Sentences with phrase «which young galleries»

He said that they were excited to invest more heavily in pop - up exhibitions like ones they recently organized in Berlin (at Galerie Neu) and in Tokyo, citing concepts like CONDO, in which young galleries in two cities trade spaces for an exhibition each year, as interesting alternatives to traditional art fairs if maybe not «the grand solution.»

Not exact matches

Gallery Rene Mele is a contemporary art gallery located on the Upper East Side of Manhattan which prides itself on showcasing work from young and emerging aGallery Rene Mele is a contemporary art gallery located on the Upper East Side of Manhattan which prides itself on showcasing work from young and emerging agallery located on the Upper East Side of Manhattan which prides itself on showcasing work from young and emerging artists.

The new building incorporates his brainchild, the Science Gallery, which is dedicated to an innovative program of science outreach for young adults.

Many of our glorious hairstyle galleries on Styles Weekly are aimed at women, and we thought it was about time we catered to our younger audience and gathered a gallery of stunning hairstyles which are just perfect for teenage girls.

A nom de plume adopted from a character in the 2005 novel Reena Spaulings penned by the dozens of collaborators aligned with the obscurantist Bernadette Corporation, Codax started a rumor a few years back that monochrome paintings bearing his name, which appeared in a few hip galleries, were in fact, the work of the veteran Swiss provocateur Olivier Mosset and the young New Yorker Jacob Kassay, whose work was actively trading on the secondary market.

The show focuses on younger international galleries and emerging artists, which has gained the show a reputation for identifying new global visual trends.

START is one of the few fairs which brings together galleries from some of the world's most exciting emerging markets - many of which have never exhibited in the UK before - alongside young galleries from established artistic centres.

In the past three or four years, there have been increasing «conversations with collectors about museum and institutional support,» says Michael Gillespie, who co-founded the New York gallery, Foxy Production, which represents a range of young artists.

The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.

The work being done is actually not for one show but two, at probably the city's most powerful galleries: Gagosian, which has represented Koons since 2001, after production costs derailed his partnership with Deitch (one person who knows him says, «His perfectionism basically bankrupts everyone who works with him»), and gallerist David Zwirner, the ambitious and prosperous younger rival to Larry Gagosian, who instigated an art - world gossip kerfuffle when he announced in the fall that Koons was doing a show with him.

HWT: I'm really excited about an exhibition that I'm curating at the Goodman Gallery in South Africa called To Be Young Gifted and Black, which features a number of artists including Adam Pendleton, Omar Victor Diop and Derrick Adams, Zoe Buckman.

Recently, visiting an exhibition by a painter friend, I was chatting to the young artist who runs the gallery — which doubles up as his painting studio.

The boys the girls and the political, this year's summer show at the Lisson Gallery, reinforces the gallery's position as an influential and pioneering contemporary art space, which advocates new thinking and approaches to art - making, and shows a commitment to younger aGallery, reinforces the gallery's position as an influential and pioneering contemporary art space, which advocates new thinking and approaches to art - making, and shows a commitment to younger agallery's position as an influential and pioneering contemporary art space, which advocates new thinking and approaches to art - making, and shows a commitment to younger artists.

They've appeared previously before at the uptown gallery Tibor de Nagy, which rarely shows young artists, so the show was a big deal.

Tracey Emin is a notable and prolific British artist recognized for her place in the Young British Artists movement of the 1990s, and in particular for her provocative and controversial works such as Everyone I have ever slept with 1963 - 1995 and My Bed, which was on display at London's Tate Modern gallery as part of her nomination for the Turner Prize in 1999.

Nevertheless Robert Motherwell; Early Collages, which runs through January 5, is well worth seeing and these works, placed today in a small gallery on the Lower East Side, in the guise of having just come out of the studio of some young artist, would appear completely viable and credible as contemporary works because there are so many artists today, here in New York showing on the LES and Bushwick as well as elsewhere in the United States and Canada and perhaps globally, still working in the orbit of the aesthetic consensus of post-War formalism.

Don't miss it Pace Gallery, New York 15 September — 21 October 2017 by PAUL CORIO The artistic pilgrimage, in which the young artist...

