Sentences with phrase «while drawing material»

Gardner Cole Miller's work in fiber and tarpaulin subvert the traditional, repetitive process of quilting while drawing material inspiration from the historic narratives associated with the places they inhabit.

Stationery, clothes and gym uniforms became more expensive, while drawing materials dropped in price.

While his drawing materials cross the ancient to modern worlds, there is nothing in David Schutter's drawings that situate them in reverence of the past.

Not exact matches

An earlier version of chapter two appeared in Interpretation 26/2 (April 1972), 198 - 209, while chapter four has drawn on materials originally appearing in «Lionel S. Thornton and Process Christology,» Anglican Theological Review 55/4 (October 1973), 479 - 83; «The Incarnation as a Contingent Reality: A Reply to Dr. Pailin,» Religious Studies 8/2 (June 1972), 169 - 73; «The Possibilities for Process Christology,» Encounter 35/4 (Winter 1974), 281 - 94; and «Theological Reflections on Extra-Terrestrial Life,» originally given as the Faculty Research Lecture for the Spring of 1968 at Raymond College of the University of the Pacific, Stockton, California, and published in The Raymond Review 2/2 (Fall 1968), 1 - 14.

During star formation, the material in such disks is thought to be drawn into the new star by its gravitational pull, while other processes power an outflow of material into the surrounding space.

While Oz did not reach those same lofty commercial heights, it performed a lot closer to Alice than to John Carter, whose failure (long foreseeable amidst a title change and material of questionable drawing power) ultimately warranted a $ 200 M write - down.

Neeson, now a big enough draw for the material, makes a poor first impression, unconvincingly aged down with a different hairstyle and goatee while saddled with a terrible New York accent that's all over the place.

While working hard to hone their skills, the twins uncovers a mysterious - looking painting and, as they reach out to investigate, the girls are drawn inside a world bountiful with rare materials perfect for Alchemy.

«While the exceptional quality of these materials is our primary focus, we are also drawn to the potential of materials that marry superior standards - alignment with affordability, as Open Educational Resources.»

While the exterior draws generally positive comments, the interior styling is less cohesive, and get closer to the cabin materials and its evident quality is someway off that of the Mini.

While there are many fantastic drawing apps available for students to explore digital image creation, I believe the most exciting opportunities for creativity with iPad utilise apps that combine the camera and hands - on, tactile materials.

Fifty - eight percent of respondents said that funds for ebooks had been pulled from their reference materials budgets, while 56 percent said that their library had drawn from its print budget.

This is because cats can draw their claws on the material while having a good grip on it.

While working hard to hone their skills, the twins uncovers a mysterious - looking painting and, as they reach out to investigate, the girls are drawn inside a world bountiful with rare materials perfect for Alchemy.

While easels, chairs and artistic ambiance are provided by Hillyer, artists are required to bring their own drawing materials.

Enjoy an evening of working with original source materials used in drawings in the exhibition Cecily Brown: Rehearsal and turn vintage erotic imagery into a one of a kind Valentine while sipping a complimentary glass of sparkling wine.

Paintings by Sanya Kantarovsky, Mira Dancy, Emily Mae Smith and Sonia Almeida draw variously on Kogelnik's preferences for lurid hues and corporal fragmentation, while the artist's exploration of synthetic, visceral materials emulating skinlike surfaces resonates with sculptures by Alisa Baremboym, Dora Budor and Sara Greenberger Rafferty.

While her studies of material are simple, her drawings are intricate and detailed.

In his figurative and landscape work, the rich and vibrant colors draw on the African diaspora, while his abstracts are composed of found materials, reliefs, and dimensionality.

While Ronay's vocabulary is unique, his masterful approach to material and form draws from the profound simplicity of primal shapes and symbols, and their inherent potential for transcendence.

After working as a biochemist while learning to draw in the Paris municipal art school in the Place des Vosges, he stopped his scientific work and completed his artistic education by studying artist's materials with Nicolas Wacker at the École des Beaux arts and working for two years in the atelier of the lyrical abstract artist Zao - Wou Ki at the École nationale supérieure des Arts Décoratifs.

His minimalist drawings and kinetic sculptures echo architectural designs, while the artist's assemblages transform city materials like fencing and rails into autonomous works of art.

Fifteen archival prints of photographs of sunlight streaming into Grand Central Station, watermarked with their sources — sites such as Art.com, Easy Art, Picasso.com — greet visitors to Penelope Umbrico's latest exhibition, playfully drawing attention to her process of appropriation while offering the prosaic material a more profound afterlife.

Paintings in mortar by Duhirwe Rushemeza allude to native materials in Rwanda, while collage and impasto by Ademola Olugebefola draw on the colors of St. Thomas.

Petrit Halilaj uses materials borrowed from the Natural History Museum of Kosovo to create sculptural installations and drawings, while Julia Schmid's intricate pencil drawings portray the displays of animal habitats from a range of museums.

Using techniques and materials ranging from pop colored inks, gradient monoprinting, loose watercolors, acrylic paint, crayon, and sharpie crosshatching, Lederer creates images that walk the line between wry playfulness, and deep - seated fears, all the while deconstructing the picture plane and drawing parallels between the digital and the analog.

