Sentences with phrase «which issues filming»

Not exact matches

The gay news website PinkNews accused the Core Issues Trust, the group which made the film, of advocating for a «gay «cure»».

Most wrote to congratulate, thank, and / or applaud me for having the courage to post such a thorough, candid, and critical review, one which was informed by my years covering the concussion issue, not by all the media hype surrounding the film.

Instead, we see films based on a huge range of issues, from immigration to healthcare to Islam, which pushed the intellectual envelope and provided entertainment and food for thought for political fanatics everywhere.

But now, as the film is being released in Britain, a bitter twist has emerged: Lorenzo's oil has no effect on the course of ALD, according to clinical trials conducted in the US and Europe, the results of which are explained in the latest issue of the Journal of NIH Research.

In a study published in the inaugural issue of the journal Applied Materials Today, a new rapid, online only publication, the team of researchers describe how they make these films which are based on the heavy metals lanthanum and europium.

The first three or four paragraphs in which he identifies all of the issues with the film is exactly where I'm at with it.

Not surprisingly, this film stirred up a great deal of controversy even before it aired; some Jewish leaders and prominent Holocaust survivors worried that Hitler might come off as being sympathetic (a concern that may have dictated altering the film's title, which was to have been Hitler: The Early Years); and one of the film's producers was summarily dismissed after issuing a public statement which seemed to compare Germany's blind, unthinking allegiance to Hitler to America's rallying behind George W. Bush during the Iraq crisis.

Issues regarding pacing and structural tightness are among the more considerable in this film, which promises to be rather extensive as a biopic, only to succumb to anything from repetitious filler, - at its worst with the forceful and recurrent insertion of a recital of Oscar Wilde's own short story «The Selfish Giant» - to meandering material whose being backed by steady directorial storytelling by Brian Gilbert leads to moderate bland spells.

It doesn't try to show some drastic change, but it does attempt to convince others that change can indeed happen, it also never puts blame on one person, because obviously with marriage it is a joint effort, there will be trials and on other occasions it simply won't work, but time and commitment can change that, rarely can a simple film like this address so much in such limited issues, but sharp, often improvisational dialogue and strong performances create a very real and insightful piece that underplays everything for maximum effect, which works.

This is his life and he doesn't understand the way things actually work in that world beyond his walls, which becomes an issue as the film continues onward.

While the film touches upon its various political and cultural issues (In addition to the give - and - take relationships between reporters and politicians, there's a lot about the overt and subtle sexism that Kat receives as the first and, at the time, only woman serving a newspaper publisher), the film plays mostly and best as a race - against - the - clock thriller of sorts, in which the obstacles are as imposing as the might of the U.S. government and as low - key as deadlines or being beaten to a story by a rival paper.

The comic book is even noted on the DVD case that was issued at the time, which is worth getting if you enjoy the film as a back - issue comic, while an action figure series was issued briefly.

My personal issues aside, this is very much a film worth watching, especially on the big screen which should do the grand vistas justice.

There are plenty of plot - related issues, not the least of which is that the film's «science» is wrongheaded in many ways, but it's hard not to be impressed by a movie that pushes forward relentlessly without being predictable.

Husband and wife Tim (Jake Johnson) and Lee (Rosemarie DeWitt) are housesitting at a well - off home, which offers ample opportunity for snooping and class comparisons (their conversations about whether to send their son to private school ground the film in issues not often part of the indie milieu).

The «East Meets West» issue from 2004, which presented eleven essays comparing a single film from East Asia with an American film, is an early example of this attempt to be both comprehensive and expansive.

Published quarterly, the issues are based on «symposiums,» which center on filmmakers or themes that reflect current events or are hitched to particular approaches to film, such as close readings of the use of color.

Our very own Oliver Stafford is the human behind the bold cover of our 74th issue, which is inspired not only by Anderson's film but also Japanese graphic design.

Writer / director Scott Derrickson finally spoke out about it and Marvel went so far as to issue a statement which read in part, they «have a very strong record of diversity in its casting of films.»

The main issue with the film is simply the poor screenplay, which has its own identity issues.

Armie Hammer's latest film, Call Me By Your Name, is unlike anything the actor has done in the past, which he admits in OUT Magazine's November issue scared him at first.

A spokesman for Lionsgate — whose subsidiary Summit Entertainment is handling sales of the film to overseas distributors — issued a statement disavowing responsibility for the posters, which were created for the film's Italian distributor, BIM.

Exactly, which is an issue with the film business of course.

The IDA also presented the career achievement award on Saturday to Lourdes Portillo in recognition of Portillo's body of work which spans nearly 40 years and includes films about Latin American experiences and social justice issues.

A 15 - year veteran of film and television, her credits include directing and producing for HBO, A&E, MTV, and the PBS series Need to Know, which focused on issues of prison reform and juvenile justice.

