Sentences with phrase «which pure pigments»

Created through a process similar to the historical use of distemper, in which pure pigments are mixed with rabbit glue, the canvases glow with Rothko - like intensity.
Sexshops continue a significant evolution in Tal R's working practice, a process similar to the historical use of distemper, in which pure pigments are mixed with rabbit skin glue to achieve canvases that glow with Rothko - like intensity.

Not exact matches

Oriflame Pure Color Intense Lipsticks are reasonably priced lipsticks superbly pigmented creamy lipsticks which are available in gorgeous shades.
100 % PURE uses healthy, antioxidant rich pigments of Cocoa, Peaches, Goji Berries, and other nutrient dense plant or mineral pigments, instead of the commonly used FD&C / Lake colorants like Red Dye # 40, Blue Dye # 6, etc.; all of which can contain unhealthy heavy metals such as lead, arsenic, cadmium, mercury and more.
Bevan's works are immensely tactile thanks to the fact that he is applying charcoal - made from different woods - and using his own pure pigments which are often pressed into his paintings.
Her work begins with marks, stains and cracks on the ground which Calame traces, then combines layers and retraces, transforming them into drawings in coloured penicl or pure pigment and paintings in enamel or oil pain.
Horn's first drawings, which date to the mid 1980s, were made using pure pigment and feature groupings of uneven shapes.
The works range from early pieces which showcase Roni Horn's initial experimentations with pure pigment and varnish to the recent drawings that are composed of separate drawings, or «plates».
The subject of his artistic practice is the color black, which he describes as «the pure and unrepentant mark of information... both the origin of recording thoughts and the fully saturated realization of all pigment as one».
Klein is best known for the development of his own vivid ultramarine pigment, International Klein Blue (IKB), which became a symbolic part of his practice, a key to reaching the «infinite» and «sublime» through pure colour.
In the 1960s Olitski generally shared with Noland, and other members of the Washington Color School, an approach to painting in which the canvas is covered with pure areas of color, characterized, as well, by experimentation with color and pigments.
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