Sentences with phrase «which follows an exhibition»

Not exact matches

U.S. manager Don Clark, looking forward to his two - game exhibition invasion of the U.S.S.R. which is due to follow the tournament, sadly surveyed his handful of survivors and cracked, «This is probably the most battered army that ever marched on Moscow.»

In the scheme of things — after Woods» shot - making exhibition at Sage Valley Club that reportedly included a 300 - yard drive, which followed his «progressing nicely» home video, and reports he was up to five hours of practice and playing some holes on his home course — a Tiger turnout in North Carolina may seem the next obvious step.

Today you can visit this archive of our technological past at the Computer History Museum in Mountain View, California, which reopened this past January following a two - year, $ 19 million makeover that resulted in the 19 - gallery exhibition «Revolution: The First 2000 Years of Computing.»

This exhibition, which opened last month, will be followed by The New Age in 1994.

Following an interview with company insiders at the Beijing Auto Show this year, AutomotiveNews learned that Volkswagen will be producing the New Midsize Coupe Concept, which was revealed at the Auto China 2014 Exhibition last week.

Following a wide - ranging discussion on partnership working and innovation, Ambassador Godec visited the clean energy exhibition at the institute which provides information on the costs associated with various clean energy technologies, their availability, the fuels they use, and the distributors who supply them.

Reed Travel Exhibitions Chairman World Travel Market, Fiona Jeffery, said: «These car brands are following in the tracks of other luxury names, such as fashion's Armani and Missoni, which have established prestigious hotels in Europe and the Middle East.»

WTM 2010 generated # 1,425 million in business deals, either on the exhibition floor or in the 12 months that followed, which was a 25 per cent increase on WTM 2009's # 1,139 million.

The report follows the huge success of the inaugural World Sport Destination Expo — the first dedicated Sport Tourism exhibition and business forum which took place alongside the final week of the 2010 FIFA World Cup.

Simon takes the role of WTM Exhibition Director at an exciting time for the exhibition, which will benefit from the # 165 million expansion of ExCeL - London following on from its highly successful 30th event lastExhibition Director at an exciting time for the exhibition, which will benefit from the # 165 million expansion of ExCeL - London following on from its highly successful 30th event lastexhibition, which will benefit from the # 165 million expansion of ExCeL - London following on from its highly successful 30th event last November.

The summit announcement follows a special roundtable session about halal tourism, organised by Reed Travel Exhibitions, which took place earlier this year in Dubai.

Following the exhibition publication which relies more heavily on text than image, Printed in Germany is an artist's book conceived as a stand - alone visual object that extends Williams's conceptual and aesthetic ideas into book form.

It followed a major touring European museum exhibition, «View from Above», which visited Hamburg, Turin, Paris, and Louisiana, Denmark, over 2001/2002.

The following selections are drawn from two related bodies of work — the series Unbranded: Reflections in Black by Corporate America 1968 — 2008 (2005 — 08), and Unbranded: A Century of White Women 1915 — 2015 (2015), which are the focus of the exhibition Hank Willis Thomas: Unbranded currently on view at the Block Museum of Art, Northwestern University.

This exhibition also marks the 75th anniversary of his first gallery show, which was held at Artists» Gallery, New York, in 1941, followed two years later by a solo exhibition at the Willard Gallery, at what is now Pace's 32 East 57th Street location.

The earliest piece in the exhibition was begun eleven days before 9/11 and the exhibition follows my intuitive trajectory over the last fifteen years, which has allowed me to consider the transforming power of art when it's experienced in different moments and contexts.

The Lehmann Maupin gallery, which launched the installation this past Friday in collaboration with the Art Production Fund and White Cube, also opened a contemporaneous exhibition, «Tracey Emin: I Followed You to the Sun,» earlier this month, and her first solo museum exhibition in the U.S. will open at Miami's Museum of Contemporary Art in December.

The Newport Street Gallery has announced their next solo exhibition which follows Gavin Turk's successful exhibition at Damien Hirst's private Art Gallery.

