Sentences with phrase «which film grain»

There are many scenes in which film grain becomes somewhat distracting.

Not exact matches

Instead of using polymer film, a new solution enables production of dust - tight packaging for dry products such as sugar, grains, flour or powders using sustainable mono - material paper, which contains no additional polymer fractions.

The film acknowledges that the 2010 Healthy Hunger - Free Kids Act — which requires schools to reduce sugar and sodium and serve lower - fat meat and dairy products, whole - grain breads, and lots of fruits and vegetables — mandates healthier school meals.

Its basic structure is that of ordinary black - and - white film: an emulsion of silver bromide grains, which are very light sensitive, dispersed in animal gelatin.

Who Framed Roger Rabbit looks like a film, with a pleasant grain pattern and deep texture, thanks to its VistaVision roots, which bolster its old Hollywood appearance.

There's an element of grain in the image, though it's appealing to the eye and truthful to the nature of the film, which, like many gialli, derives its beauty in part from the opposition between lighting that appears to be found and that which is clearly and expressionistically contrived.

Carol's domestic predicament plays in tandem with the romance, providing the film's drama and offering up one of its most moving aspects, which is Carol's remarkable strength and resolve, as she determines «not to live against my grain»; she's tragic in the way that only fiercely independent people can be.

I saw more DVNR than other reviewers seem to be seeing (at least, grain is all but absent, which doesn't jibe with the picture having been shot in Super35), but fear not: Changing Lanes doesn't look anywhere near as processed as the Mountain's concurrent BD issues of the Star Trek film series.

The majority of the film is rather dark, as it takes place in a dark house the entire film, and there is noticeable grain consistent with being shot on film, which Aronofsky opted to shoot on 16 mm.

We received the former for review, which contains a 2.35:1 transfer of the film in anamorphic video; the image is quirky in accordance with John Seale's cinematography: grain is overemphasized in several climactic shots, as if to ground the ludicrous plot machinations in some kind of hard - edged reality, while blacks are chalky throughout and detail has a filtered quality — a Lawrence Kasdan trademark.

With all due respect to the fans of The Sixth Sense, with which others may draw comparisons due to its ending, I'm going to go against the grain and proclaim The Others as the best horror film I have seen since — well, I can't remember since when — unless you consider Silence of the Lambs within the horror genre.

The image has a crisp, fine grain structure evident in every scene, and the colour - timing tends towards a cool blue — which is almost certainly intentional, given the film's title.

My biggest complaint would be regarding an absurdly aggressive film grain filter, which is fine most of the time, but in particularly dark scenes it's a vulgar haze across the screen, making the game look honestly worse than it actually does.

The image here mostly just falls down in shadow detail, which is a significant issue for a film with as many low - light scenes as this one; this is not going to be a disc to show off your home theater, but it's a natural transfer that looks pretty much as one would remember the film looking in 1990, grain and all.

Every nuance of the filmic image seems to make its way into the transfer, which gets top marks in every category: natural - looking film grain, spot - on color and contrast, inky blacks, and fine detail.

While the telecine scan appears to be the same as the previous release (which is fine, as it is excellent, with film grain happily preserved), the color timing of the new release has swung dramatically back in the direction of the original release prints.

The film exhibits some grain, most noticeably and understandably in effects shots which are often none - too - convicing in this digital age.

Going against the grain of its very premise, it also posits that anyone with a costume can be a superhero, as we see dozens, if not hundreds, of the foolhardy come out of the woodworks in order to be the next Kick - Ass, despite the fact that Kick - Ass himself seems to have learned few skills beyond that which we saw him perform in the first film.

Of course you take that prediction with a grain of salt, but just let me say it leads to the film's absolute funniest sequence in which our hero must essentially reinvent himself in a way that won't be revealed here other than to say the Basic Instinct parody alone is worth the price of admission.

Note: a ray - tracing denoiser module is coming to the GameWorks SDK, which will enable developers to remove film grain - like noise without any additional time - sapping development work

The two protagonists in the film are a reaper machine, used for harvesting grain, which is given Frankenstein - like characteristics, and a mechanic who cares for and repairs it.

Samore applies a romantic softness, painterly coloration, blur of movement, and film grain, which lend a sculptural physicality to the photographs and give the pieces a subtle and strange eroticism.

The paintings of the early 90's, with the grain of old black - and - white film stock, recast his obsession with the overlooked mediums that deliver the messages by which so many Americans live — in this case the scratchy film of his childhood.