Sentences with phrase «which numerous artists»

Those engaged in organising and sponsoring the exhibition have rightly recognised the extent to which numerous artists have in their current work interpreted what is a universal and unifying issue in bringing key artists from Britain and abroad into collaboration with architects and environmental scientists.

Not exact matches

Kyd also created the faded Americana acoustic score for Undead Labs» STATE OF DECAY, the fastest selling original game on Xbox Live Arcade, and the surreal fantasy score for the action - adventure DARKSIDERS II, created by comic book writer / artist Joe Madureira, which garnered numerous critic accolades including Entertainment Weekly's «Most Played Best Songs of 2012,» Machinima's «Top 5 Songs of 2012,» «Best Video Game Score of 2012» and «Top 10 Best Video Game Scores Ever» from Minnesota Public Radio.

Numerous photographs and illustrations from the author's books accompany this joyful autobiography in which Bryan, author, storyteller, and artist, talks about growing up, school, art, and life.

My artist husband is old school and has had numerous galleries in the past 20 years — none of which succeeded financially.

In 1983, the artist was honored with a 40 year retrospective which originated at the Albright - Knox Gallery of Art in Buffalo and traveled to numerous institutions across the United States including the Guggenheim Museum, NY.

(Incidentally, this structure mirrors the model of the Renaissance artist's studio, in which numerous assistants made the work, and one artist received the credit.)

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.

Endless Editions has organized twenty exhibitions; established a residency program, The Copy Shop Residency, which has hosted numerous artists from around the world; and held educational seminars at The Metropolitan Museum of Art, New York; Queens Museum of the Arts, New York; Pioneer Works, New York; the School of Visual Arts, New York; The Royal Academy of Art, Stockholm, Sweden; and the Museum of Arts and Design, New York.

John Walker: Recent Paintings, the current exhibition at the Alexandre Gallery, features seven large pictures as well as numerous smaller ones, including more than a dozen compact oils made on discarded Bingo cards, which the artist found in the former grange hall that became his studio in Seal Point on the coast of Maine.

This exhibition celebrates the Artist in the Marketplace program which has advanced the careers of numerous artists over the last three decades.

He also organized numerous experimental exhibitions at the Gallery Azimuth in Milan, which he co-founded with artist Enrico Castellani in 1959.

Among the numerous upcoming exhibitions, book releases, and residencies for each of the artists inSum of the Parts are: Kate Gilmore in The Fourth Moscow Biennale of Contemporary Art, Russia (September 22 - October 30, 2011); Quisqueya Henriquez in Cut & Paste, 21st Century Collage, Book release, London, England (October 3, 2011); Susan Lee - Chun, Artist - in - Residence at McColl Center for Visual Art, Charlotte, North Carolina (September 6 - November 22, 2011); Jillian Mayer» sFanimaltastic at de la Cruz Collection Contemporary Art Space, Miami, Florida (December 2011); and Xaviera Simmons in The Record, Miami Art Museum, Miami, FL & The Record, Henry Art Gallery, Seattle, WA (both in 2012), which originated in 2010 at The Nasher Museum at Duke University, Durham, NC.

She quickly became one of Beard's muses, which led to posing for numerous contemporary artists and photographers including Michael Dweck, Jan Frank, Olivier Zahm and Sean Lennon.

Smith has also created numerous collaborations with other artists, such as the video installation A Voyage of Growth and Discovery (2009), for which Smith and the late Mike Kelley documented Baby Ikki at Burning Man, displaying the resulting video alongside industrial detritus, playground equipment, and Kelley's signature stuffed animals.

His works have been exhibited in numerous solo and group exhibitions, among them, the 2007 retrospective at the Rubell Family Collection, Miami, FL, which presented a decade of the artist's work and traveled to the Brooklyn Museum of Art in February 2008; and Bas's inclusion in the Nordic Pavilion at the 53rd Venice Biennale, curated by Elmgreen & Dragset.

She has received numerous grants, and artist residencies, among which are a Fulbright Grant, American - Scandinavian Foundation Grants, and an Illinois Arts Council Governor's Exchange Award, and Special Projects Grant; Klimek Grant.

