Sentences with phrase «which human creativity»

It is oblivious of the cosmic vision according to which human creativity is first of all a property of the universe and not simply our own subjective self - expression.14

Not exact matches

Humans possess the always - in - demand skill of creativity, which computers can not master.

For this post, I'll be covering how to build great links from local authorities — which time and time again has proven to require human creativity and leveraging relationships.

His refusal to accept either an «objective» or a «subjective» art is equivalent to the rebel's search for a value that transcends history but which does not diminish human freedom and creativity.

It dammed up the emotional energies to bring them into the service of the institution.8 Of course this assumes that the sexual energies can be thus sublimated, but the relation of these energies to human creativity is an enormously complex question upon which we have little dependable light.

It has resulted in a doctrine of God which in the era of the secular city forces men like Camus to choose between God and human freedom, between Christian faith and human creativity.

Marriages, of course, are only human; they go wrong and break down; but it is still within marriage, and the families that spring from marriage, that most people come closest to an understanding of true love and creativity, which is as close as man can get to God.

The form in which men recognize God and the conception which men have of Him can not, to be sure, come into being without the cooperative participation of the creativity of a human person, but what is at work there is no myth - projecting fantasy but man's way of going forth to the meeting.

Niebuhr held that Augustine's value for the Christian political thinker lay in the interpretation of human selfhood which enabled Augustine to «view the heights of human creativity and the depths of human destructiveness, which avoids the errors of moral sentimentality and cynicism, and their alternate corruptions of political systems of both secular and Christian thinkers.

And in her body she is the bearer of the most powerful of all blessings, «Be fruitful and multiply,» which leads human beings closer to divine creativity, the ability to bring new beings into being, than any other power given to humanity.

So it wasn't until I was in university and forced to take classes in the humanities — which should be required of every human in my opinion now — that I began to learn about art history and the progression of creativity in our world.

Rather than leaving this as an uninvestigated discovery, as scientific reductionism and materialism would have us leave it, the Holy Father invites us to remit the question to those areas of study which have the appropriate competence, which comprise human subjectivity and creativity within their appropriate object: namely philosophy and theology.

If we assume, as we presently do, that the primary goal of both God and concerned humans is to maximize freedom (creativity) for the greatest number, it is the following query with which we must be concerned: Do continuous divine persuasion and occasional human coercion, in conjunction, better maximize freedom than would continuous divine persuasion alone?

I recognize that the unconscious which is the abysmal source of our earthly demons is also the dynamic ground of love and creativity which, together with our cognitive capacities, produces the truths and beauties and goodnesses of human life.

And if our children disappear, the untold potential for insight, for creativity, and for love and compassion of which the human spirit is capable, would vanish from the stage of the unfolding cosmic drama.

The suggestion may point us to a clue about certain traits in human personality which are necessary conditions of creativity.

Unlike much of the inherited Western tradition, which has equated creativity with mentality and attributed it only to human beings, process thought considers anything actual at all an instance of creativity, from the tiniest energy event to the most complex creatures we are aware of, human beings; some degree of mentality is present in no matter how rudimentary, even negligible, a form.

Consequently, a civilized society is but one further instantiation, among a myriad of such instances, of the ultimate creativity which underlies the very process of the world — it is the realization in human social experience of the inherent principle of «creativity - one - many» at work in all things.

The Christian then is not necessarily committed to a metaphysical view of man in which God must appear as a threat to human creativity.

Let us begin the delineation of the limits of human creativity by first determining certain common and universal elements in man which man did not create.

In the past we have gone into both extremes: Pelagianism, on the one hand, which overemphasizes human causality and the ex opere operato mechanism, on the other, which overemphasizes divine causality to the detriment of human creativity.

Nicholas Berdyaev the Russian philosopher was most critical of the traditional Christian ethics which confined itself to the ethics of law and ethics of grace and ignored the ethics of creativity, while secular modernity to which Christian modernism succumbed, elevated the human vocation of creativity as supreme and as capable by itself of solving the problem of destructivity within it without the need of grace and even of law in the long run Anthropology got perverted on all sides by converting Creation into an order of static laws which are only to be obeyed and perfected by grace in Catholic thought and by getting validated for collective existence without criticism but to be rejected as totally irrelevant in the realm of existence in grace in Protestant thought.

Process theology undertakes a search for an alternative to the Augustinian understanding of love and being in which the freedom and creativity of human loves have their place, and in which the love of God is understood in his involvement with a real history.

I am thinking also of the many recent theologies that have closely followed a psychological and social - scientific paradigm according to which culture is interpreted primarily as a human construct without any reference to the cosmic roots of human creativity.

While it is easiest to grasp the prius of creativity - esse in the human case, a process metaphysics sees at least a faint glimmer of subjectivity (which for process thinkers does not imply consciousness!)

One corollary of this view is that creativity in human relationship can never be the sheer imposition of one will upon another, It must be the kind of action, with whatever coercion is involved, which so far as possible leaves the other more free to respond.

