Sentences with phrase «while developing this exhibition»

Chanzit said they looked at more than 100 artists while developing this exhibition.

Not exact matches

While my HF for Newark has proposed that we introduce a new tax break for museums that develop exhibitions and take those exhibitions on tour.
Edwards works within the Walker's visual arts department developing and implementing artist projects and exhibitions, and expanding interdisciplinary scholarship and research while making key contributions to the Walker's acquisitions planning.
While Bushwick Open Studios, and its mammoth showcase of more than 600 different gallery exhibitions, is usually what most people associate Arts in Bushwick with, the 10 - person Community Projects arm of the group has quietly been developing programs and building partnerships with local organizations throughout the neighborhood, all in the aim of supporting the group's larger mission of serving as a platform for creative accessibility
Indulging his lifetime love of science fiction and fantasy, he's currently illustrating a new historical role - playing game for Iron Throne Publishing and developing life - sized promotional cutouts of zombies for WorldWorks Games while also putting the finishing touches on 30 oil paintings for a summer exhibition — all proof of his incredible comfort moving between the worlds of commercial and fine art.
With a focus on works from the period between their first meeting in 1955 until their separation in 1979, the exhibition shows how Mitchell and Riopelle, who lived together in Paris, then in Vétheuil in the Seine valley, developed unique but related bodies of work while they were engaging in a vigorous exchange about abstraction and painting.
While one team at United Talent Agency is working to develop a feature - length motion picture about Kurt Cobain's life, Mr. Roth is planning to «create a touring exhibition that really tells the story of who Kurt was through artworks, personal artifacts and memorabilia, sort of like what the Rolling Stones did in London.»
The New Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.
The app was conceived by Eliasson while developing Olafur Eliasson: Contact and shares many of the concerns central to the exhibition.
The exhibition aims to represent artists whose work references ownership of their own home countries while developing narratives that embrace global histories.
But for years it has disdained actually saying anything about the state of the medium in exhibition form, and all the while painting has developed actively on numerous fronts.
The exhibition will be one in a continuing series of solo exhibitions at the Mori Art Museum featuring mid-career artists from Asia, while showcasing contemporary art from rapidly developing nations and regions such as China, Africa, India and the Middle East.
The New Media Gallery is the first of its kind in WNC, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.
She will bring her expansive knowledge of film detailing the experience of the African diaspora to the ICA, while also developing film programs that complement the ICA's exhibition program and institutional vision more broadly.
While at the AGO, she has strengthened and built the curatorial team through key appointments, fostered new forms of cross-institutional collaboration, and developed a vibrant exhibition program.
Edwards also works within the Walker's Visual Arts department developing and implementing artist projects and exhibitions, and expanding interdisciplinary scholarship and research, while making key contributions to the Walker's acquisitions planning.
Stated SFAI President Charles Desmarais: «Hesse has developed remarkable programming at Bemis — pushing the boundaries of contemporary exhibition - making while engaging broad audiences — and his innovative thinking, resourcefulness, and sly humor will surely find an exciting outlet in the service of SFAI's community.»
The project of the museum's home was developed by British architect James Stirling who leaved the iron - and - brick facades and structure of the historical building, designed by Jesse Hartley and Philip Hardwick in 1846, substantially untouched while he created new flexible spaces suitable for different types of artwork and exhibition layouts inside.
Students of the Bechers in our exhibition include Thomas Ruff and Andreas Gursky, and while there work over recent decades has developed to use different methods and subject matter, there is still a strong connection to the idea of mapping the surface of the world in a somewhat impersonal or distant fashion.
She is most interested in developing exhibitions that engage non-traditional audiences while concomitantly challenging viewers to re-think their perceptions about art, art - making and the role of the museum / gallery.
The Washington based artist DECOY returns to The Fridge with Sew Rad, an exhibition that embraces the artist's origins while putting an eye toward carving out a newly developed, narrative - rich style.
