Sentences with phrase «which over the course of the film»

Not exact matches

But all varieties of horror flick are easily identifiable at this point, whether they're spooky, low - budget films (numerous); viscera - stained slasher movies (more numerous); quick - cut zombie flicks (even more numerous); macabre sci - fi, floating - in - space efforts (somewhat less numerous than they should be); sexualized vampiric tales (I trip over one of these whenever I get the newspaper); films of the more critically favored retro - mashup variety (Quentin Tarantino and Robert Rodriguez's Death Proof plus Planet Terror feature Grindhouse); or foreign entries of the psychological horror variety (the works of Dario Argento, of course; Alexandre Aja's films, which have their defenders; and Juan Antonio Bayona's El Orfanato, which only someone who truly dislikes cinema can dismiss).

The film, which maintains clear ties to the dramatic form of Ariel Dorfman's original play, takes place over the course of a stormy night.

Some of his more notable work came from his collaboration with director Spike Lee; over the course of the 1990s, Washington starred in three of his films, playing a jazz trumpeter in Mo» Better Blues (1990), the title role in Lee's epic 1992 biopic Malcolm X (for which he received a Best Actor Oscar nomination), and the convict father of a high - school basketball star in He Got Game (1998).

What makes Katie so appealing is that there's more to her character than we initially think, which is revealed methodically over the course of the film.

A footnote to the film reveals the extent to which the specifics of what happened in Boston were and of course still are replicated the world over, at which point Spotlight exists to shine a searchlight on a moment from history that human behaviour tragically refuses to leave consigned to the past.

The film follows him over the course of his last day, at the end of which he intends to blow his brains out.

It's the type of film for which I constantly saw previews while in the theater over the course of 2013, and I had made a mental note to make sure to catch up with it once it hit home video.

An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.

The neighborhood lies in the shadow of the new baseball stadium in Queens which, over the course of the four seasons chronicled in the film, is gradually constructed and finally open to the public.

By the end, Oscar's shooting justifies the film's unattached structure, and the way in which Oscar is presented to us through a series of both consequential and inconsequential events over the course of a typical day.

In our conversation he talks about why he likes working on stage and screen projects with the film's writer - director Martin McDonagh as well as several other top - flight helmers he has acted for in the past including George Clooney — with whom he says he grew close to over the course of two years he spent with him on Confessions Of A Dangerous Mind in which Rockwell played Chuck Barris, the game show host who claimed he was a CIA agenof two years he spent with him on Confessions Of A Dangerous Mind in which Rockwell played Chuck Barris, the game show host who claimed he was a CIA agenOf A Dangerous Mind in which Rockwell played Chuck Barris, the game show host who claimed he was a CIA agent.

I have experienced something similar on a much smaller scale, for when I give friends and other associates my standard introductory «mini-festival» of Hindi popular cinema, the title that consistently connects the strongest is this film — which initially surprised me, considering it's as undiluted an example as any of the very un-Hollywood masala formula: broad, often silly comedy mixed with earnest, tear - jerking sentiment, all peppered with the occasional song and dance over the course of a typically lengthy run time of just over three hours.

While on first glance, X-Men: First Class may seem like a prequel to the other films in the franchise (apart from the Wolverine film, of course, which just bounces all over the place), the new film really plays more like a reboot of the X-Men franchise.

Over the course of ten years and 18 films, Marvel Studios has slowly built up its cinematic universe, putting vast amounts of time, money, and effort into introducing and developing its plethora of characters, all of which has been leading up to the point where they would finally come together to do battle against the most dangerous foe any of them has ever come across.

Over the course of 18 films and 10 years, Kevin Feige and his army of Marvel men and women have laid a pretty nifty foundation upon which the Marvel Cinematic Universe rests.

But, so much else feels like the overheated flop - sweat that accumulates over the course of this film, which feels like it ages every character 20 years.

«Lady Bird» - which saw the film take home the Golden Globe for Best Film - follows outspoken teenager Christine (Ronan) who must navigate a loving but turbulent relationship with her strong - willed mother over the course of an eventful and poignant senior year of high school.

The film follows Mannix over the course of a day, which gives the Coens, who share writing, directing, and producing credits, an excuse to hop - scotch through the various screen styles of Old Hollywood.

What actually transpires is a return to the silly framing device, which finds no further insight over the course of the film.

Regardless, what's most interesting about Marvel's latest is the relationship between Thor and Loki, which has been tried and tested over the course of two prior films.

