Sentences with phrase «which features commentary»

Hot Air About Blog HotAir.com is a famously cynical conservative blog which features commentary from celebrated bloggers Allahpundit and Ed Morrissey.

About Blog HotAir.com is a famously cynical conservative blog which features commentary from celebrated bloggers Allahpundit and Ed Morrissey.

A deluxe Blu - ray Book edition also features the previous Blu - ray release of the 229 - minute European cut, which features commentary by Richard Schickel, and an UltraViolet Digital HD copy of the «Extended Director's Cut.»

And if you're interested in what the cast has to say, you can check out the Couples Commentary, which features commentary tracks on select episodes with the housewives and their men.

A deluxe Blu - ray Book edition includes the previous Blu - ray release of the 229 - minute European cut, which features commentary by Richard Schickel, and an excerpt from the documentary Once Upon a Time: Sergio Leone.

Now it has been lovingly remastered from the negatives and Janus films (a partner with Criterion) has applied digital technology to create a new digital restoration for the U.S., which is the source of Criterion's special edition, which features commentary by film scholar James Naremore and new interviews with Keith Baxter, Welles's daughter Beatrice Welles (who has a small role in the film), and Welles historians Simon Callow and Joseph McBride among the supplements.

After seeing the film a second time, it made me want to revisit a few movies set in Los Angeles, including Boogie Nights, The Graduate, Kiss Kiss Bang Bang, and a few others, which all feature some commentary tracks worth listening to.

Not exact matches

Commentary: «During the quarter, the U.S. featured premium McCafe beverages including the new Mango Pineapple Smoothie, Chicken McNuggets and wholesome breakfast choices, including Oatmeal and the Egg McMuffin, which generated strong comparable sales and contributed to the segment's 6 % operating income increase.»

Two other astute online commentaries are those by Elizabeth Carr of Amherst College, Massachusetts, who writes that that the «overarching issue» is the soul's gifted relationality which roots human fraternity in God, and Francois Lacoste Lareymonde in his «Les quatre «fils rouges» de Tencyclique» in a feature on «The Anthropology of Gift» in Liberte Politique, Autumn 2009.

Nevertheless he featured in the Sunday game at Bournemouth where he produced one flick - on for Rooney before unleashing a mishit goal scoring shot which was subsequently converted into a «wonder strike» by the close - to - orgasm commentary team.

So whatever, Clegg has written, I don't think Tory candidates in Lib Dem seats should be thinking their task has somehow got easier overnight as I sense that the Lib Dems» first priority is still going to have to be to defend the seats they already have - most of which feature the Conservatives as their principle principal challengers, as the Times's Sam Coates points out in this commentary this morning.

He also produces a weekly award - winning podcast called, The Geologic Podcast, which features humorous skeptics, music and skeptical free - thinking commentary.

Others such as Connotea store reference information online, allowing access while scientists travel, and include commentary features such as social bookmarking, which allows a scientist's contacts to read his or her comments in a dedicated feed.

Check out SciAm.com for the latest science news, including our blog, which this week features my commentary about an interpretation of Darwinian evolution from Howard Stern.

There's an audio commentary by Charlie Chaplin experts Dan Kamin and Hooman Mehran; the documentary The Tramp and the Dictator, which parallels the lives between Chaplin and Hitler; two visual essays; color production footage; the barbershop sequence from Sydney Chaplin's 1921 film King, Queen, Joker; the deleted barbershop sequence from Chaplin's 1919 film Sunnyside; the re-release trailer; and finally, a 30 page - booklet featuring an essay by film critic Michael Wood, Chaplin's 1940 New York Times defense of the film, a reprint from critic Jean Narboni on the film's final speech, and Al Hirschfeld's original press book illustrations.

A commentary featuring producer Jeremy Thomas and Ben Kingsley is your usual run - of - the - mill back - patting session, though the pair does intermittently provide deeper insight into the making of the film, and it's admittedly fascinating to hear the soft - spoken and eloquent Kingsley articulate the process by which he gave life to Don Logan while he observes the sheer cruelty of the character on screen.

Instead, you have to start up the Second Screen feature — which plays supplemental material on your iPad or laptop while you're watching the film — in order to access the commentary track, but once you do, it's definitely worth checking out.