Basel says it had 82,000 in attendance over 5 show show days, which included «influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.»

The edition was produced to accompany The Edge of The Real, an exhibition to showcase of the work of a younger generation of artists working in Britain in 2004 and which was presented to complement Raoul De Keyser's parallel exhibition at the Gallery.

1954 May Scott exhibited two recent paintings in Younger American and European Painters, which opened at the Martha Jackson Gallery, New York, on 18 May (closed 12 June).

There were a few arresting installations, nonetheless, such as Danh Vo's floating gilded cardboard segments that comment on moral transgressions, for which the Marian Goodman gallery eliminated its walls; Liu Wei's architectural Library at Lehmann Maupin that collapses a metropolis to outrageous effect and, among the young artists who showed gripping promise, Aki Sasamoto's Luncheon Field, which livened the Focus section with a table perforated to suspend forks that bobbed in the breeze of a fan, and Eddie Peake's rumination on past and future that filled the Lorcan O'Neill booth with a tinted Plexiglas and steel installation involving a bear, a robot and lost Atlantis viewed through a meandering cut - out.

Working with thousands of children and young people annually, leading artists collaborate with those who have the greatest need for opportunity, and their art is celebrated through exhibitions in galleries 5 & 6, which are dedicated to education projects.

He showed the «Wedge» paintings at the Sidney Janis Gallery, NYC, in 1980 is an exhibition entitled «Seven Young Americans» curated by Sam Hunter which included friend and fellow artist Sean Scully.

The Lower East Side in particular boasts a multitude of great, younger galleries that tend to be on the smaller side — which means that as the number of attendees rises, so does the temperature.

I was a young gallery assistant and Claude Rutault's work opened me up to conceptual art, although Claude Rutault doesn't see himself as a conceptual artist, but as a painter (which no longer surprises me, because Bernard Frize doesn't see himself as a painter).

Essers also noted it was «To Be Young, Gifted and Black» which first introduced Goodman Gallery to the work of Angolan artist Kiluanji Kia Henda, who she now represents and who recently had a solo show at Goodman Gallery in Cape Town in October, coinciding with Frieze London, where the artist showed a new installation after winning the 2017 Frieze Artist Award.

The establishment of The Modern Institute by Will Bradley, Charles Esche and Toby Webster in 1998 and more recently, the young commercial galleries Sorcha Dallas and Mary Mary has changed that situation to a certain extent, but Glasgow remains a city in which many artists make work that they do not expect to sell.

It's focus is to provide visibility to young art, particularly for lesser known visual artists to showcase their work to an international audience which includes artists, galleries, museums, curators and others interested in art.

Young galleries this year offered a range of ambitious presentations across the Focus section, which attracted significant institutional attention and resulted in acquisitions from international institutions and private foundations.

Notable recent exhibitions include 82 Portraits and 1 Still Life, which opens at the Los Angeles County Museum of Art on April 15th, 2018; the show was organized by the Royal Academy, London (2016) and traveled to Ca» Pesaro, Venice (2017), Guggenheim Bilbao (2017); A Bigger Picture (2012), organized by the Royal Academy of Arts, London, that traveled to Guggenheim Bilbao (2012), Museum Ludwig, Cologne (2012 — 2013); A Bigger Exhibition, de Young Museum, San Francisco (2014); Current, National Gallery of Victoria, Melbourne (2016); Happy Birthday, Mr. Hockney at The Getty Museum, Los Angeles (2017).

The initiative, which runs from 20 January to March, 2018, is the first of its kind in the Middle East and emulates current trends for younger galleries to develop their programmes internationally through the pooling of resources.

«Public discussion about the fluidity of identity has become so commonplace that it might be difficult for a younger audience to appreciate how original and startling Cindy Sherman's work was,» says Marco Livingstone, co-curator of «Post Pop: East Meets West» at London's Saatchi Gallery, which closed in March and featured Sherman's work.

His Turner Prize success caps an astounding year for the young painter, following an acclaimed and highly popular show in Southampton which later toured to the Serpentine Gallery in London.

