He acknowledges emotion in the process of storytelling, and exposes ways in
which irrational feelings or inaccurate memories might even affect larger political and social interactions.
Not exact matches
And yet in amongst this he throws in a C.S. Lewis quote with a very different
feel: «we are not reading rationality into an
irrational universe, but responding to a rationality with
which the universe has always been saturated.»
When Rudolf Otto describes the sense of the «numinous» or holy as an
irrational experience both fascinating and awe inspiring, in
which the content can only be
felt and not spoken about, he is making a similar point.
It does this by creating a climate of acceptance — of
feelings and impulses (around
which irrational guilt often forms)-- and by confronting the young person with the need to change irresponsible, self - other hurting behavior (the source of appropriate guilt).
It encourages people to
feel that
irrational events and the suffering of life have meaning and obey a superior logic in
which Good will always win.
Quite literally the
irrational feelings of affection despite being taken on the biggest ride of your life in
which you have absolutely no say in where the team is going (being held captive) is the literal definition of the illness.
>> Manage emotions that can lead to
irrational behavior
which may make us
feel «justified» in not staying committed.
Fear isn't just some unnecessary,
irrational feeling for
which humans have no real need.»
Surrealism, magic realism, the scientific principles of light and an inchoate sense of longing informed the dreamlike photographs, especially the large - scale camera obscura works,
which invited the rational and the
irrational to exist in the same room — juxtaposed images that
felt like artifacts from the land of dreams and memory.
In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work
which serves as unbiased documentation of his observations; the
irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his
feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in art.
The peremptory challenge is one tool by
which the accused can
feel that he or she has some minimal control over the make up of the jury and can eliminate persons for whatever reason, no matter how illogical or
irrational, he or she does not wish to try the case.
Unlike proper civil litigation, domestic relations cases often involve uncontrollably
irrational and volatile clients, many of whom are so consumed with
feelings of anger and rejection that they frequently are seen as being incapable of making the sound business decisions
which a negotiated settlement requires.
The Good Men Project reported that as the child started to
feel irrational anger, fear and even disrespect a family member lead to the deteriorating relationships and bonds,
which could eventually result to erasing the family unit altogether.