In the exhibition, the two big, blazing - fireplace images are followed by the final room, which features a very different selection of work: seven conventional - size easel paintings in oil on linen.

The exhibition opens on May 23, 2015, with a reception for the artist, followed by a second phase beginning June 26, 2015, which launches the immersive outdoor video installation and the augmented reality experience.

The exhibition, which marks the 40th anniversary of the pioneering Public Art Fund, features work from the 1960s — when public art was allowed to become more than war memorials, civic - minded murals or the like — and highlights of the hundreds of innovative works that followed.

Following her monumental installation in MASS MoCA's largest gallery, Building 5, in 2007 — which marked her first indoor projection in the U.S. — Holzer returns with a campus - wide series of work that will include a large - scale outdoor projection on the River Street side of the factory's complex titled For North Adams, 21 of her celebrated carved stone benches located throughout MASS MoCA's sprawling campus, an installation of her Inflammatory Essays posters, and rotating exhibitions of her work spanning the breadth of her career.

This exhibition — which focused on Jay DeFeo's production following her three - year hiatus from artmaking after her completion of The Rose, 1958 - 66, her famous, one - ton painting of a burst of white light — gathered forty - nine pieces from the last fifteen years of the artist's life, several of which were absent from her recent traveling US retrospective.

Following the success of her show at the Saatchi Gallery in 1994, which generated a great deal of publicity for her work, Saville went on to take part in the exhibition American Passion, which toured from the McLellan Gallery, Glasgow, to the Royal College of Art and the Yale Center for British Art in New Haven, Connecticut.

rosenfeld porcini presents L'Âge Mûr, a first UK solo exhibition of Italian artist Nicola Samorì, which follows his initial participation in the sculpture exhibition Memory and in The Continuation of Romance, a group exhibition exploring the renaissance of painting in contemporary art.

Around Drawing is rosenfeld porcini's fifth themed exhibition, following WOOD, which grouped four artists who all sculpt with wood, yet use the medium in diverse ways, both technically and from a narrative point of view.

His first solo exhibition, which took place in 1968 at Gröna Palletten Galleri when he was studying printmaking at the Royal Swedish Academy of Fine Arts in Stockholm, was followed by his major solo show at the Corcoran Gallery of Art a few years later in 1977.

The Serpentine Gallery have to be congratulated on this timely exhibition, which hopefully consolidates in Britain, following elsewhere the high repute, the quality of Pistoletto's work, and in good time at last.

Within a Realm of Distance is the second exhibition by Blenheim Art Foundation, a programme of contemporary art, which sees exhibitions presented at the Palace by internationally acclaimed contemporary artists, and follows the inaugural exhibition Ai Weiwei at Blenheim Palace (2014).

Works from the same exhibition were presented the following year (July — September 2014) at the Watermill Center in New York, while the Hirshhorn Museum and Sculpture Garden featured one installation from the same series as part of Days of Endless Time, which ran from October 2014 — April 2015.

Featuring Adam Fearon, Vanessa Safavi, Richard Frater, Renata Har and Clémence de La Tour du Pin among others, the exhibition follows last year's Blue Majik, which aqnb reviewed here as the second iteration a project series exploring «the ongoing dissolution between the biologic and the synthetic.»

«100 % Other: Artists and Psycho - Demographic Transitions» follows several recent critically acclaimed exhibitions, including «Patriot Acts» (the first installment of «Future of Nations») and «Incognegro,» which offered a contemporary critique of race through the exploration of infamous black - face performance.

ICA's exhibition will focus on paintings from 1963 through 1986: a period when Andrade followed a distinctly optical course, and one which historically coincides with Op Art, Minimalism, and Pattern and Decoration Painting — movements in art that relate to the pure pursuit of geometric and abstract design.

rosenfeld porcini presents From Battlefield to Paradise, an exhibition by Swiss painter Cesare Lucchini, which follows his inaugural UK show Those Who Remain (2012).

