Sentences with phrase «which visitors»

This gave us so much visual impact, which some visitors mistook as an open house for a new construction model.

Establishing and maintaining a truly appealing guest house requires offering your guests a combination of large and small benefits which work together to create an experience which visitors will want to repeat as often as possible and tell their friends and associates about.

We strive to create a positive, memorable customer experience, about which our visitors would tell their friends.

The Sedona Conference web server passively collects non-personal information from all visitors such as the make of visitors» browser software and the Internet domain names of the locations from which visitors enter.

Lifehouse is a Pete Townshend music and film project that was never produced in its originally conceived form, but has led to a legacy of works, including The Who's Who's Next album, Townshend's own year 2000 6 - CD set The Lifehouse Chronicles and a now - defunct internet site called The Lifehouse Method at which visitors could transform their personal data into original musical compositions.

The closest semblance to centralization and organization that Occupy Toronto has is the General Assembly, which now has a website up and even posts minutes of their public meetings (which any visitors can attend and observe).

By using programmatic algorithms, we can give you total control over which ads are displayed to which visitors (and how much you pay for those ads).

There are the firms that clutter up their coat closets with stuff they don't want visitors to see — which the visitors see when they hang up their coats, of course.

Mickey Smith created In Memoriam, an interactive piece in which visitors must step across 1,201 discarded Federal Reporters to see the rest of the works in the «Library Science» gallery exhibit.

Briefly, «carousels» are the navigable slideshows frequently displayed on law firm homepages through which visitors can scroll to learn more about a firm's practice areas, recent accomplishments, and / or other distinguishing qualities.

This tiny home builder is making these cabins from salvaged materials, which visitors can test out at an eco-retreat in Maryland.

There's Bloggingheads.tv, which offers a quirky soup of «diavlogs» in which visitors essentially sit in on a long - distance video - phone conversation.

The Web site also has three webcams through which visitors can monitor the hunt for the hunters.

In addition there are archival materials from a range of museums, universities and other institutions; an interactive neuro - animation experienced via video goggles; and an installation of a symbiotic colony of bacteria and yeast known as kombucha, from which visitors can take away samples to start their own culture at home.

Lara Favaretto's piece Momentary Monument — The Stone at this year's Skulpture Projekte Münster, Germany, included a slit in which visitors could leave donations to an organization supporting those facing deportation.

Fifty years later and in celebration of the opening of its first American gallery, Hauser & Wirth will present Allan Kaprow's seminal Environment Yard, an enduringly influential work — a veritable mountain of black rubber auto tires and tarpaper - wrapped forms through which visitors jumped and crawled — first made by the artist in 1961 and radically reinterpreted in other locations ten times before his death in 2006.

The line of light gradually expands to become a cone, which visitors may move around and through.

The tiered form is not only an architectural amalgam that offers the potential of housing exhibitions and collections, but it also functions as furniture upon which visitors can walk, read and ultimately enter.

We have moved to an anteroom in which visitors are invited to write their comments on a piece of paper and attach it to the wall.

The Resource Center will provide a variety of methods through which visitors can share their responses to the exhibition.

The piece is modular and adaptable in its form, context, and duration; at the Albany Bulb the artist will take a two hour excursion through the cards in which visitors invited to drop in and participate in the conversation if they like.

Also among the exhibits will be a series of typed instructions by Ono, encouraging viewers to conjure up an artwork in their minds, and Jeppe Heine's Invisible Labyrinth in which visitors negotiate their way through a maze wearing digital headphones activated by infra - red beams.

The exhibition was completed by an elevated wooden stage, roughly the size of Takamatsu's former studio, from which visitors could survey the room, or relax and read copies of books that were in Takamatsu's library.

They developed an optical system that allowed real images to float in space, to appear and disappear in an environment made up of a wall array of 6 - inch corner reflectors in which the visitors saw multiple images of themselves.

Two paperback books entitled «diminishing book» from which visitors are invited to rip a page also sit in the gallery.

