Sentences with phrase «which feminist perspective»

Not exact matches

They are also concerned that I presented and explored a variety of divergent perspectives on what «biblical womanhood» means (from Jewish, Catholic, Amish, feminist, polygamist, Christian fundamentalist and complementarian viewpoints, to name a few), including some viewpoints with which they do not agree.

Her work has had a growing influence, and she is embarking on a four - volume systematic theology which will be the first major systematics attempted from a feminist perspective.

While process philosophy is not a prefabricated feminist theory of relations, it provides a worldview which is compatible with feminist perspectives in several respects, and the complementarity of feminism and process philosophy suggests the fruitfulness of Whiteheadian metaphors for feminist theory.

Mujerista theology brings together elements of feminist theology, Latin American liberation theology and cultural theology, three perspectives which critique and challenge each other, giving birth to new elements, a new reality, a new whole.

[5] In this presentation, I will focus on two aspects of women's experience or the interpretation of women's experience, which I hope will give us an entry into our discussion of feminist / womanist [6] perspectives and praxis in the early church.

Finally, the feminist perspective can contribute an important critique of structures, symbols and patterns which continue to reinforce the secondary status of women.

Rather than sweeping women's peculiar moral perspective — which is intimately tied to their reproductive capacity — under the rug, these feminists celebrate it as an equally valid or even superior kind of rationality.

Furthermore the feminist perspective challenges leaders to build the collective agency, which can only be built over time and with reflection (Blackmore, 2013).

From a feminist perspective, Collins's «70s work, which consists almost exclusively of films and photographs of the artist staring at attractive young women, can look like one long, unapologetic, unredeemable celebration of the male gaze.

The writer of Orlando, To the Lighthouse and The Waves has proven a lasting influence beyond the literary sphere, and this exhibition uses her work as a prism through which to explore feminist perspectives on landscape, domesticity and identity in modern and contemporary art.

Acquisitions typically echo the themes and character of Pace's own collecting, which favored works that reflected a feminist perspective, engaged social issues, and considered aspects of spiritually and beauty.

Referencing the «male gaze» — a term coined by feminist film critic Laura Mulvey to describe the way in which women become framed and understood from a male perspective — this exhibition reverses stereotypical gender roles to treat the male body as the subject of our collective viewing.

This exhibition is led by her writing, which will act as a prism through which to explore feminist perspectives on landscape, domesticity and identity in modern and contemporary art - with works by over 70 artists.

And her critical perspective is one that to a large degree shapes this spare - looking show, which takes a textured view of the political past — a past that is acquiring renewed weight in the immediate present when the civil rights gains, including feminist gains, of the past half - century appear to be up for grabs.

Lassnig's self - portraits are familiar having been fortunate to see last year's exhibition at Tate Liverpool (2016), in which her reflective Baconian paintings address the ageing process, the passing of time and the fragility of the human body from a feminist perspective.

For her first solo exhibition at Simon Lee Gallery, Paulina Olowska will show a group of new paintings which continue her exploration of feminist and socially engaged themes, of shifts in cultural perspective between East and West and of the female figure as archetype.