While Scott's film had a relatively simple plot — hunt and terminate a handful of droids — there are a lot more moving pieces in «Blade Runner 2049,» which come together seamlessly over the course of the nearly three - hour runtime.

Yet there is something inherently compelling in the mix of utopia and dystopia on display, and the ways in which these are drawn out over the course of the film make it a fascinating, if often frustrating experience.

The breakneck pace and scuzzy desperation of Connie's quest gives the film — which takes place entirely over the course of one night — a certain fun - house quality, enhanced by the delirious close - up cinematography, aggressively stylized lighting, and synthesizer score.

However there was a change in the tide over the course of the night and the Best Picture award, which Reds should have won, went to Chariots of Fire (1981) a rather tepid and, frankly boring British film with a majestic musical score.

Owen and Roberts get to dish out some witty dialogue; develop a strange [and maybe false] relationship over the course of the film which is structured in both the past and the present — each arc developing chronologically until the very end, when there's a revelation that makes sense even as it dumbfounds.

The film follows the discovery of a bone and a gun which sends a husband and wife — each full of doubts about their future and anxiety about the present — on separate adventures over the course of a weekend.

That's not to mention the film market, which involves hundreds upon hundreds of international movies for sale over the course of ten days.

The lack of clear explanation for much of the film's occurrences will undoubtedly test the patience of many viewers over the course of 115 minutes, but I found Innocence to be a remarkable, sensuous and bold work which defies categorisation and announces Hadzihalilovic as a truly singular talent.

Central to their project is a speculative fiction narrative they developed over the course of their residency, which has generated several short films and will culminate in a limited - edition comic book.

Swansea's new paintings, produced over the course of the last year, allude to the artist's background in film and digital art, which has led her to continually introduce elements normally associated with these technologies to otherwise traditional painting techniques.

For Espace Louis Vuitton München, Boltanski presents the films in conjunction with a flower bed and grey, crumpled papers, which evolve with the passage of time and people over the course of the exhibition.

Over the course of his career, he has sculpted, manipulated, and controlled time in mind - bending works such as the video installation 24 Hour Psycho (1993), for which he slowed down Alfred Hitchcock's iconic film Psycho so that it ran for exactly 24 hours rather than the original 109 minutes.

Over the course of his career, he has sculpted, manipulated, and controlled time in mind - bending works such as the video installation 24 Hour Psycho (1993), for which he slowed down Alfred Hitchcock's iconic film Psycho so that...

Over the course of nearly two decades (1931 — 49), Levy exhibited contemporary photography and works by Surrealists, Cubists, Social Realists, and Neo-Romanticists, such as British artists Paul Nash and Henry Moore; he also screened experimental films and showed posters, cartoons, and original watercolours by Walt Disney, which would have been characterized as «low» art forms.

Elizabeth Price is selected by the Whitechapel Gallery as part of Artists» Film International, a collaborative project which showcases artists working with film, video and animation from 15 partner organisations around the world and presented over the course of a year in each venue: Belgrade Cultural Centre, Belgrade; Video - Forum (n.b.k), Berlin; GAMeC, Bergamo; Fundacion PRÓA, Buenos Aires; New Media Center, Haifa; Hanoi / DOCLAB, Hanoi; Para / Site Art Space, Hong Kong; Istanbul Modern, Istanbul; Centre for Contemporary Arts Afghanistan (CCAA), Kabul; Ballroom Marfa, Marfa, TX; National Centre for Contemporary Arts, Moscow; Project 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, Wellington.

The project has culminated in the creation of a series of films, which represent the work the students have done over the course of the project.

The exhibition includes six digitized 16 mm film works which have been made over the course of ten years and include stop - motion animations, unedited shorts, and documentations of abstract form.

Hothouse Video: Amy Finkelstein marks the first solo exhibition of Amy Finkelstein's film works which have been made over the course of ten years and include stop - motion animations, unedited shorts, and documentations of abstract form.

Volume Eleven's rather unprepossessing quality was in stark contrast to the adjacent film, shot in crisp digital video, which follows an unnamed protagonist as he wanders through an abandoned airport over the course of a week, having been stranded there mysteriously for years.

In 1973 he created the first of his Yellow Movies by painting screens on paper with white houseplant, which would grow yellow over the course of years — a film that, in essence, will continue playing for all time, or at least as long as the works continue to exist.