Sentences with phrase «which fit the narrative»

The environment is heavily cartoonish with a storybook feel to everything which fit the narrative nicely.

Is it only the energy related subcategory which fits your narrative?

Not exact matches

The narrative reveals more about today's hyper - partisan discourse than about the reality of the new tax law, which is likely to affect jobs and the economy in important ways that don't fit either party's talking points.

They were usually treated as pieces of a jig - saw puzzle which must be ingeniously fitted together to form one full and more complete narrative.

The Easter narratives from the other Gospels were in practice fitted into the Luke - Acts framework, which also set the pattern for the Christian year.

We write a narrative of actual events which fits our point of view.

This will be just like the Book of Judas which was discovered... if it doesn't fit with their pre layed out narrative they will shoot it down.

You are all just creating a fantastical make - believe narrative around yourself and they are coming to a different conclusion than you do, yet you see fit to disparage their beliefs that they have zero evidence of, by relying on your beliefs which you have zero evidence of.

Doesn't change the money issue (Wenger did his best to say I'd of loved to sign Laporte any day of the week but we can't compete once City get involved which is true but no one paid attention because that doesn't fit the narrative.)

This fits in with a larger 2012 narrative nationwide in which moderates from both parties are struggling to keep their seats.

But they wouldn't have been invited on if their words don't fit what, if it were Fox News, people would know to call RT's «broader narrative», which is that western democracies are no better than Putin's dictatorship.

But they fitted the Government's narrative as well as playing to the Conservatives» key audiences, which means they can stand as more than just a political gambit to make life difficult for the two Eds.

It's a lot of fun to play in the open world and the gameplay mechanics are fantastic, but the story kidnaps you and railroads you into a very strange narrative which doesn't really fit all that well with the rest of the gameplay experience.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

The many narrative layers of this drama should fit reasonably snug in the context of the plot's progression, but if there is a sense of excess to the material, then it is stressed by a sense of episodicity, which sees the film spending too much time with each segment, yet not enough to flesh them out enough to make the eventual focal shifts smooth.

The initial challenge, and this involved going back to the drawing - board on some songs, was to find the right people to help us find a lyrical language that was poetic enough, that was unfussy enough to fit with the naturalism we were going for, and craftsmanlike enough to do what theatrical lyrics do, which is continue to tell a story, so that musical numbers aren't just pauses in the narrative.

Debut co - writer / director Michael Carney doesn't have much of an eye for any of this saga, which includes a «Blind Side» - like narrative that transitions into a weepy sickness tale fit for Nicholas Sparks that I won't spoil, but the true story aspect is a type of preservation itself.

The prologue's narrative content could not fit within the structural context of the story which made a prologue necessary — in a speech before the story began.

It's because it doesn't fit in to there narrative or they don't know that NPD statistics are only North American which they can google quick to find out.

For 3D Zelda fans, the narratologist argument fits as while the game should have good mechanics, each Zelda game should have a clear narrative which engages players alongside the raw mechanics of swinging your sword and solving puzzles.

One thing that I think about are narratives which are not consistent with their contexts and do not fit.

The truth of the matter is that the usual suspects (climategate authors) run with whatever metric best fits their predetermined climate narrative and none is good enough, which has always been the case, they start pencil whipping the data.

The fact (publicly available) that I contributed to Obama's presidential campaign (which is the kind of thing they usually look for, political contributions) doesn't seem to fit their narrative (had I been making contributions to the Republicans or Libertarians, well I'm sure that would have been reported).

There are three possibilities: 1) the early portion had bad fit to the data, which calls into question the method, 2) the early period didn't fit the narrative or 3) the sample number was not adequate during the early period.

NASA's «GISS» temp uses land and ocean - based thermometers which measure «different parts of the system [UHI affected parking lots, asphalt heat sinks, AC exhaust air vents], different signal to noise ratio [we bias toward warm stations], different structural uncertainty [we «homogenise» our data set to cool the past and warm the present to fit the global warming narrative].»

Scientists have been caught fudging data, hiding emails which don't fit the narrative, etc — so many times that many people just don't believe them.