Sentences with phrase «while choreographing»

While choreographing and performing her own work, D'Angelo also makes paintings.

Biography: Carrie Ann Inaba is currently appearing on Dance Fever (ABC Family) as a preliminary judge and backstage correspondant / coach to the contestants while choreographing the hit reality series «American Juniors» (FOX) produced by the same team who produced the world wide sensation, «American Idol».

The attention and acclaim she gained from her stint on In Living Color parlayed her into the spotlight as one of Madonna's featured dancers in her Girlie Show World Tour, inCarrie Ann Inaba is currently appearing on Dance Fever (ABC Family) as a preliminary judge and backstage correspondant / coach to the contestants while choreographing the hit reality series «American Juniors» (FOX) produced by the same team who produced the world wide sensation, «American Idol».

Not exact matches

At Chobani, Ulukaya says his carefully choreographed dishes reflect the various ways he ate yogurt while growing up in Turkey.

All our dancers will be flat out over the next weeks, polishing old dances for the competitions while simultaneously choreographing and learning lots of new material for the showcase, which this year is being held at the Pegasus Theatre on 16 & 17 February.

After 1976, party bosses took great care in choreographing national conventions while squeezing every last drop of spontaneity out of these dreadful events.

Telomeres at their ends act as caps to prevent biochemical wear and tear, while the cell choreographs the movement of chromosomes by grabbing hold of its centromere handle.

State authorities and contentious citizens are engaged as if in a half - choreographed war dance, constantly shifting their positions to avoid or absorb their opponent's force while awaiting the opportune moment to attack.

Dancing will allow your child to have fun while learning body awareness and some cool dance moves, along with short choreographed dances.

And almost everything you will see here actionwise is like nothing you've ever seen before, even when it kinda is: precariously choreographed fisticuffs high in the backstage rigging of the Vienna opera house (while an opera is being performed below, natch) are gripping; a car + multiple - motorcycle chase does things to vehicles that they shouldn't be able to do; and I'm pretty sure that split - second computer shenanigans and underwater antics have never been combined like this before.

While Brashear is based on a real - life person and Sunday is a fictional character (a composite of various embodied obstacles in Brashear's Navy career), in George (Soul Food) Tillman Jr.'s film, they come together in a neatly choreographed dance of righteous nobility in the face of ignorance and fear.

On the surface the films couldn't be more different; The Arbor is a realistic account of «the poor», while Savage Grace is a hyper - stylised, heavily choreographed examination of the filthy rich.

Right at that point where it starts to drag and you get bored, they throw in an action scene, and yes while my CG complaints do hurt the scenes a bit, the scenes are still choreographed and shot really well.

I wrote in my review: «The amount of effort it must've taken to coordinate all of this activity outside while keeping the various actors inside choreographed and on - script is baffling and mesmerizing.

The final climatic battle between the Soviet zombies and Nazi zombies was well choreographed, while the cinematography allowed you to see everything that was going on during the fights in all their gory glory.

While a number of crushing car chases are very well - choreographed, there is nothing that remains memorable or epic.

After our hero does a little seated dance of his own (tapping on the steering wheel and doors, while adjusting the windshield wipers to match the rhythm), the staging and editing of the opening chase is closer to a choreographed dance number.

A joyously choreographed dance number in a techno club is straight out of the Bob Fosse handbook, while in another tragicomic scene, Marina, finally pushed too far, leaps up and down on a car as Orlando's relatives cower inside.

A joyless, congested stumble in which nearly every actor looks miserable while trudging through haphazardly choreographed song - and - dance numbers.

The final battle does not give any feel of overlong or messy but instead, quite adequately choreographed and arranged in wide shots while being sentimentally grounded in close - ups.

Granted this opinion is coming from someone who finds The Sixth Sense, while a phenomenal film with a wonderfully choreographed twist, not all that scary, and, though Signs and The Village deliver the thrills, there's nothing on par with Split in terms of how relentless in intensity and so very chilling it is.

While we could talk about the crisply choreographed action sequences and stunts [the flipped semi?

Kick - Ass manages to play its over-the top - violence for laughs while at the same time orchestrating some finely choreographed fight scenes.

While violent acts are mentioned, the humorous intent of the well - choreographed fighting action is never lost.

The moment is perfectly choreographed while feeling entirely natural; it involves routine medical details the viewer might not think to consider, all the while invoking the fraught dynamics of Bauman and Hurley's relationship and how they've changed after the attack.

Costumes are all vibrant and rooted in charmingly tacky Americana like an 80s Jonathan Demme picture, while the action scenes take the idea of choreographing shootouts as dance sequences rather literally.