SPECIAL FEATURES The commentary track, which features director John Milius and Schwarzenegger, is a hoot: They spend most of it alternating between a sort of masturbatory reverie -LRB-» That's a great shot»), play - by - play commentary -LRB-» Here's the scene with the giant snake»), and filmmaking insight (in casting Conan's adversaries, Milius made sure that they were all bigger than Arnold, so that viewers wouldn't see his victory as a foregone concFEATURES The commentary track, which features director John Milius and Schwarzenegger, is a hoot: They spend most of it alternating between a sort of masturbatory reverie -LRB-» That's a great shot»), play - by - play commentary -LRB-» Here's the scene with the giant snake»), and filmmaking insight (in casting Conan's adversaries, Milius made sure that they were all bigger than Arnold, so that viewers wouldn't see his victory as a foregone concfeatures director John Milius and Schwarzenegger, is a hoot: They spend most of it alternating between a sort of masturbatory reverie -LRB-» That's a great shot»), play - by - play commentary -LRB-» Here's the scene with the giant snake»), and filmmaking insight (in casting Conan's adversaries, Milius made sure that they were all bigger than Arnold, so that viewers wouldn't see his victory as a foregone conclusion).

The features start out with a wonderful feature commentary from Coogler and production designer Hannah Beachler which goes into not only the look and action of the film, but also a lot of the themes and motivations of the characters.

It was announced today via the above photo that Laurie Strode herself, Jamie Lee Curtis has recorded a brand new feature commentary track with Halloween H20 director Steve Miner, moderated by Sean Clark, which will be among the new special features included the 15 - disc Deluxe Edition of the Complete Collection box set, arriving September 23 from Anchor Bay and Scream Factory.

The main selling point of this release is a superb feature - length commentary by DiCillo in which he once again clarifies that Living in Oblivion's Chad Palomino is in no way, shape, or form based on Pitt, insisting he's worked with actors who were «way more pissy and weird.»

On another track, actor Topher Grace joins writer - director Paul Weitz for a respectable feature - length commentary in which they mock Grace's Agent Smith - like attire and mutually confess to making the film in partial tribute to their respective fathers.

Feature Commentary with Director Craig Gillespie: An intriguing and informative commentary in which the director gives you lots of interesting background info about the making ofCommentary with Director Craig Gillespie: An intriguing and informative commentary in which the director gives you lots of interesting background info about the making ofcommentary in which the director gives you lots of interesting background info about the making of the film.

The original A Nightmare on Elm Street also gets a Blu - ray debut this week, featuring all the supplements from the earlier DVD «Infinifilm Special Edition» release (two commentary tracks, alternate endings, three documentary featurettes), plus the Blu - ray exclusive interactive «Focus Points» mode, which allows instant access to alternate takes and behind the scenes footage while watching the film.

Everything you'd want to know about one of Fincher's movies can be learned in one of his commentary tracks, which are usually joined by other excellent and informative bonus features, including a highly reccomended Panic Room commentary featuring screenwriter William Goldman.

Bonus features come by way of a feature - length audio commentary track with director Amiel, a special making - of documentary, and around 10 other separate featurettes which include a wide array of cast, crew and academic - leaning interviews, as well as a tour of Darwin's home, which has been turned into a museum.

The bonus features are anchored by an audio commentary track featuring Selick, Burton and Elfman, who offer insights as to the thematic development of the material and, of course, the nut - and - bolt mechanics of the filmmaking process, which is quite interesting.

Extras — In the Extra Features menu you can also access the audio commentary, watch a Behind The Scenes featurette that runs for 20 minutes, check out an Interview / Q & A with Amy - Jo Albany and Flea which runs for 10 minutes, or watch the theatrical trailer for the film.

Its chief supplemental features consist of a feature - length audio commentary track with director Gauger and a seven - minute behind - the - scenes featurette which includes brief interview snippets with cast and crew, as well as some audition tape footage.

The sequel The Return of Count Yorga (Scream Factory, Blu - ray), which reunites director Bob Kelljan and star Robert Quarry, comes from another label and features commentary by film historian Steve Haberman and actor Rudy De Luca.

There will be special features added to the Blu - Ray that will include a audio commentary track from the DVD, which will be feature director Tommy Lee Wallace and actors Dennis Christopher, Tim Reid, John Ritter and Richard Thomas From what we know, more special features to follow are not confirmed.

A feature - length commentary from Petty is conversational and informative, particularly of the lengths to which the young filmmaker needed to kowtow to the whims of his producers.

As with every feature here, the commentary track, while superb, has been ported over directly from Criterion's already fairly recent DVD release of the film, which makes it difficult to recommend to those who already own the earlier iteration.

Check out the clip below and pick up a copy of the Blu - ray, which features 11 deleted scenes; commentary by Anderson and Owen Wilson; The Making of Bottle Rocket, an original documentary by filmmaker Barry Braverman with interviews with the cast and crew; and the original black - and - white Bottle Rocket short film.

