Sentences with phrase «which editors and publishers»

Not exact matches

And let's not forget relatively recent changes at the Star, Canada's largest - circulation newspaper, which is now in the hands of publisher John Cruickshank and editor Michael CooAnd let's not forget relatively recent changes at the Star, Canada's largest - circulation newspaper, which is now in the hands of publisher John Cruickshank and editor Michael Cooand editor Michael Cooke.

I'm Jordan Roy - Byrne, CMT, MFTA the editor and publisher of TheDailyGold.com and TheDailyGold Premium, our premium publication which emphasizes market timing and stock selection for precious metals investors.

The DIY - approach is to identify publishers on which you'd like to acquire brand mentions, then identify journalists and editors at each publication, then contact them to make your pitch.

Harry Guggenheim, who was a naval aviator in both world wars, is a former Ambassador to Cuba (1929 - 1933) and is married to the former Alicia Patterson, editor and publisher of Long Island's profitable tabloid Newsday (of which he is president).

My new friend Alyce Ester is the former editor and publisher of a magazine called Culinary Thymes, which, though no longer in print, continues to thrive in the virtual world.

editorial board, which consists of Publisher Rob Forcey, Editor Ken Tingley, Projects Editor Will Doolittle, Controller / Operations Director Brian Corcoran and citizen representatives Jane Kana, Dan Gealt and George Nelson.

editorial board, which consists of Publisher Terry Coomes, Editor Ken Tingley, Projects Editor Will Doolittle, Controller / Operations Director Brian Corcoran and citizen representatives Tim Robinson, Dan Gealt and George Nelson.

Local editorials represent the opinion of The Post-Star editorial board, which consists of Publisher Terry Coomes, Editor Ken Tingley, Projects Editor Will Doolittle, Controller / Operations Director Brian Corcoran and citizen representative George Nelson.

Post-Star editorials represent the opinion of The Post-Star editorial board, which consists of Publisher Robert Forcey, Controller / Operations Director Brian Corcoran, Editor Ken Tingley, Projects Editor Will Doolittle and citizen representatives Dan Gealt, George Nelson and Jane Kana.

Local editorials represent the opinion of The Post-Star editorial board, which consists of Publisher Rick Emanuel, Editor Ken Tingley, Editorial Page Editor Mark Mahoney and citizen representative Carol Merchant.

Local editorials represent the opinion of The Post-Star editorial board, which consists of Publisher Rick Emanuel, Editor Ken Tingley, Editorial Page Editor Mark Mahoney and citizen representative Mike Wild.

The metric - which ranks journals by the average number of citations their articles attract in a set period, usually the preceding two years - has become «an obsession in world science», says a coalition of academics, editors, publishers and research funders, in a declaration published on 16 May.

The Post is a film that feels in constant motion, where the camera is often hurtling forward to catch up to the drama, which here takes the form of heated negotiations between Post publisher Katharine Graham and her editor Ben Bradlee around the ethics and efficacy of continuing to publish the Papers after the Times had raised the ire of the Nixon administration.

On June 13, 1971, Washington Post editor Ben Bradlee (Tom Hanks) and publisher Katharine Graham (Meryl Streep) are caught off guard when the New York Times starts publishing portions of the top - secret document, which Ellsberg had leaked to Times reporter Neil Sheehan (Justin Swain).

Rather than the far more famous Watergate scandal that rocked America and in which the Washington Post also played a major part, the film focuses on the Pentagon Papers, and the relationship between the paper's editor Ben Bradlee (Tom Hanks), and the first ever female publisher of a major newspaper, Kay Graham (Meryl Streep).

The film is set in 1971, when Washington Post publisher Katharine Graham (Meryl Streep) and editor Ben Bradlee (Tom Hanks) decided to defy threats from the Nixon White House and publish the Pentagon Papers, which exposed a massive cover - up involving the government and Vietnam.

Just over a year later, it's coming to the big screen and generating Oscar buzz, as well as conversations about how its story — which centers on the decision by Washington Post publisher Katharine Graham and editor - in - chief Ben Bradlee to publish the Pentagon Papers in 1971 — relates to First Amendment struggles in 2017.

These include Joe Wright's Darkest Hour, which portrays Winston Churchill scheming in darkened chambers during the same Battle of Dunkirk that Nolan depicts; Three Billboards Outside Ebbing, Missouri, which features a scorched - earth performance by Frances McDormand as a mother grappling with her daughter's murder; Phantom Thread, director Paul Thomas Anderson's largely unseen drama about a 1950s fashion designer played by Daniel Day - Lewis, in his final performance on screen; and The Post, which is directed by Steven Spielberg and stars Tom Hanks and Meryl Streep as Washington Post editor Ben Bradlee and publisher Kay Graham during the battle to print the Pentagon Papers.

This was not lost on Liz Hannah and Josh Singer as they recently discussed their script for The Post, which details publisher Katharine Graham's decision, with editor Ben Bradlee, to publish the Pentagon Papers in June 1971 after a federal judge had already impeded the efforts of The New York Times.

«All that the student does is leaving a mark: The teacher knows what the student is seeing; editors can see what works or not in content; that information is very valuable to publishers and companies that generate the content, because it allows more and more content to be presented to our students to meet that huge demand for which they are made: Teaching, generating knowledge».

The panel, which included the Elizabeth Perle, editor of The Huffington's Post Youth Network, and Dan Weiss, Publisher at Large with St. Martin's Press, along with Beth Kephart, was largely in agreement that the distinction was one of perspective.

Depending on what your publisher has planned for your book (which an editor often shares with you and your agent 6 months to a year before your book launches), and depending on your budget, a freelance publicist (who usually works on fewer books at any time than an in - house publicist) can supplement or enhance what your in - house publicist will be doing.