In each of the paintings a rectangular canvas is painted with numerous layers of white paint, on top of which the artist affixes a (usually) black canvas.

The curator Okwui Enwezor's provocative 2008 exhibition at the International Center of Photography «Archive Fever: Uses of the Document in Contemporary Art» (the title of which references philosopher Jacques Derrida's 1995 book, Archive Fever) highlighted numerous examples of artists who employ archival documents in their work.

She is the author of a wide range of books, which include The Omega Workshops (Secker & Warburg, 1983), The Origins of the Romanesque (Lund Humphries, 1983), Eric Gill: The Sculpture (Herbert Press, 1993) and Andy Goldsworthy: Midsummer Snowballs (Thames & Hudson, 2001), and has written exhibition catalogues on numerous artists including Eduardo Paolozzi, Henry Moore, Barbara Hepworth, Lynn Chadwick, Elisabeth Frink, Magdalena Abakanowicz, David Nash and Carl Plackman.

The artist has also created numerous theatrical installations involving odd combinations of found objects which he transforms into awkward, puppet - like figures.

This effort will revive Michael Mazur's New Provincetown Print Project, which from 1990 to 1994 brought renowned artists to Provincetown to create portfolios now included in the collections of numerous American museums.

Tudela is also well known for his Camion series of 2003, which comprises sixty 35 mm slides each documenting a truck seen by the artist on his numerous road trips on Peruvian highways.

Organized chronologically, the publication traces Pettibon's prolific output of his surfer series, from early small - scale monochrome India ink drawings to numerous examples from the 1990s when the artist introduced color, culminating with his recent large - scale works, some of which were executed directly on a wall.

Tishman Speyer: Tishman Speyer is the co-owner and manager of Rockefeller Center, which is the site of numerous public exhibits and events, including large - scale installations of public art by world - renowned artists including Takashi Murakami, Jeff Koons and Jonathan Borofsky.

Thus the monsters are in communication with works which allow language, stories branching out in all directions and fictions to be present as spirits: hundreds of balloons in the form of speech bubbles, glass speakers, puppets, photographs of the artist, who is speaking to animals, a film which has «produced a building» and numerous stories which the monsters from the drawings want to begin...» (excerpt from the press release).

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

From the numerous photographs found during the research, the artist chose those which illustrated her own memories of events, places or people that she had lost somewhere along the way and that she misses.

Through the exhibition Energy / Experimentation: Black Artists and Abstraction, 1964 — 1980 (2006)-- which highlighted numerous black artists working in abstract painting or sculpture — and her scholarly work on African American conceptualists, Jones has prompted a reevaluation of the view that African American art of the period was predominantly figurative or representaArtists and Abstraction, 1964 — 1980 (2006)-- which highlighted numerous black artists working in abstract painting or sculpture — and her scholarly work on African American conceptualists, Jones has prompted a reevaluation of the view that African American art of the period was predominantly figurative or representaartists working in abstract painting or sculpture — and her scholarly work on African American conceptualists, Jones has prompted a reevaluation of the view that African American art of the period was predominantly figurative or representational.

Perhaps we have developed a niche for this at Pallant House Gallery — following on from exhibitions of artists such as Edward Burra, Robin Ironside, John Tunnard, and the recent «British Artists and the Spanish Civil War» which presented the work of numerous little - known artists alongside the likes of Picasso andartists such as Edward Burra, Robin Ironside, John Tunnard, and the recent «British Artists and the Spanish Civil War» which presented the work of numerous little - known artists alongside the likes of Picasso andArtists and the Spanish Civil War» which presented the work of numerous little - known artists alongside the likes of Picasso andartists alongside the likes of Picasso and Moore.

Recent responses have come from Jerry Saltz, who has ranted in numerous articles about the inequity of women in the arts, artnet News, which has run several stories that have brought gender imbalance in culture into mainstream dialogue, and in March, shortly after launching the lauded Women, Arts and Social Change exhibition, the National Museum of Women in the Arts (DC) launched # 5womenartists, a month - long invitation to post information about women artists, past and living, in a communal effort to trumpet them across social media; participants included the Guggenheim and the New Museum in New York, and the Los Angeles Country Museum in LA.

