
But unfortunately for the
publishers, it also increases the likelihood that someone buys a self - published
ebook instead
which now make up almost 40 % of the
ebooks sold on Amazon: http://authorearnings.com/report/may-2015-author-earnings-report/
Accessing
eBooks is now easier than ever before; most
publishers are starting to release all of their books in digital format,
which makes them more available as well as cheaper to produce.
Unfortunately, the switch to digital also carries with it a built - in flaw,
which is that subscribers expect to read digital at a lower price — hence a lot of the argument between booksellers and
publishers over
ebook pricing — and advertisers expect to pay less for digital ad space.
Rockstand that counts itself among the leading
ebook reading app in India has now forged alliances with several key
publishers which includes Delhi Press, Next - Gen Publishing, Hay Market, BPB Publications & Magna Publishing.
«I wouldn't say that the
ebook dream is over but people are clearly making decisions on when they want to spend time with their screens,» says Stephen Lotinga, chief executive of the
Publishers Association,
which published its annual yearbook on Thursday.
Authors typically are paid a percentage (
which can be up to 40 %) of the sale from their
ebook or agree to a flat fee from the
publisher which will remain fixed regardless of the number of books sold.
I'm guessing it wouldn't), it's good to see
publishers experimenting with the
ebook format,
which should be more than a badly formatted PDF.
As e-reader sales begin to increase this holiday season — an estimated 24.5 million units sold according to IMS Research,
which is expected to double
eBook sales year over year according to the Association of American
Publishers — authors have a great opportunity to capitalize on current reader trends and increase visibility for their works to new audiences.
Before the arrival of the «agency pricing» model that Apple negotiated with
ebook publishers —
which allowed the
publishers to decide what price Apple would charge for their books on the iPad — Amazon had deals that paid a specific wholesale price to
publishers for a certain number of copies, and then it was able to charge whatever it wanted for the books in the Kindle store.
OnlineComputerBooks contains details about free computer books, free
ebooks, free online books and sample chapters related to Information Technology, Computer Science, Internet, Business, Marketing, Maths, Physics and Science
which are provided by
publishers or authors.
But as things stand now, this doesn't even work consistently across iBooks on iPhone and iPad...
which is too bad because I think there would be
publishers willing to follow Virgina Quarterly Review and develop
ebooks for Apple ecosystem.
Independent authors and Amazon - imprint authors sell more
eBooks per day than the traditional
publishers combined
which is the uncomfortable truth that most industry observers, and those in the Big Five
publishers, find it hard to swallow.
But with Google's
ebook platform floundering, Kobo all but pulling of the US, Barnes & Noble's ability to stay afloat a recurring concern, the only real player we can depend on is iBooks,
which is doing increasingly well despite its obvious drawbacks, or the growth of new direct sales platforms by
publishers.
Download the Universe gives high marks to book
publisher The Atavist,
which published a series of
eBooks that took full advantage of the
eBook medium, including some wonderful illustrations, audio features, and diagrams.
Last week, Amazon stopped selling
ebooks by the Independent
Publishers Group because the IPG wouldn't agree to their terms — Amazon
ebook terms are notoriously one - sided,
which is natural for a company with market share easily over 60 %.
Many
publishers outsource
ebook creation to companies in India and elsewhere (e.g. Amnet, SuntecIndia, InfogridPacific, Macmillan Publishing Services),
which seems to be the cheapest way to convert backlist titles (and sometimes frontlist titles too) to
ebook formats.
A bad
ebook debut kills the e-rights for that title
which kills any chance of a trad
publisher picking it up.
Some
eBook publishers are «aggregators» (we are one),
which means they put the published
eBook on multiple retailer sites like Amazon, Apple and Google for you.
Hopefully, the absence of some major authors from
eBook stores will be temporary — but in the meantime, you could be forgiven for thinking that
publishers really do want to hand all the cards to Amazon — they're the cheapest and, for whatever reason, they are now the ones with the biggest range of books, some of
which UK readers can not, right now, buy electronically in a format compatible with their own devices.
Ebooks are beginning to outpace traditional paper books,
which bodes well for both the traditional industry provided they can shift their business model to take advantage of it and for independent
publishers.
Selling your own
ebooks means that you can have more than one
publisher — say, a UK and a US one — and sell on behalf of both of them, meaning that readers anywhere in the world come to one site to buy their books, and the author takes care of figuring out
which publisher gets the payment from that purchase.
I produce a trio of
ebooks for
Publisher's Weekly several times a year
which get distributed via Ingram to Netgalley, major retailers, Overdrive, and Edelweiss.
While traditional
publishers (actually, the top end
publishers) are fighting over business and legal issues, like any big business, you adapt and work with what works —
eBooks still represent a minority in sales, but it is rapidly catching up to print, and by all accounts, has already passed hardcover (
which has been in decline in a slow death since the advent of paperbacks and trade paperbacks in the 40s and 50s).