Pre-release controversy has focused on the film's apparent white - washing of Hawaii, but leaving aside the dubious casting of Stone as a woman of Eurasian heritage, Aloha tries to engage with the tricky issue of Hawaiian identity by spending a lot of time with Kanahele and the Nation Of Hawai'i, which advocates for Hawaiian independence and treats the presence of the U.S. as an occupation.

Issue 123 carried an article — «Going Places», written by guest editor Kevin Moriarty — which intended to stimulate some debate on the reasons why Irish films are generally perceived to underperform at the Irish box office.

Lastly, the film ends having resolved none of the issues it brings up, which begs the question of whether the filmmakers had any reasons for all of the angst - ridden issues except to create a phony sense of seriousness.

Matthew Heineman: I think one of my goals with the film is really to put a human face to this issue which has largely been relegated to headlines and stats and policy pronouncements.

The film teases the audience with clues and foreboding hints at the causes of the malaise, but never offers anything concrete or literal, instead creating a rich allegorical framework from which an endless array of fascinating questions are raised as to how power may be intermingled with issues such as history, education, class, family, gender, sexuality and ultimately the impossibility of human communication and understanding.

Many decided to boycott based on the trailer alone, which I take issue with for one big reason: Split, contrary to whatever you may have ascertained from the trailer, is a film that actually treats mental illness with a welcome degree of care; furthermore, it depicts those who suffer not as less than, but as more than.

2007 marks the film's 15th anniversary and to commemorate that, Sony has issued a new 2 - Disc Collector's Edition, the contents of which are profiled in the sections below.

«If I wanted to get into heaven on the basis of one movie, that's the one I would offer up,» Welles said of the film, which suffered from distribution issues, competing claims of ownership, and degraded prints almost from the time it was completed.

I saw more DVNR than other reviewers seem to be seeing (at least, grain is all but absent, which doesn't jibe with the picture having been shot in Super35), but fear not: Changing Lanes doesn't look anywhere near as processed as the Mountain's concurrent BD issues of the Star Trek film series.

Movie experts, film historians and the public helped to choose the titles to be included in the set issued today (May 13), which also includes more recent releases such as Bend It Like Beckham which starred Keira Knightley.

There's no determining which of these issues is most important, so we'll go with the film we think is best: Heroin (e), which manages to include some uplift in its story about three women in Huntington, West Virginia, finding their own ways to combat the opioid epidemic.

IN THE LAND OF BLOOD AND HONEY is the winner of the Producers Guild of America's 2012 Stanley Kramer Award, which honors films whose «achievement or contribution illuminates provocative social issues in an accessible and elevating fashion.»

Frankie is surrounded by machismo, which makes his struggle to come to terms with his homosexuality all the more understandable without Hittman turning the film into a heavy - handed «issues» movie.

As with Berg's film and HBO's television documentary Mea Maxima Culpa: Silence In The House Of God (2012), which explore similar cases in Northern California and Wisconsin, Spotlight raises questions about Church - run «treatment centres» and the role of wider celibacy issues on its attitude to self - preservation.

«(What) really makes the premise of this film compelling: the idea of a woman negotiating issues around power and money, which are two things that have historically been denied to women,» said Menon.

Empire has revealed the newsstand edition cover for their October 2017 Star Wars issue, which will focus on the forthcoming The Last Jedi film.

Original producer of the films, Joel Silver, will also not be involved due to his reputation for «budget control issues», which we've seen can destroy good movies because there is one too many cooks in the film kitchen.

While sitting around a table in the DeFeo dining room, Lorraine has an out - of - body experience that allows her to see the shotgun murders that took place in the house and a «Demon Nun» (Bonnie Aarons), which is literally how the recurring vision is listed in the credits, who will haunt Lorraine throughout the film, and issue a warning that Ed's days are numbered.

It's easy to sneer at these films, which are at bottom sentimental, feel - good fantasies, but in fairness the Marigold films do tackle issues like ageing and death that rarely get an airing in Hollywood.

The enduring and healing power of love, the strength of the human will, living for the moment — these are a few of the themes Cameron covers, but instead of coming off as blatantly preachy (which, in some of his previous films, he comes dangerously close to), he addresses these issues with careful subtlety, expressing them mostly through the characters and their actions rather than explicitly written dialogue (with the exception of a few words of wisdom dispensed by Jack).

«While it's a consistently entertaining and often poignant film which addresses a wide range of issues under the stealth cover of humour, I, Tonya also gives Robbie the chance — her first, really — to show her full range as an actress.

There are small nods to almost all the cult films from that decade, which is fine for a novel but a little more expensive to produce on screen, where copyright issues are something of a minefield.

Cowperthwaite's film brings up important issues, and features some impressive cinematography and editing at times, but it never hits the power level like something like, say, the similar film The Cove (2009)-- which dealt with the slaying of dolphins, and had more participatory moments to add to the effect.

In a way, it's strange that a film of such great heart, of pure intention, could be a source of controversy — but such is the will of the film festival circuit, which Bong admits «always needs issues like this».

Unfortunately however, much more attention should have been paid to the films script due to its poor pacing issues and lack of character development, which means that quite a bit of time passes without much happening.