Buffed up and kitted out, his knack for physical humour makes him perfect for the neatly choreographed set pieces, while his pained puppy - dog delivery gives his unlikely action star an unexpected credibility.

They have been choreographed into an array of exciting showbiz - style dancers to entertain their many guests while Poehler's Maura has a romantic liaison with a neighboring contractor, James (Ike Barinholtz), a guy who, if they got together for keeps will probably have to settle for being a lifelong straight - man to his zany wife.

The actors had to memorize up to 15 pages of lines at a time while also landing on all of the choreographed marks set for the scenes.

While the anime is good, and the fight scenes are quite well choreographed, people who are don't care for ecchi (perverted) themed shows, or harems, might want to steer clear of this one.

The term «open world» has become shorthand for «GTA - like»; the game's control schemes, mission structures and re-branded products (iFruit smartphones, Jugular cars) are gaming tropes in themselves, while the slickly choreographed action has inspired as many films as have influenced it.

And while you can always look at your boss fight time attack for a numerical encapsulation of your skill, the much more important aspect of each performance is the feeling of overwhelming power on each turn, each double jump, and each perfectly choreographed dance around a stage of enemies and projectiles.

The sequence is wonderfully - choreographed to can - can music, «Infernal Gallop» by Offenbach to be precise, while Anna dodges between slower cars, and barrels dropped from supply trucks.

While the majority of the game relies on the split screen sequence, A Way Out's finest moment actually comes during a brilliantly choreographed climactic foot chase through a hospital via a four - minute long, unbroken «camera shot».

The piece, choreographed over the summer of 1953 while Cunningham was in residence at the college, includes movement vocabulary that was to become key to his distinct style: sustained poses, controlled and rigid bodies, disconnected movements, and intended dissonance between the music and movements.

Taking as a starting point Rudolf Nureyev's 1991 staging of the classical ballet La Bayadère, choreographed while his health was critically deteriorating, Christodoulos Panayiotou's lecture - performance The Paradox of Acting is a meditation on the impossible theatrical representation of death and an exploration of the vicious relationship between the spectator, the actor, and the characters trapped in the action.

Then, taking the stage, Sotheby's auctioneer Oliver Barker led the evening's proceedings, corralling collectors while works on the block were paraded by handlers, the whole procession choreographed to a Top 40 playlist compiled by Phelan and Zuckerman.

While the pictures on view fall into a more conventional category of portraiture, carefully constructed images of sitters who pose and allow themselves to be choreographed and photographed over time, Opie's portraits arguably extend social documentary into the present moment.

Though his works are occasionally playful — for his work This Is So Contemporary he instructed a number of museum guards at the German pavilion of the 2005 Venice Biennale to break into a choreographed dance while calling out «This is so contemporary!»

The multi-layered manner in which she combines these interventions, while experimental and often intuitive, converges on a conceptual logic of choreographing and staging not just surfaces, but the conditions of photographic representation.

The saccharine petals romanticise what has now become the anonymous and choreographed experience of contemporary grocery shopping, while simultaneously fostering a nostalgia for a not forgotten near - past when buying groceries implied idle chit - chat with a real check - out operator.

Sound recordings and audio collages are played while concurrent choreographed movement explores themes of the school - to - prison pipeline, gun culture in America and social justice hashtags, masculinity and queer culture, and comic relief.

Two additional sequences followed: a choreographed cast of 500 performing in darkness filmed with infrared cameras and projected onto white screens; and Rauschenberg carrying a girl in a cloth sack while she sang a Tuscan folk song.

It is choreographed to change through the courses of the dinner as guests are invited to sit, eat, talk, stand and recline while encountering a new world of colour and sensual experience.

Heginbotham will direct and choreograph the work, while Kalman will oversee all elements of design — sets, props, projections and costumes.

With artists Savannah Knoop (b. 1981) and Lee Relvas (b. 1981), Bass and Fisher perform a series of choreographed movements and sounds while using structural supports, banner - like scrolls, and everyday props to explore, in their words, «shifting relations between the body, the materials, and the audience.»

But while bodies and machines operate in perfectly choreographed efficiency, not a single peanut is produced.

Brandes ties her own artistic practice to that of magical ritual, with her actors» choreographed but bizarre positions recalling pagan rites, while the prevalence of water and other liquids as motifs suggest alchemy.

Intel worked around those difficulties by creating a new system specifically allowing drones to be choreographed while avoiding obstacles, aptly named the Indoor Location System.

Senior students were assigned a year level each to choreograph and direct while the parents assisted with filming.