While artists such as Vija Celmins, Rudolf Stingel and Paul Sietsema employ illusionistic painting and drawing, others» use of materials is surprising — Thomas Demand's video of what appears to be a rainstorm is made from animated candy wrappers; Susan Collis» sculpture of construction debris is fashioned from exotic hardwoods, mother of pearl and silver.

But while Owens's work certainly plays on the conventions of Color Field, she draws from a wide range of source materials, including embroidery and Asian landscape painting, frequently commingling vaporous washes of color with frankly goofy representational elements.

Bettencourt focuses on digital and material collage, assemblage, and fiber while Hogan works with drawing, painting, assemblage, and printmaking.Bettencourt uses mixed media to create artwork that responds to all forms of distress.

The arc of Rodriguez's visual thinking is united by the drawings, while the selection of paintings confirms an authoritative match between ideas and material.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

The exhibition will include new representations of projects through both drawing and models, as well as photos of archival material, including drawings and models originally made by the curators, Claude Armstrong and Donna Cohen, while assistants to Judd.

It's difficult to make a distinction between the different materials at first but upon closer inspection, it becomes noticeable that certain lines are drawn in pencil and ink while other are sewn into the paper.

In this series named Lignes - Report, the raw linen canvas is coated with black acrylic paint, folded in half, then a screwdriver is used to draw parallel lines while the material is still wet.

He depicts these notions through the use of found domestic and utilitarian objects and materials to form sculptures, drawings, and prints that generate visual puns and cultural overtones, while also aiming to highlight how these objects portray and mimic language, specifically Spanglish — the rhythmic convergence of two languages spoken in Latin - American homes.

In his obituary in 2012, Roberta Smith of The New York Times wrote that while working as a private dealer selling prints, drawings and multiples, Mr. Leiber «bought 21 boxes of ephemera relating to the performance - oriented Fluxus art movement of the early 1960s, the Beat and Concrete poetry movements and the 1960s counterculture,» and «after a year of sorting and organizing the material, he had a new field of expertise: the ephemeral.»

In a society riddled with racial, class and structural issues, he asks how do we begin to redefine power and the slippage of taste Complled by a variety of materials, such as towels and yarn, Spann investigates formal relationships while drawing parallels to the body.

While the self - taught Miller has been known almost exclusively for his drawings in ink and acrylic on paper, more recently he has expanded his use of materials to include ceramics, textiles, and wood.

Richard Prince has observed that Dahn's work «went through an incredible number of styles of painting very quickly,» tearing through techniques, moods, and approaches to material and application in his work, even while adhering to figuration and a consistent engagement with popular music, as well as a consistent interest in mixing imagery drawn from disparate sources.

The book includes many drawings from the artist's «XEROX - book» that can be read as notes on the intellectual zones and material levels of Perfect World while at the same time prefiguring many artistic ideas that occupied Rhoades until his early death in 2006.

Their bright symmetrical designs draw on a host of multicultural sources while exploring still - current concerns with the materials and methods of paintings.

While oil and pastels were his media of choice for painting, Still explored a full range of drawing material: he did work with oils and pastels, but he also created colorful, dynamic works with watercolor, gouache, graphite, pen and ink, charcoal, crayon, and tempera, too.

Pope.L produces the drawings while he is traveling, using the materials he has on hand at the time — from hotel stationery to airline napkins or pages from a newspaper.

Similarly, Andre's work draws attention to the material and spatial specificity of his sculptural objects, while rejecting traditional notions of artistic expression and metaphor.

Drawing inspiration from the ruminative abstractions of Mark Rothko, while still maintaining a practice of working with unconventional materials and found objects, these so - called «till» paintings are product of this newfound exploration in material, working with dollar bills, empty cash tills, acrylic paint, and overproof rum.

Using found materials culled from hardware stores, Aldrich investigates the excessive consumption of our disposable culture while poetically drawing attention to ecological and environmental concerns.

This richly illustrated companion book to an exhibition at the Getty Research Institute and Kunsthalle Bern is a virtual collection catalogue for that imaginary institution, tracing the evolution of his curatorial method through the materials he collected and produced while researching and organising his exhibitions, including letters, drawings, personal datebooks, installation plans, artists» books, posters, photographs, and handwritten notes.

Top banner image: While installing her exhibition at the Nasher Museum last week, Wangechi Mutu brought an array of collage materials, some of which she used in her entrance wall drawing.

Kallat (b. 1973) graduated from the Sir J.J. School of Art, Mumbai in 1996 with a BFA in painting and her practice has spanned drawing, photography, sculpture and video by engaging diverse materials while communicating thought - provoking concepts and ideas.

Exploring the first - person politics of being in New Orleans with a camera and microphone in the months following the storm, it recounts Hunt's engagement with community activists while researching the city's refusal to evacuate the Orleans Parish Prison... Between meditations on his own experience he cues testimonies — videos of a citizen, a neighbor, an organizer and others — each one drawn from the archive of material compiled during his visits.