Created through a process similar to the historical use of distemper, in
which pure pigments are mixed with rabbit glue, the canvases glow with Rothko - like intensity.
Sexshops continue a significant evolution in Tal R's working practice, a process similar to the historical use of distemper, in
which pure pigments are mixed with rabbit skin glue to achieve canvases that glow with Rothko - like intensity.
Not exact matches
Oriflame
Pure Color Intense Lipsticks are reasonably priced lipsticks superbly
pigmented creamy lipsticks
which are available in gorgeous shades.
100 %
PURE uses healthy, antioxidant rich
pigments of Cocoa, Peaches, Goji Berries, and other nutrient dense plant or mineral
pigments, instead of the commonly used FD&C / Lake colorants like Red Dye # 40, Blue Dye # 6, etc.; all of
which can contain unhealthy heavy metals such as lead, arsenic, cadmium, mercury and more.
Bevan's works are immensely tactile thanks to the fact that he is applying charcoal - made from different woods - and using his own
pure pigments which are often pressed into his paintings.
Her work begins with marks, stains and cracks on the ground
which Calame traces, then combines layers and retraces, transforming them into drawings in coloured penicl or
pure pigment and paintings in enamel or oil pain.
Horn's first drawings,
which date to the mid 1980s, were made using
pure pigment and feature groupings of uneven shapes.
The works range from early pieces
which showcase Roni Horn's initial experimentations with
pure pigment and varnish to the recent drawings that are composed of separate drawings, or «plates».
The subject of his artistic practice is the color black,
which he describes as «the
pure and unrepentant mark of information... both the origin of recording thoughts and the fully saturated realization of all
pigment as one».
Klein is best known for the development of his own vivid ultramarine
pigment, International Klein Blue (IKB),
which became a symbolic part of his practice, a key to reaching the «infinite» and «sublime» through
pure colour.
In the 1960s Olitski generally shared with Noland, and other members of the Washington Color School, an approach to painting in
which the canvas is covered with
pure areas of color, characterized, as well, by experimentation with color and
pigments.