Sentences with phrase «which lovers of film»

Not exact matches

The Upcountry History Museum is located in the Heritage Green along with the library, Greenville Theater and Children's Museum and being the fashion lovers that we are, we were looking forward to seeing some of the costumes that Katherine wore during her film career which spanned more than 60 years.

Despite an interesting premise and excellent cast, the film flopped, but Arquette continued to work steadily the following year, with lead roles in the black comedy Goodbye Lover; Stigmata, in which she starred opposite Gabriel Byrne as the unwitting target of a supernatural phenomenon; and Martin Scorsese's Bringing out the Dead, a film starring Arquette's then - husband Cage as a burnt - out paramedic.Following the weightiness of the creepy Stigmata and the disturbing Bringing Out the Dead, Arquette took things in a decidedly lighter direction with her next two projects.

He did a run of films in which he was more and more subdued or withdrawn: Onegin, directed by his sister; the lover in a listless version of Graham Greene's The End of the Affair; implausible with Jennifer Lopez in Maid in Manhattan (why be on screen with J. Lo if you're not very pleased to see her?)

What human intrigue there is finds itself secured by consistently inspired performances, the highlights of which include the dashing, then - up - and - coming Jude Law as Lord Alfred «Bosie» Douglas, - a man who must choose between embracing his lover and escaping the tragic fate of this lover - and, of course, leading man Stephen Fry, whose capturing of Oscar Wilde's classic charisma, broken by a profound vulnerability which Fry captures through striking dramatic layers, molds a leading man more consistently engrossing than the film itself.

Although the show was eventually cancelled, the actress continued to appear in a number of TV series and independent films, including Hartley's Flirt (1995), Susan Streitfeld's Female Perversions (1996), which cast her as Tilda Swinton's psychiatrist lover, and Sour Grapes (1998), a black comedy which featured her as the girlfriend of a greedy neurologist.

In speaking about Only Lovers Left Alive — which seems to occur often since posting my NYFF review of the film.

I probably missed a few, as I was only able to see about 20 of the films at the festival (which is not a lot, since it is possible to see nearly 40 over the festival's 8 days), but suffice it to say, if you're a canine lover, be wary of all the films listed above.

The film also includes some real harm to horses, which does put a dampener on things, but the UK version has those shots cut out for any of you horse lovers.

The film succeeds brilliantly in welding monochrome to colour and in conveying an impression of a facet of eternity — an eternity in which even two lovers matter and yet nothing matters at all in comparison with an ultimate which is never revealed.

A lover of film and the art of debate, Jason doesn't like to be wrong, which is why he became a movie critic.

Most of the features that make Lewis» directorial work such a remarkable exception to the dominance of a realist aesthetic in Hollywood filmmaking are brilliantly apparent in The Errand Boy, including the foregrounding of sound manipulation (most blatant in the sequence involving the post-synchronisation of the song «Lover» for a musical film, and in the tape manipulation of Kathleen Freeman's reaction to having been left by her driver in the back seat of a convertible receiving a car wash) and the placement of actors in a shot so as to highlight the presence of the camera (as when Morty, an undirected and oblivious extra in a film - within - the - film cocktail - party scene, keeps looking at the camera from the background of a shot in which other extras, in their roles as party guests, intermittently block him from the camera).

Ron Howard and Brian Grazer are producing the film, which revolves around a U.S. intelligence agent who, after witnessing the death of his KGB double agent lover, later sees her alive in Rome.

A real movie lover's movie, The Aviator sees Martin Scorsese bring a touch of panache to this Howard Hughes biopic, which features probably Leonardo DiCaprio's best performance to date (though he does look rather too young for most of the film) and a host of other fine performances, none finer than Cate Blanchett, who is mesmerising as Katherine Hepburn (though never quite so mesmerising as Hepburn herself was).

INDEPENDENT & FOREIGN FILMS Apart (R for violence, profanity and bloody images) Romance thriller about a couple of star - crossed lovers (Olesya Rulin and Josh Danziger) who share a psychological disorder which proves fatal for their friends the deeper they fall in love.

