Sentences with phrase «which war photography»

Mosse said in an interview with The British Journal of Photography «I wanted to export this technology to a harder situation, to up - end the generic conventions of calcified mass - media narratives and challenge the way we're allowed to represent this forgotten conflict... I wanted to confront this military reconnaissance technology, to use it reflexively in order to question the ways in which war photography is constructed.»

Not exact matches

Benicio del Toro, Laura Dern and newcomer Kelly Marie Tran have joined the cast of «Star Wars: Episode VIII,» which began principal photography this morning at Pinewood Studios in London.

He also announced that the film is half way through principal photography as we etch closer to the December 2017 release date in which we get the continuation of the story began in Star Wars: The Force Awakens.

Behind the scenes, Dougherty's creative team includes director of photography Lawrence Sher, whose past credits include «War Dogs» and «Godzilla,» for which he handled additional photography; production designer Scott Chambliss («Guardians of the Galaxy Vol.

With the release of Solo: A Star Wars Story a little over a week away, a new «Rebels on the Run» featurette has arrived online for the Star Wars anthology movie which includes interviews with director Ron Howard, director of photography Bradford Young, stars Donald Glover and Emilia Clarke, and members from the hair, make - up, costume, -LSB-...]

I was very impressed with my publicists who developed top notch pitch materials and followed through with persistence and dedication in trying to sell a book featuring war photography, which can be very tough to do, particularly during a presidential election year.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymwar, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

These include Czech Modernism: 1900 — 1945 (1989), the first major museum exhibition in the United States to chart the explosion of creativity in pre - and postwar Eastern Europe; The History of Japanese Photography (2003), which illuminated the rich legacy of photographic practice in Japan; and the currently touring WAR / PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath (2012), an unprecedented exploration of war through the eyes of phoPhotography (2003), which illuminated the rich legacy of photographic practice in Japan; and the currently touring WAR / PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath (2012), an unprecedented exploration of war through the eyes of phoPHOTOGRAPHY: Images of Armed Conflict and Its Aftermath (2012), an unprecedented exploration of war through the eyes of photographers.

Griffiths is best known for his wartime photography, particularly his 1971 book Vietnam Inc., which was crucial in challenging America's attitudes about the war in Vietnam.

An artist who often works with film and photography, Nashashibi's shortlisted works included a film about artists in Guatemala and Electrical Gaza, which was originally commissioned by the Imperial War Museum in London.

An Alternative History of Photography,» Fotomuseum Winterthur, Winterthur «(Mis) Understanding Photography,» Museum Folkwang, Essen «Post Conflict,» Kinz + Tillou Fine Art, New York «Re-framing History,» Galerie Lelong, New York «Red Pill,» Galleria H, Taipei «RE: VISION,» Trish Clark Gallery, Auckland «Surfacing,» Goodman Gallery, Cape Town «The Militant Image,» Urban Subjects with Camera Austria, Graz «The Venice Syndrome — The Grandeur and the fall in the art of Venice,» Gammel Holtegaard, Copenhagen «The war which is coming is not the first one, Great War 1914 - 2014, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto «Under the Same Sun: Art from Latin America Today,» Guggenheim Museum, New York «Waterscapes,» Kumho Museum of Art, Sewar which is coming is not the first one, Great War 1914 - 2014, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto «Under the Same Sun: Art from Latin America Today,» Guggenheim Museum, New York «Waterscapes,» Kumho Museum of Art, SeWar 1914 - 2014, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto «Under the Same Sun: Art from Latin America Today,» Guggenheim Museum, New York «Waterscapes,» Kumho Museum of Art, Seoul

+ George Lucas finally settled on LA's Exposition Park as the location for his $ 1 billion Museum of Narrative Art, which will include Norman Rockwell paintings, Mad Magazine covers, photography, children's art, and Hollywood props from Star Wars.

The two were included in the 2014 Shanghai Biennale and the 2012 Gwangju Biennale, and won the 2013 Deutsche Börse Photography Prize for War Primer 2, which used Bertolt Brecht's 1955 book War Primer as a jumping - off point to explore the imagery of the so - called War on Terror.