• Based in New York • Specializes in emerging American contemporary artwork • Previously was the head of contemporary sales at Paddle8 • Runs a New York based non-profit called Y&S, which supports young artists without gallery representation and young curators.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

Created shortly after the artist settled in London, these early works - which will be exhibited at Michael Werner Gallery, London, from March 20 - show the young artist mining new and varied sources for inspiration and experimenting with a range of techniques.

The South London Gallery is hugely grateful for the support of our funders, which include BBC Children in Need, who fund our ongoing art project with looked after children in Southwark, the Freelands Foundation who are funding Open Plan, our public art and education project for the residents of our local housing estates, and the Esmée Fairbairn Foundation who support our young people's programme.

Your support will also play a vital role in helping to fund the gallery's ambitious programme through which we work with thousands of children, young people and families each year and welcome 140,000 visitors annually to our exhibitions.

In her solo exhibition at 5 Car Garage, Sullivan has re-purposed an entire exhibition — or at the very least it's title, «BIG GIRL PAINTINGS» — by Julian Schnabel at New York's Gagosian gallery in 2002, which featured enormous portraits of young blond women whose eyes have been covered by raw, horizontal swaths of paint.

In 1944, he exhibited in Howard Putzel's famous Forty American Moderns exhibition at 67 Gallery — which also featured works by Stuart Davis, Adolph Gottlieb, Morris Graves, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Tobey — and Peggy Guggenheim's Spring Salon for Young Artists.

Hirst was nominated for the Turner Prize in 1992, for his first Young British Artists exhibition at the Saatchi Gallery in North London, which included his The Physical Impossibility of Death..., with the award going to Grenville Davey that year.

When asked why he didn't choose to open a gallery on the Lower East Side (where Ursuta's previous gallery, Ramiken Crucible, was located), Lindemann says, «It's a little too young for our programme, which includes several historic shows,» such as the gallery's homage to William N. Copley, the Los Angeles - based dealer and painter who died in 1996.

«Younger Than Jesus» was well - stocked with crowd pleasers like Chu Yun's «living sculpture» of a woman sleeping in a bed in the middle of the gallery (This is XX, 2006) and AIDS - 3D's OMG Obelisk (2007) which humorously memorialized IM's condensed exclamation on the favoured totem of ancient worship.

The much ballyhooed young painter Oscar Murillo, for example, shows several reasonably promising new paintings, albeit all lent by one of his galleries, which should have been avoided.

Four of the highlights of Prospect.3 are the electrifying film, The Living Need Light, And the Dead Need Music by The Propeller Group (Phunam and Tuan Andrew Nguyen from Saigon, Matt Lucero from Los Angeles) with New Yorker Christopher Myers at the UNO St Claude Art Gallery; Silent Parade... or The Soul Rebel's Band vs Robert E Lee, a video by Peruvian - born William Cordova in which a local band serenades — or challenges — a statue of Robert E Lee from a rooftop shown at Dillard University; the exuberant, immersive two - channel video at the CACNO by David Zink Yi, another Peruvian artist, that explores Afro - Cuban music and culture, remixing the visual and the aural; and Kwaku Ananse (2013), a film by Akosua Adoma Owusu, an American of Ghanian descent, presented with the compelling simplicity of a fable in which a young woman returns home to attend her father's funeral, then goes into the wild in search of existential meaning.

SARATOGA SPRINGS, N.Y. (December 12, 2017)-- The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College is leading a four - campus exhibition of This Place, which features more than 600 images by twelve internationally acclaimed photographers who explore the personal and public spaces in Israel and the West Bank.

The Frame section, which had previously focused on a single artist designed for galleries 10 years or younger, did not return this year, but the Focus section, for emerging galleries expanded from 22 exhibitors in 2013 to 36.

The event remains committed to emerging art — through the Lafayette sector, in which 10 young galleries stage work by one or two artists — as well as performance - based work.

We have a satellite venue located at Hanart TZ Gallery, which showcases a younger generation of artists.

As a way of bringing the latest developments in art to its audiences, Frieze London has a section called Focus, dedicated to presenting recently established gallery spaces which, on the whole, present more young and emerging artists than their older peers.