(cont'd)- I'm giving away hundreds of listings on the Vault, and as a result of doing so, won't see one thin dime of income on the site until October or later - Given all the time and money I've already sunk into developing the site, I don't even expect to earn back my upfront investment until sometime next year - I'm already personally reaching out to
publishers on behalf of authors who are listed in the Vault, on my own time and my own long distance bill, despite the fact that I don't stand to earn so much as a finder's fee if any of those contacts result in an offer - I make my The IndieAuthor Guide available for free on my author site and blog - I built Publetariat, a free resource for self - pubbing authors and small imprints, by myself, and paid for its registration, software and hosting out of my own pocket - I shoulder all the ongoing expense and the lion's share of administration for the Publetariat site,
which since its launch on 2/11 of this year, has only earned $ 36 in ad revenue; the site never has, and likely never will, earn its keep in ad revenue, but I keep it going because I know it's a valuable resource for authors and
publishers - I've given away far more copies of my novels than I've sold, because I'm a pushover for anyone who emails me to say s / he can't afford to buy them - I paid my own travel expenses to speak at this year's O'Reilly Tools of Change conference, nearly $ 1000, just to be part of the Rise of
Ebooks panel and raise awareness about self - published authors who are strategically leveraging ebooks - I judge in self - published book competitions, and I read the * entire * book in every case, despite the fact that the honorarium has never been more than $ 12 per book — a figure that works out to less than $.50 per hour of my time spent reading and commenting In spite of all this, you still come here and elsewhere to insinuate I'm greedy and only out to take advantage of my fellow au
Ebooks panel and raise awareness about self - published authors who are strategically leveraging
ebooks - I judge in self - published book competitions, and I read the * entire * book in every case, despite the fact that the honorarium has never been more than $ 12 per book — a figure that works out to less than $.50 per hour of my time spent reading and commenting In spite of all this, you still come here and elsewhere to insinuate I'm greedy and only out to take advantage of my fellow au
ebooks - I judge in self - published book competitions, and I read the * entire * book in every case, despite the fact that the honorarium has never been more than $ 12 per book — a figure that works out to less than $.50 per hour of my time spent reading and commenting In spite of all this, you still come here and elsewhere to insinuate I'm greedy and only out to take advantage of my fellow authors.
This is the reason why self -
publishers need to separate
eBooks from self - publishing in discussions, and refrain from stating that traditional
publishers don't get it —
which is complete hogwash.
In other words,
publishers need to turn from the disruptive innovations of
ebooks and ereaders to the creation of sustaining innovations that improve those technologies, innovations
which add new value for users.
My latest
Publishers Weekly column announces the launch - date for my long - planned «Shut Up and Take My Money» ebook platform, which allows traditionally published authors to serve as retailers for their publishers, selling their ebooks direct to their fans and pocketing the 30 % that Amazon would usually take, as well as the 25 % the publisher gives back to them later in
Publishers Weekly column announces the launch - date for my long - planned «Shut Up and Take My Money»
ebook platform,
which allows traditionally published authors to serve as retailers for their
publishers, selling their ebooks direct to their fans and pocketing the 30 % that Amazon would usually take, as well as the 25 % the publisher gives back to them later in
publishers, selling their
ebooks direct to their fans and pocketing the 30 % that Amazon would usually take, as well as the 25 % the
publisher gives back to them later in royalties.
The Digital Reader's post in turn points off to
Publishers Weekly's report,
which describes a survey taken of nearly 5,000 readers as to why they aren't buying as many
ebooks anymore.
Regardless of
which publisher you purchased an
ebook from, though, your settlement amount will be the same.
The deal,
which HarperCollins confirmed, allows the
publisher to retain the ability to set the prices on its
ebooks, according to the Wall Street Journal.
Ebooks have none of those added costs,
which is why they should be less regardless of the advance paid to the author or other expenses the
publisher incurs in bringing a book to market.
The title,
which went live today on Amazon's Kindle
ebook store is the first of the
publisher's trade...
Last year,
eBooks accounted for $ 263 million of total trade book sales,
which represents a 193 % increase from 2009 according to the Association of American
Publishers.
Twitter Curator of
eBook / ePublishing / eLibrary news Interview starts at 14:25 Many of the things that the authors and the
publishers complain about are normal, everyday behavior in the chemical industry, in the auto industry, in the telecom industry, and the construction industry,
which are industries
which I've worked on — this is the way business works.
means that nowadays,
publishers set
eBook prices, rather than Apple and Amazon —
which changes the game.
Besides
which, Horwitz's
publisher dropped the ball (it's complicated), and then Amazon (it's even more complicated but, this time, Hatchette doesn't seem directly to be involved) dropped the
ebook.
Sure, I get that Amazon and Macmillan — one of the
publishers who signed onto Apple's iBook,
which allows
publishers to set their own prices — are negotiating
ebook prices.
However, the ripple effect of the 2012 government suit against Apple and other
publishers means that nowadays,
publishers set
eBook prices, rather than Apple and Amazon —
which changes the game.
1196 US
publishers took part in the survey,
which provides the most accurate reflection of
eBook sales.