In 1972 at the age of 27, he was the youngest artist ever to be offered a retrospective at The Tate, to which he responded with King for a Day a one - day exhibition which consisted of a catalogue listing 1000 proposals for sculpture, he has gone on to have numerous one man exhibitions at major museums including The ICA, Whitechapel and MOMA Oxford.

The artist dripped black glue inside numerous wire structures, which hanging around light.

Condorelli's work is fundamentally informed by architecture, a discipline in which the artist holds numerous degrees, including a PhD from Goldsmiths College, London.

The artist applies numerous layers of brush strokes which form a rhizome - like, grid pattern against the nearly monochromatic or bicolor backgrounds.

A rich range of materials surrounds the featured works, including newly commissioned essays, numerous images, interview footage, artist's statements, conservation reports, and archival materials, which together provide new insights into the artist's work.

Throughout her career, Ms. Flack's work has been featured in numerous traveling museum exhibitions, including «Twenty - two Realists» (1972) at the Whitney Museum of American Art, New York; «Super Realism» (1975 - 76) at the Baltimore Museum of Art; «American Painting of the Seventies» (1979) at the Albright - Knox Gallery, Buffalo, NY; Contemporary American Realism» (1981 - 83) at the Pennsylvania Academy of the Fine Arts, Philadelphia; «Toyama Now, 1981» (1981) at the Museum of Modern Art, Tokyo, Japan; and «Making Their Mark: Women Artists Move into the Mainstream» (1989) which traveled to the Cincinnati Art Museum, the New Orleans Museum of Art, the Denver Art Museum and the Pennsylvania Academy of the Fine Arts.

In this instance, under the aegis of the Penumbra Foundation's residency program, which provides both a generous stipend and access to a suite of excellent facilities, as well as proximity to the numerous artists and art institutions within the city, it is an honor to extend this support to ASPEN MAYS and NOAH DOELY.

She's curated exhibitions internationally, including the performance and print programme for Chart Art Fair in 2015, The Dark Cube at the Palais de Tokyo, E-vapor-8 at Site Sheffield and 319 Scholes in New York, along with numerous other shows in European project spaces, showing a keen and experienced eye, which was demonstrated in Manifesta 11 by including a diverse group of artists such as Martine Syms, Coco Fusco, Aleksandra Domanović, Trisha Baga and Frances Stark.

In his second exhibition at Alexander Gray Associates, Iranian - born artist Siah Armajani presents works from his ongoing Tomb Series, in which the Minnesota - based artist has been paying homage to numerous activists, philosophers, and authors he is heavily influenced by since the «70s.

There is also an extended Conceptual piece by the Los Angeles artist Sarah Seager, which consists of numerous letters written in the 1930's by or to George Watson Cole, the first librarian of the Huntington Library in Pasadena, Calif..

His exhibition New World presents photographs from the artist's new group of works of the same name, which were created in the course of numerous journeys.

[23] Also in 1989 Kosuth curated the show «Le Jeu de l'Indicible: Ludwig Wittgenstein et l'Art du Xxe Siècle» to commemorate the 100th birthday of the philosopher, in which he showed numerous works by fellow artists.

His art associates the use of simple and common materials that redefine the nature of the object and its space with a constant poetic reflection on the practice of sculpture, evident in the numerous texts in which the artist has always related thought with experimentation in new practices.

Alex Hubbard is an amazing versatile mixed media artist who works within numerous mediums which include painting, sculpture, video, and installation.

The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

He is the recipient of numerous awards, most recently the Museum of Contemporary Art Georgia Working Artist Project which resulted in his 2017 exhibition Pure Black.

Nauman has won numerous awards, including the Golden Lion for his U.S. Pavilion at the 2009 Venice Biennale, and has been monumentally influential for younger artists; this retrospective, which travels to the Museum of Modern Art and MoMA PS1 in New York, will showcase why.

These have included Francisco de Goya's prints of The Disasters of War, watercolours by Adolf Hitler and numerous paintings by unknown artists which their gallery, White Cube, normally buys for them.

The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.

Blast is the first occasion where Puppi presents, in a solo exhibition, the series of works re-animated Cinema a body of work, which the artist has been working on since 2011 and that has already been presented in numerous group exhibitions during 2012.