As a native of the San Francisco Bay Area and a humble film lover, I am almost ashamed to say that this year's SF Indiefest, which is celebrating its 15

It would be so easy to make fun of the 1945 Noel Coward / David Lean film in which, famously, nothing happens between two guilt - ridden married lovers.

A witty film in which we watch Binoche work her way through a series of lovers that she finds unsuitable in a variety of ways, all the while declaring her love life to be over.

Using its TriStar label, Sony releases the film December 25; it's a Christmas miracle that Scott met this date, but one for which lovers of smart and dynamic filmmaking should be grateful.

The glory days of the studio system are often fondly recalled by film lovers, but the brutal realities of commercial survival in factory conditions, which caused John Ford and Howard Hawks to do somersaults proving that they weren't artists but dependable employees, are almost always elided.

One of a few films on this list that feel like they came out ages ago, but were actually released in the UK in January, is Damien Chazelle's wonderful musical La La Land, which stars Ryan Gosling and Emma Stone as star - crossed lovers both attempting to make their way in Hollywood.

The Art of Film is an annual fundraising event during which Dallas film lovers gather to celebrate talent within the film community.

Die - hard fans of the film must get their hands on the Blu - ray ™, which is the only place to find a behind - the - scenes look at how the two lover's paths aligned in bringing the book to the screen and six deleted scenes to complete the inspirational tale.

While brief, it was a tantalizing teaser of what's to come, and given that Gray's previous films, which include «The Yards,» «We Own The Night» and «Two Lovers» (all of which starred Phoenix), only seem to grow in power, and critical stature, over time, it's clearly one of the pictures we're mostly looking forward to in 2013.

The tension in Two Lovers is often unbearable especially as the film builds to its conclusion, which will generate plenty of post-viewing debate.

Another film I turned out to adore in the festival's closing days was «Only Lovers Left Alive» [A], the latest from Jim Jarmusch, which stars Tom Hiddleston and Tilda Swinton as vampiric rock stars Adam and Eve, dividing their time between Detroit and Tangier, whose comfortable, if ennui - filled, lives are upended by the arrival of Eve's sister Ava (Mia Wasikowska).

But it's the film's final scene, in which a camera trains on the ravaged, tear - stained face of Elio, a precocious 17 - year - old crushed over having just learned that his older former lover, Oliver, is getting married to a woman, that provides «Call Me by Your Name» with its most poignant and powerful moment.

In several interviews following the release of Carol, Todd Haynes admits to modeling the film's structure off of Brief Encounter, which is bookended by scenes of lovers being interrupted by an otherwise minor character while offering their goodbyes to one another.

As a native of the San Francisco Bay Area and a humble film lover, I am almost ashamed to say that this year's SF Indiefest, which is celebrating its 15 year anniversary, is my first.

From our Sundance 2017 review of the film, «Despite its sometimes - moderate pacing, Guadagnino conjures several unforgettable moments, sometimes enhanced by carefully chosen soundtrack selections from the period, but perhaps most notably with a sexual moment involving a peach, which offers an impressive range of believable emotion, delving into territories not often explored in cinema between male lovers.»

«Her» The premise of this film — a romantic comedy - drama in which the lovers in question are a lonely and withdrawn man (Joaquin Phoenix) and his computer's new and highly advanced operating system (voiced by Scarlett Johansson)-- was so inherently odd that it seemed impossible that it could ever work as anything other than an exceptionally absurd «SNL» sketch.

«Overboard» (May 4): Anna Faris and Eugenio Derbez («How to be a Latin Lover») star in this role - reversal remake of the 1987 film, which starred Goldie Hawn and Kurt Russell.

The actors have joined dog lovers Priyanka Chopra and Edie Falco in the short film, which features footage of sad, shivering, neglected animals...

Major names highlighted the winners for Cannes 2017's Directors» Fortnight prizes with Chloe Zhao's The Rider, which was picked up by Sony Pictures Classics, grabbing the Art Cinema Award and French directing legend Claire Denis tying with Philippe Garrel for the Society of Dramatic Authors and Composers Prize with their films Let the Sunshine In (with Juliette Binoche) and Lover For a Day, respectively.