Otis at Monterey, with uncompressed stereo soundtracks Alternate soundtracks for all three films featuring 5.1 surround mixes by recording engineer Eddie Kramer, presented in DTS - HD Master Audio Two hours of performances not included in Monterey Pop, from the Association, Big Brother and the Holding Company, the Blues Project, Buffalo Springfield, the Paul Butterfield Blues Band, the Byrds, Country Joe and the Fish, the Electric Flag, the Grateful Dead, Jefferson Airplane, Al Kooper, the Mamas and the Papas, the Steve Miller Blues Band, Moby Grape, Laura Nyro, Quicksilver Messenger Service, Simon and Garfunkel, Tiny Tim, and the Who Audio commentaries from 2002 featuring Pennebaker, festival producer Lou Adler, and music critics Charles Shaar Murray and Peter Guralnick New interviews with Adler and Pennebaker Chiefs (1968), a short film by Richard Leacock, which played alongside Monterey Pop in theaters Interviews from 2002 with Adler and Pennebaker and with Phil Walden, Otis Redding's manager 1987 interview with Pete Townshend on Monterey and Jimi Hendrix Audio interviews with festival producer John Phillips, festival publicist Derek Taylor, and performers Cass Elliot and David Crosby Photo - essay by Elaine Mayes Festival scrapbook Trailers and radio spots PLUS: A book featuring essays by critics Michael Chaiken, Armond White, David Fricke, Barney Hoskyns, and Michael Lydon

The centerpiece is a «director's notebook» that includes pop - up video with commentary by Ridley Scott, which includes an interactive feature that allows you to pause, view other extras, and then resume.

Director Todd Louiso, screenwriter Gordy Hoffman, and star Philip Seymour Hoffman play nicely off each other in a feature - length commentary in which the film seems to reveal itself anew to the self - effacing trio, who revel in psychoanalyzing Love Liza's characters and, when you get down to it, defending them.

Don't be deceived by the seemingly strong list of bonus material featured on the Blu - ray release of «Margin Call,» because with the exception of the audio commentary track by director J.C. Chandor and producer Neal Dodson (which is actually quite informative), they're not worth your time.

Also featured is the extra «Analyzing Dark Water Sequences,» which takes an in - depth look at the creation of three specific scenes in the film, but the lack of any audio commentary by the director or the all - star cast is extremely upsetting.

Bonus features, all of which are exclusive to Blu - ray per Paramount's current practices, begin with an audio commentary by Chris Rock and JB Smoove.

Not much here in the way of new footage, but these micro-clips, which feature on - screen commentary by Fantastic Four writer - producer Simon Kinberg and director Josh Trank, do offer up a few nuggets, like the fact that Miles Teller auditioned for Trank's Chronicle, which ended up starring Michael B. Jordan.

Both programs feature commentary by film historians and Peckinpah experts Paul Seydor, Garner Simmons, and Nick Redman, which is very useful for both and frankly a labor of love when it comes to Noon Wine.

Extras: Audio commentary by critic and author Jasper Sharp on «Smashing the 0 - Line»; «Tony Rayns on the Crime and Action Movies» in which the critic and historian discusses the background to the films, their place within Suzuki's career and the talent involved with them; trailers; stills gallery; reversible sleeves featuring original and newly commissioned artwork by Graham Humphreys; 60 - page illustrated collector's book featuring new writing by Jasper Sharp.

Features relaxed commentary by director Lone Scherfig and actors Carey Mulligan and Peter Sarsgaard (who spend as much time reminiscing over the shoot and appreciating key moments as discussing the production and the characters), a nine - minute making of featurette (which also includes interviews with screenwriter Nick Hornby and author Lynn Barber) and 11 deleted scenes among the supplements on both DVD and Blu - ray.

Peter Bogdanovich contributes a feature - length commentary during which he develops a trying habit of telling us how long a shot lasts and the manner in which they rehearsed it.

In terms of special features there is all the previous content included back on the «70th Anniversary Platinum Edition» release, which some of it includes an Audio Commentary By Leonard Maltin, Eric Goldberg, and J.B. Kaufman, a few making of featurettes, deleted scenes and music videos.

These ideas are further explored in the DVD extras which include director's commentary; a feature on the making of the film, deleted scenes and On Writing With Tracy Letts, telling of his autobiographical connection with the film.

Some but not all of the extras are ported over from that 2005 platter — the disc, for instance, drops director Chris Wedge's commentary but retains the group yakker, which seems to feature just about every member of the Blue Sky team except Wedge.

Featured on the first disc of the set are both versions of the film, the theatrical R - rated cut and the unrated version (which contains ten minutes of never - before - seen footage), as well as two full - length audio commentaries.

The deleted scenes and alternate takes are largely forgettable, but the standout supplemental — for fans of the film, at least — is the commentary, which features McBride, Franco, Theroux and director David Gordon Green.