Sentences with phrase «which fiction and reality»

Not exact matches

Shortly thereafter, in 1992, just as Berners - Lee's World Wide Web had come to fruition, Neal Stephenson was inspired by the recent invention, which led to him publishing Snow Crash, a science - fiction novel that illustrated much of today's online life, including a virtual reality where people meet, do business, and play.

Something knottily human perdures throughout all our rough commerce with the world, and it is this sturdy human reality which Cheever's fiction celebrates.

No longer in contact with the created world or with himself, out of touch with the reality of nature, he lives in the world of collective obsessions, the world of systems and fictions with which modern man has surrounded himself.

They are neither literal pictures of reality nor «useful fictions», but partial and provisional ways of imagining what is not observable; they are symbolic representation of aspects of the world which are not directly accessible to us.

But lest the Christian theologian dismiss too quickly the insight into both life's reality and the divine reality which Updike's fiction offers, or lest one wrongly conclude that Updike has totally forsaken his Protestant heritage, let me suggest a biblical parallel to the writings of Updike, one he himself makes repeated use of in his works.

The futuristic scenarios in technological communication which once were the stuff of science fiction are rapidly becoming present realities, and the broadcasters are just as quickly adapting them to their purposes.

The world is speeding up, you may have noticed, and the rate at which it's speeding up is speeding up, and the natural human curiosity that science fiction was invented to meet is increasingly being met by reality.

Stylised mix of documentary and fiction which seeks the true essence of filmmaking and the way in which one can faithfully capture the beauty of reality.

, in which Espinosa says he wanted to make «science reality» rather than «science fiction,» filming a scenario that made some scientific sense and portraying the realistic reactions of characters living through a crisis.

Netflix's Making a Murderer and A&E's Cartel Land were the top non - fiction / reality TV series winners at the 2016 Creative Arts Emmy Awards, which were held over two days for the first time ever on Sept. 10 and 11.

Alas the project, «On High in Blue Tomorrows», has a history in which a previous, doomed production ended as reality seeped into its fiction and the film's onscreen / offscreen lovers were killed.

In a statement included in the movie's publicity materials he describes the complicated relationship between representations of violence in both documentaries and fiction and our perceptions of the reality of violence, then spells out his intentions for Funny Games: «How can I restore to my representation the value of reality which it has lost?

Or, perhaps more accurately, it's a re-creation of its former self, which makes it fertile ground for director Robert Greene, who specializes in projects that blur the line between reality and fiction.

Host Eric Hynes talks to filmmaker Clio Barnard about the slippage between reality and representation in her new documentary - fiction hybrid The Arbor, which utilizes an evocative lip - synch technique to explore the gritty legacy of celebrated British playwright Andrea Dunbar.

In case there are folks still confused as to what «AR» actually is, it stands for «augmented reality,» which is a fairly broad term for a merger between the digital world and real life (hopefully in a fun way, as opposed to a terrifying dystopian science fiction - y way).

Radiqx Press produces Reality Calling, which is about supporting and reviewing Christian fiction.

Right now, experts have chosen top 10 best Pokemon games which transform fiction into reality using the VR and awesome colour -LSB-...]

Furthermore, Porter's artwork explores the conflicting boundaries between reality and fiction and the ways in which images are circulated and consumed.

It is awarded by Louis Vuitton in the framework of KINO DER KUNST, Munich's biennial festival of contemporary art and film, which in 2017 is based on the theme Fiction & Reality.

He is currently working on a series shot in Sweden, The Forest, which explores the dichotomous relationship between photography and painting, the «sweet - spot» where perceived reality and fiction meet.

The diametrically opposed elements present in the history of the canal — life and death, order and destruction, reality and fiction, the light - hearted and the devastating — mirror Simeti's practice, which amplifies multifaceted environmental, social and political concerns into an immersive, kinetic installation.

Among his most significant themes are: the relationship between art and language (as in the film La Pluie, in which water runs down pages erasing the text written by the artist); the status of the work of art and of criticism in the museum (il Musée d'art moderne — Département des Aigles of 1968 is a museum in which some of the works exhibited are accompanied by the warning «This is not a work of art»); and the play between reality and fiction.

There are many examples of this ambiguity which General Idea and AA Bronson have slipped into, not only to blur boundaries between reality and fiction but also to defy the conventions of the gaze and the very nature of what is perceptible, or rather acceptable to the eye.

Magdy stretches the boundaries of our imagination to test the logic of the truth which often lies somewhere between reality and fiction.

21C Museum Hotels to Open New Location in Nashville with Inaugural Exhibition Truth or Dare: A Reality Show, Which Explores Intersections of Fact and Fiction, Presence and Absence

The realities of race and class that he experienced there became the foundation — the bass line — of his work, upon which he builds fantastical imagery and complex mythologies, influenced by the imaginative realms of science fiction and larger - than - life narratives in hip hop.

«The installation will consist of elements that are placed in proximity to one another; these elements consist of recognizable and unrecognizable signs which in the context of an installation become a kind of juncture between the world of reality where things have meaning and the world of fiction where all meaning is an illusion.

Drorit Gur Arie the curator, explains the concept of the exhibition Recurrence: «Reconstruction and repetition, a cyclic human state of struggle, construction and destruction, a fusion of reality, speculation, and fiction, anchored in the fascinating relationship between ritual, place and history, are at the core of the exhibition Recurrence, which presents spectacular, stylized, and eye - pleasing manifestation of violence.

His images regularly involve family members and a variety of selected individuals and strangers found on the streets, which allows diCorcia to create fiction out of reality.

Co-organized with Kirsten Hileman, Realisms was the second half of a two - part exhibition, The Cinema Effect: Reality, Illusion, and the Moving Image, which examined artists» depictions of the overlaps between reality and fiction in moving imageReality, Illusion, and the Moving Image, which examined artists» depictions of the overlaps between reality and fiction in moving imagereality and fiction in moving image works.

He went on to do his bachelor's degree at the Camberwell College of Arts, University of the Arts, London, which helped him expand his artistic practice to construct layers within his photographic narratives to allow for the viewer to question what they see by oscillating between reality and fiction.

Her editing and sound design shape darkly comedic and uncanny scenes in which reality and fiction blur, furthering a dysphoric sense of time, space, affect and uncertainty.

Contributed by Sharon Butler / In his first solo show at Greene Naftali, Peter Halley contends with the new American reality of an increasingly shameless and authoritarian state under which, despite the best efforts of an overstretched free press and an embattled political opposition, the difference between fact and fiction has become increasingly obscured.

Laure Prouvost (born 1978, Lille, lives and works in London) constructs invented story - lines which explore the slippages between fiction and reality, engaging provocatively with the connections between language, image, and perception.

These choreographed actions give form to narratives in which reality and fiction are subjective, and where man and materiality are hopelessly entangled.

Pierre Huyghe: Streamside Day is a 26 - minute film in which the artist explores the relationship between the past, the present and the future and uses this device to address issues associated with reality and fiction, and individual and collective identity.

Her feature films, which have earned top honors at the Venice and Cannes Film Festivals, reflect on time, the slippery divide between fiction and reality, and film itself.

From maps, town plans, and architectural drawings the artist creates imaginary poetic and territorial worlds in which reality and fiction merge.

But Graham says that since fiction lets you know exactly what's going on in the mind of a character — which you can't in real life — and persuades you to take a character's painstakingly edited interpretation of an event as the only valid interpretation, it can be troublesome to take a novel - reading mentality into reality.