His raffish good looks, velvety voice and wry warmth, which could just as easily flip into rascalry, made him a box office hit in roles such as an outrageous Sheriff of Nottingham in Robin Hood: Prince of Thieves (1991), the fearsome Severus Snape in the Harry Potter films and the late lamented lover in Anthony Minghella's amorous fantasy Truly, Madly, Deeply (1990).

Had he accepted that the character was playing a game, then it would have been something, but I he's a sad - sack lover with a broken heart, then the pressures off and the film no longer becomes a critique of capitalism, which is really what the film should be.

The movie follows the traditional romantic comedy path of two best friends finding out that they are compatible lovers, which is fine since many of my favorite films follow this similar path.

On top of that, this film also keeps banging you over the head with the message that the royal family are just like you and I, despite the extravagant wealth, fame etc., and to that end the screenplay, easily the film's biggest weakness, keeps contriving things for Jack and Elizabeth to have in common in an attempt to have a «star - crossed lovers» element to the story — which brings me to my biggest criticism of this film, the script.

Instead, it is the most sumptuous, classical star cross'd lovers romance — a «Juliet and Juliet» story — in which the central love affair is presented just as legitimately as those that dotted the Hollywood films of the Golden Era (films whose narratives French film theorist Raymond Bellour memorably likened to machines designed to produce heterosexual couples).

It's a slow, unhappy film which most comes to life in the dizzying middle when the threat of legal consequences, and possibly even execution, hangs over our star - crossed lovers.

The new film by the great Philippe Garrel (previously seen at the NYFF with Regular Lovers in 2005 and Jealousy in 2013) is a close look at infidelity — not merely the fact of it, but the particular, divergent ways in which it's experienced and understood by men and women.

The Hot Chick delivers exactly what you would expect from a Happy Madison production: Crude bathroom humor, sexual innuendo, and the basest of sight gags, all of which will tickle the funny bone of the lowest of lowbrow film lovers.

Also interesting is that the screenplay by Biderman (Primal Fear), Mann and Bennett (Lucky Break) touches on the broader scope of Burrough's book, which is a broad, non-fiction account of the gangster era and the creation of the FBI, and made it a personal film about Dillinger as a lover and a fighter, and Purvis as a love of crime fighting.

The OKC metro has a plethora of meetups such as Discover OKC, which is a social gathering group, OKC at the Movies for film lovers, and The Oklahoma City Salsa Meetup Group, for those who want to tap their toes.

They are well - known animal lovers and have been the best of friends since they met during the filming of The Last Best Year, an outstanding and deeply moving 1990 television film in which both actresses delivered what are among the finest dramatic performances of their stellar career.

The 30 - minute film, which is well worth a full watch, traces the life of artist Flora Mayo, Giacometti's contemporary and lover.

Leonard constructed a resonant, multilayered album of the personal and professional life of the actress, Fae Richards, which includes film stills from roles she might have played and snapshots recording casual moments at leisure with friends and lovers.

Also don't miss the extraordinary, intensely personal paintings, drawings and photographs of nonagenarian Geta Brãtescu in Romania, as well as the film by Teresa Hubbard and Alexander Birchler in the Swiss Pavilion which tells the heart - wrenching story of Flora Mayo, long - forgotten American artist and lover of Alberto Giacometti, through the voice of her now aged son.

This screening program focuses on three of the Surrealists» most memorable cinematic efforts, among them Luis Buñuel and Salvador Dalí's 1928 film Un Chien Andalou, which, in its first few minutes, features a man graphically slicing open his lover's eye.

Best by far is the four - minute video at the center of the Obsession piece, which juxtaposes the beautiful young men and women of the Klein ads and commercials with snippets from Visconti's «Damned,» Pasolini's «Salo,» Liliana Cavani's «Night Porter» and Riefenstahl's «Olympiad,» all to the cheerfully martial music from Peter Greenaway's film «The Cook, the Thief, His Wife, Her Lover.»

The film shows the highlights of the performance, among which there is her emotional encounter with former lover and collaborator Ulay.