Capitain Petzel continues to present exhibitions of established international artists represented by the galleries in Cologne and New York, while simultaneously the gallery is developing an autonomous program with artists such as Andrea Bowers, Natalie Czech, Robert Longo, Matt Mullican, Amy Sillman, Peter Piller and Pieter Schoolwerth.
Over the past 10 years, the gallery has developed programs and exhibitions for many influential Chinese artists, while being dedicated to fostering the careers of young artists at the same time.
Ruang MES 56's aim is to «develop contemporary art discourse and visual culture, while also optimize art network in the South East Asia region» through initiatives such as residencies, discussions, exhibitions and projects.
The two exhibitions were developed separately — De Jong's sculptural figures dwell on the grotesque while Redwood's paintings take on portraiture, landscape and still life — but work in tandem.
In addition to our Exhibition Series, programs like the Exercises for Emerging Artists and the Framework panel series provide on - going mentorship to artists while also developing audience and growing the community of support for artists and their work.
Presenting over 100 significant examples from her collection, the exhibition aims to represent artists whose work references ownership of their own home countries while developing narratives that embrace global histories.
The exhibition will feature over twenty of Puryear's works from the late 1970s to today, highlighting the impeccable hand - crafting skills he developed while travelling to Africa, Sweden and Japan, where he learned local craft traditions and wood - working techniques.
Thirty years on, «The Pictures Generation: 1974 — 84» at the Metropolitan Museum is the first exhibition to use Crimp's expression to define a zeitgeist, while also indicating that our understanding of the term is developing new meanings over time.
While renovations are being made - collaborating with designers, contractors, and construction crews - we will continue to host exhibitions via our website, release new content on AMN (www.americanmedium.tv), and develop programming for the next five years with artists and curators from around the world.
While there are no easy answers to such tragedies this exhibition aims to explore how they may develop.
Developed by Independent Curators International (ICI) in collaboration with the Bag Factory Artists» Studios, the Curatorial Intensive: Contemporary Curatorial Practice will examine the pragmatics of organizing exhibitions, while addressing the specificities of curating in the African context.
Notably, she served at the Stedelijk while the museum was closed, and developed the Temporary Stedelijk, a special interim program of exhibitions and public programs in the museum's 1895 building.
This exhibition focuses on their early years, from 1969 to 1975, when the art world around them was largely engaged in pop, minimal, and conceptual work, while the pair developed a wholly unique vision.
In 2009 they installed their projects Under Interior and off - off - stage in a basement and an unoccupied lot in the centre of Seoul, while their project Loop the Loop was developed on rooftops in Seoul as part of the exhibition Perspective Strikes Back at Doosan Gallery, which later travelled to L'appartment 22 in Rabat, Morocco.
Of the year ahead, MCA Director Elizabeth Ann Macgregor said: «The MCA continues to develop major exhibitions that bring the best of international art to local audiences while supporting and promoting Australian artists.»
All five artists included in the exhibition address the notion of time with distinct philosophical and artistic voices that, while informed by globalized discourse, have developed formal and conceptual vocabularies specific to their respective traditions.
The following exhibitions of artists like Jeff Koons and Ashley Bickerton provided plenty of evidence of the ongoing dialogue between Hirst and the artists from the generation that preceded him and the interest they share in developing a personal visual vocabulary while incorporating recognizable elements of popular culture.
Situated at 50 Moganshan Rd., which has developed to become Shanghai's artistic centre, the main gallery (bldg 16) serves as a show room for displays of artworks and smaller exhibitions, while the larger H - Space (bldg 18) woeks as a flexible white - cube exhibition hall for the display of extensive shows and grand scale projects.
While the exhibition takes its name from a Navajo goddess, the subtext of the exhibition develops from the evolutionary concept of the exaptive trait, a biological characteristic which, through natural selection, becomes useful in ways beyond its original purpose.
Presenting nearly 100 significant examples from her collection, the exhibition aims to represent artists whose work references ownership of their own home countries while developing narratives that embrace global histories.
While this curatorial approach was widely decried, it had the positive effect of galvanizing supporters of Black art to develop their own institutional infrastructure to nourish Black art production and exhibition.
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