Following on from their well received first exhibition with Ai Weiwei Blenheim Art Foundation have just announced their second exhibition which will be a new exhibition by American artist and founding figure of Conceptual Art, Lawrence Weiner.

Cantor's performance follows their recent exhibition of the same name, which informs the presentation of Ai's journey as her status as a «trans - material being who manifests beyond the constraints of materiality itself yet who is inextricably imbricated in the world of object».

Following that is the very popular and much anticipated annual group exhibition «The Summer Show,» which opens June 17 and features more than 40 works in various media — including painting, sculpture, works on paper, photography, video and installation — by gallery and guest artists.

This year is at the gardens of the French School of Athens, following the exhibition A thousand doors (2014), which took place at the Gennadius Library and gardens.

The exhibition traces all the stages of Pape's career, beginning with her square paintings, reliefs, and blocks, all done between 1954 and 1956, when Pape was a member of Grupo Frente from Rio de Janeiro, which also included Clark and Oiticica, and which initially followed the tenets of concrete art as outlined by van Doesburg.

Nara's arrest took place the day before the opening of his solo exhibition at Marianne Boesky Gallery in Chelsea, which he attended following his release from police custody.

It became a launch pad for Oiticica's other Nest projects, which became his trademark for the following five years, presented in other important exhibitions of his career, including Information, curated by Kynaston McShine in the Museum of Modern Art in New York in 1970.

While the artist may seem unfamiliar to the New York audience, it is a well - timed exhibition that follows a steady and continual rise in the recognition of Dansaekhwa (literally translated from Korean as «monochrome painting»), a loose movement of South Korean artists that emerged in the mid-1960s, with which Chung is associated.

Following the exhibition, the gallery will publish a fully illustrated catalogue, which will include installation views as well as new scholarship by Akira Tatehata, Director of The Museum of Modern Art, Saitama and President of Kyoto City University of Arts.

Please note: This film screening will begin at 5 pm, followed by a special «last - call» guided tour at 6 pm of current exhibition «Legacy: The Emily Fisher Landau Collection ``, which is on view through the end of day Sunday (September 8).

For Immediate Release, April 8, 2014 Robert Mallary Sculptor April 24 - June 27, 2014 Allan Stone Projects is pleased to announce Robert Mallary Sculptor, April 24 - June 27, 2014, an exhibition of nine works from 1959 to 1966, the period in which he established himself in New York as a central figure in the Neo-Dadaist assemblage and junk art movement that followed on the heels of Abstract Expressionism.

Following the publication of «We Wanted a Revolution: Black Radical Women, 1965 — 85: A Sourcebook,» which «focused on re-presenting key voices of the period by gathering a remarkable array of historical documents,» a second volume has been released to further amplify the exhibition.

In addition to this major exhibition, in January 2018 her work will be included in an exhibition, The Feminine Sublime, at the Pasadena Museum of California Art and a solo exhibition follows in September 2018 at the Craft and Folk Art Museum, curated by Howard Fox, which will feature a core sample of her work over the past 10 years.

In particular he seems to have sought specific settings for exhibitions of his early wall - mounted sculptures, which, seen together, gave the impression of amply spaced pops of primary color in otherwise white rooms.6 Following the precisely scaled galleries he created for his 1984 exhibition at MoCA's Temporary Contemporary, he made a rotating exhibition of such works at Leo Castelli's New York gallery in 1986 — 87, sometimes forgoing the main gallery spaces for a more intimate basement.7

His groundbreaking carving technique — which forms the basis of the Scratching the Surface project and was first presented to the public at the VSP group exhibition in Lisbon in 2007 and at the Cans Festival in London the following year — , has been hailed as one of the most compelling approaches to art created in the streets in the last decade.

Following Cassiopeia: HAND (Primary, Nottingham, March 2016) and Cassiopeia: HIP (APT Gallery, London, May 2016), the project will further develop in the upcoming exhibition at Guest Projects (London), which will take place in November 2016.