The notion of creativity - characterization not only extends the capacity» of process metaphysics to thematize human personhood, but it also points to an additional area in which a process metaphysics needs to be rethought at the deepest level.

Modernization has shattered them all because they with their hierarchies and patriarchies sanctified by religion could not comprehend within them the creativities of human individuality and rationality which were emerging.

The image of the universe that takes shape in the mental background of those who espouse the chance - hypothesis is often one in which human freedom and creativity are fundamental concerns.

So we reach the conclusion that discord of interests is a value because it is the sole condition which satisfies one of the inalienable interests of human nature, namely, the interest in creativity.

They may be regarded as precursors of human creativity, and point to the existence of unsuspected potentials in the organism which are dormant in the normal routines of existence but emerge in response to new challenges offered by the environment — a zoological analogy to Toynbee's paradigm of Challenge and Response.

I found it embarrassing that my moral teachings, which emphasized the mixture of self - regard and creativity in all human motives, had not been rigorously applied to my own motives.

Even a glance at the issue's table of contents shows the article by the Acton Institute's Kevin Schmiesing, «Another Social Justice Tradition: Catholic Conservatives,» which highlights and quotes CA: «The pope approves of that capitalism «which recognizes the fundamental and positive role of business, the market, private property, and the resulting responsibility for the means of production, as well as free human creativity in the economic sector.

It remains an often brilliant exploration of the ways in which Western humanity has succeeded in creating a world in which all values have become subordinate to the demands of the human will, and in which knowledge and human creativity have become almost entirely confused, conceptually and practically, with the exercise of instrumental reason's mastery over all of reality.

Process thinkers encourage sociologists, political scientists, psychologists, historians, and scholars in other disciplines to take a more holistic approach, taking into account and doing justice to how human organisms interact not only with the human environment of their cultures and societies but also the non-human environments of which they are a part that are throbbing with life, energy, and creativity.

But could the naming process, which relies so heavily on human creativity, ever be carried out by a machine?

«They provide new insights which, combined with human creativity, allow for opportunities to improve designs within the practical product cycle.»

The ethics of human creativity, and the structural conditions which support its flourishing, may prove to be the ultimate challenge to the nudgers.

Like Mr. Petit, he's interested in tackling the impossible, which is to say in discovering new possibilities for delight and awe and celebrating the transformative power of human creativity.

People often tell children to use their imagination when approaching a task, which comes from the understanding that imagination is a kind of hotbed of potential for learning and creativity in humans.

The more difficult success factors in just about any field come from more human skills such as collaboration, critical thinking, and creativity, all of which are developed as a side effect of gameplay in MMORPG's such as World of Warcraft.

Whether you use the definition of giftedness from the United States Office of Education (US Department of Education, 1993), which describes these students as» children and youth with outstanding talent who perform or show the potential for performing at remarkably high levels of accomplishment when compared with others of their age, experience, or environment», or as Renzulli (1978) does as the intersection and interaction among three basic clusters of human traits — above average ability, high levels of task commitment, and high levels of creativity, it is arguably the concept of asychronicity that educators must address.

Exam boards will now provide «contexts», such as: extending human capacity; improving living and working spaces; or securing the future, to which students will be encouraged to respond with freedom and creativity.

In this rapidly changing environment of a global and digital world — a world filled with promise for improving human lives, a world in which talent recognizes no boundaries, a world in which creativity and curiosity will fuel the future — now, more than ever, Linked Learning is necessary and relevant.

My expectations were colored by genuine masterpieces of human creativity: Kris Takahashi's Interesting NPCs for Skyrim, which adds dozens of fully - voiced characters with their own questlines and personalities; Max - Ischreyt's Better Cities for Oblivion; and kinggath's Sim Settlements for Fallout 4 that allows towns to grow independently without player micromanagement.

And that's a shame, because there are those few quests that I mentioned which do show a bit of creativity, such as helping out a wolf cursed to wander around as a human or helping to reenact an ancient legend.

Instead, it offers a set of complex, harmonising stories about human creativity and flaws which bubble and fizz within their ascetic aesthetic.

The DMA contributed images from the Museum's encyclopedic collection, which spans 5,000 years of human creativity.

LACMA's Costume and Textiles Collection The Fra Angelico Collection will enter LACMA's Costume and Textiles Department, which houses over twenty - five thousand objects, representing more than one hundred cultures and two thousand years of human creativity in the textile arts.Particularly well - represented are European textiles, fashionable dress, and accessories including the museum's groundbreaking acquisition of more than 1,000 works that was highlighted in the recent exhibition Fashioning Fashion: European Dress in Detail, 1700 — 1915, which will be travelling to the Deutsches Historisches Museum in Berlin and the Musée de la Mode et du Textile / Les Arts Décoratifs in Paris.

Our projects are focused on art as an expression of human creativity, which is consequently a significant factor in our experience of our everyday life.