As the executive editor at Foreword Reviews, I decide which authors or publishers might be worth considering as a topic for a news story above and beyond a possible review we might run about the book itself.

• As if we needed another reason to love John Green, his frank discussion of why he feels The Fault in Our Stars has been so wildly successful — in which he credits his editor, publicist and publisher — frankly made this former book editor swoon.

The book (which was a success of the author, publisher, editors etc) has been read millions of times, but the author, the publisher, the booksellers the distributors, translators, editors and everyone involved have to share the money of that single copy that you paid for.

Point out that a solid, robust, open - source EPUB editor for the #eprdctn community gives publishers large and small added leverage in their dealings with Amazon, which would prefer we all use proprietary editors and just make KF8 / mobi7 books.

On top of that, our editors will consider it for publication in Kirkus Reviews magazine, which is read by librarians, booksellers, publishers, agents, journalists and entertainment executives.

I still like publishers, literary agents, editors, promotional people, and all the rest of them, which is why I still feature them at my blog while self publishing my books.

There's a new digital manga publisher in town: Lillian Diaz - Przybyl, the former senior editor of Tokyopop, and writer and manga adapter Lianne Sentar, together with two other fans of all things Japanese, have launched a new manga publisher, Chromatic Press, which will publish original English language (OEL) manga, first serialized in a digital magazine and later collected in print.

Attack on Titan has been a sleeper hit for the manga publisher Kodansha Comics, and at their panel at New York Comic Con, editor Ben Applegate announced that they had sold over 500,000 copies of the series, which is currently at seven volumes.

- SFWA's Committe on Writing Scams, which works behind the scenes to collect documentation on questionable literary agents, publishers, editors, publicity services, contests, vanity anthologies, magazines, websites, and anything or anyone else posing a danger to writers.

Editing Services: When a publisher accepts a book manuscript for publication, its in - house editor completes a thorough edit, which relieves the author of the expense and / or responsibility of handling this crucial aspect of the publishing process.

- The Writer Beware website, which provides warnings about common schemes, scams, and pitfalls (there are sections on literary agents, vanity publishers, vanity anthologies, small presses, independent editors, contests, self - publishing, writers» services, and copyright, as well as a page of writers» alerts, a series of case studies of defunct scams, and our famous Thumbs Down Agent and Publisher Lists), advice on how to avoid them, and links to helpful online resources.

Publishing and Printing Costs: Traditional publishers cover all printing and publishing costs and assume all the risks of publication, which can prove a significant advantage to an author, since costs can range in the thousands of dollars, according to professional writer / editor Lillie Ammann's Self - Publishing Primer.

I'd like to add to the appreciative notes on this inspiring article and to add one note of caution regarding the earnings figures: remember to consider your upfront costs as a self - publisher, which ought to include a developmental editor, a line editor, a proofreader, and a designer (most of which a traditional publisher pays for).

SB: We are currently building a web management system through which authors and their editors and publisher can interact, all working on the same manuscript.

Publishers plan for this by creating galleys (online or printed final versions of a book, usually in black - and - white), which they can send along with a pitch letter to their editor contacts at media outlets.

So in the course of a few years, we saw the Great Return Implosion, where publishers suffered record - breaking returns from bookstores and the Great Editor Layoff — which is still happening today.

Without accounting for such write - offs, the publisher is left with $ 4.05, out of which it must pay overhead for editors, cover art designers, office space and electricity before taking a profit.

If those names sound familiar, it's because this is the second coming of Valiant, which was founded in 1988 by former Marvel editor - in - chief Jim Shooter and became one of the leading comics publishers, second only to Marvel and DC.

What probably annoys agents and editors is the obvious question which follows: if paper is shrinking, bookstores are closing, and book - buying is transition online, what value is there in giving 52.5 % to a publisher whose USP is print distro?

A forerunner of the modern agent / impresario, he secured Spencer a New York publisher, Appleton and Co.; pressed for - and won - royalties on a par with native authors» at a time when most American houses ignored international copyrights; churned out scores of reviews and notices with publication of each new volume, which he placed in newspapers and magazines across the country; pressed other reviewers into service; helped Spencer organize and popularize his most arcane thoughts; and cultivated literary clubs, college professors, editors, ministers, politicians, tycoons, and labor councils.

Want to save money and time when using a professional editor (which every author should do) or before you send a manuscript to an agent or publisher?

I am incredibly lucky to have a readership that believes in me enough to fund a freelance editor and a cover artist for the upcoming print / ebook editions of my work (which, I've been repeatedly told, will never find a publisher because I put the drafts on the web).

DWAA Annual Writing Competition The Maxwell Medallion writing contest is open to all writers, editors, publishers, photographers, artists and others whose work falls into the designated competition categories, which include newspaper, online and magazine columns or articles on cani...

He summed up the takeaways in his post, «The last hardcover» which merits more rumination (preferably with several friends including an author, a publisher, and editor, an agent and a bottle of eighteen year old Laphroaig,) but absent the minds and the bottle of Scotch at 9:00 am in my study, I'll limit myself to an invitation and a few amuse - gueules.

Traditional publisher's business is to understand what copy sells and which doesn't and our editors can evaluate and polish your manuscript, articles, websites and other materials, ensuring that they are clearly written, enjoyable to read, and free of typos and grammatical errors.

In our fast - paced world, writers often have only less than a minute in which to make a good impression on editors, producers and publishers.

Most editors only charge two dollars a page for novels, including myself; and included in my price is the coaching phase, after the editing phase, which other editors also do to help the writer polish his / her novel before submitting it to regular publishers or to agents or self - publishing it.

liberating — Because I am independent, I don't have to listen to any pesky agents, editors or publishers telling me which way to go, add plot points, make the character a little more this and a little less that.