This Bronx Museum iteration of «Art AIDS America» designates four loose categories through which visitors can understand the many types of art: Body, Spirit, Activism and Camouflage.

Creed has designed the base of his sculpture as a social space, a stepped platform on which visitors may gather to enjoy the view — and perhaps debate the limits and possibilities of human understanding.

At a cafe, which visitors come across in the middle of the gallery during the exhibition period, workshops concerning the exhibition are held and various programs for reading, sewing, etc. can be enjoyed every day.

The show is divided into twenty - three sections, representing epochs, sometimes brief, of prevalent ideas and styles, which visitors are invited to survey as that many disconcerting shores.

A 2007 solo exhibition at the Moderna Museet in Sweden included a barricade, through which visitors had to navigate, made from the entire contents of her apartment (punningly titled Unheimlich Manöver [Uncanny Maneuver], 2007), and a gallery whose door was blocked with a stack of folded billboards.

The box, in which visitors were allowed to put their arms in order to feel the beauty hidden inside with their own hands, was animated as a complete work, with the inclusion of male and female nude models inhabiting the insides of the exceptional Sculpture tactile.

It features a number of parallel activities with film screenings, talks, conferences, workshops, open - air concerts and performances, in which visitors are encouraged to discuss and exchange their ideas with artists, members of the project rooms, art critics and curators.

For example, in Baltimore, the show seemed to build to a climax with Diebenkorn's «Recollections of a Visit to Leningrad» — which visitors saw on its own large wall as they rounded a corner (though they likely stopped before getting to it to see other works on the way).

In his 2016 work The Collector's House, Op de Beeck produced a 2,600 - square - foot monochrome space in which visitors served as the only element of color.

Working closely with the artist, CAMH has commissioned an entirely new body of work: a dynamic installation that combines sculpture, light, and photography; a participatory work in which visitors can converse with the artist via phone; and an artist's publication.

The shows which visitors remember from Venice are most often singular, momentous and moving.

[2] In 2008 he created the Terence Koh Show on YouTube, in which visitors to his home are either interviewed by Koh, or interview Koh themselves.

For example, the cells» growth inspires the formation of augmented reality shapes, which visitors can see by downloading an app developed by the artist.

The show will feature portraits of political figures and letters to the President - elect, which visitors are invited too.

Felix Gonzalez - Torres's «Untitled» (Placebo)(1991) consists of an expanse of shimmering, silver - wrapped candy, of which visitors are invited to take a piece.

For Wanderlust, Andreotta Calò presents rhábdos, a walking stick cast in bronze, which visitors to the park are invited to carry with them on short walks along the High Line, over time transforming the patina of the sculpture.

This exhibition provides a lens through which visitors may focus on special examples selected from an expansive topic.

Kevi Lipe in the conceptual artist Rachel Lee Hovnanian's «NDD Immersion Room,» which visitors can not enter without surrendering their phones.

At MASS MoCA, Ward will create a new installation encompassing the entire second floor of Building 4, which visitors can experience as both a large - scale environment and as a series of smaller yet connected spaces.

The exhibition includes some innovative communication devices, such as the low - fi augmented reality «stereo - visors» which provide surprising views superimposed to the model of A Liminal Blur, the project by Mack Scogin Merrill Elam Architects for Mexican town, and the Microsoft HoloLens VR headsets through which the visitors can get an in - depth conceptual preview of the Center for Fulfillment, Knowledge, and Innovation conceived by Greg Lynn.

Originally intended to be a skyscraper doorway in which visitors would walk between the sculpted nude's legs, the work was never realized.

Air Dispensers, in which visitors receive a capsule of air dispensed through a candy machine, will be part of the exhibition and is an example of Ono's participatory installations as well as her vision for world peace.

The show will also feature a selection of Judd's metal furniture, which visitors will be allowed — no, «encouraged»!

Soto will also create a new version of a 2015 work entitled Dominodomino, a table at which visitors are invited to sit and play dominoes.

Nelson is best known for his large - scale installations, in which visitors move through immersive spaces of his invention.