Sentences with phrase «while early paintings»

«While his early paintings relied heavily on a one - point perspective, the works he created in New Orleans seemingly exploded off the canvas, as though the inherent freedom of jazz inspired him to abandon the earlier rules and create increasingly abstract works.»

He told Mr. Serota that while early paintings made visual reference to ancient graffiti, his intentions were «more lyrical» and his inclusion of phalluses and female body parts were often just ways to evoke male and female presences in the work.

Not exact matches

The manufacturing and non-manufacturing ISM indices, while down from the peaks seen in early 2004, are still at high levels and a number of other measures of business sentiment paint a similarly positive picture (Graph 3).

In college I studied painting and after college I went into the early childcare field while also further exploring textiles.

While in some families a child sits in a high chair for a short time to eat meals and snacks, the high chair can also provide a naturally confined area for a child's early finger painting or drawing efforts.

While thousands of public housing tenants were told last year that lead paint inspections were necessary, the city did not disclose the reason: It had stopped doing the required tests four years earlier.

While it's still early days for assessing Florida Bay's recovery, Davis» observations paint a different picture from the 2015 seagrass dieoff, when vast meadows of turtle grass that form the foundation of the ecosystem were completely scoured.

While many contend that the earliest cognitive deficits are caused by damage to the striatum — a structure deep in the brain known to be severely affected in HD — recent evidence suggests that this claim may paint an incomplete picture of the widespread changes occurring in the brains of HD patients during the very early stages of the disease.

Technical merits are impressive while the supplements help paint a vivid picture of the early 1970's.

As early as 1942, William Wyler's Oscar - winner Mrs Miniver was painting a morale - boosting portrait of ordinary people volunteering to make the cross-channel crusade, while in 1958's Dunkirk Leslie Norman (father of Barry) gave us John Mills and Richard Attenborough exhibiting British pluck.

Set in the Netherlands in early the 17th - century, during the period of the Tulip mania, an artist (Dane DeHaan) falls for a married young woman (Alicia Vikander) while he's commissioned to paint her portrait by her husband (Christoph Waltz).

The Elan's wedgy styling as long been an acquired taste but there's some visual interest here with the British Racing Green paint scheme and an oh - so - Lotus yellow stripe down the centreline of the car, while the cabin is more modern than those early MX - 5s and far more cossetting than that of the Elise that replaced the Elan in 1996.

66 percent of the early birds went for a two - tone paint job, while the third Chiron sports a stunning naked blue carbon body.

Yet Holly sees enough in him to paint his portrait again and again over the years, while Dom, as an early teen, is drawn to him like steel to a magnet.

Throughout the memoir, Kovic focuses on the poor treatment of America's wounded veterans while painting a gripping portrait of early 1970s activism.

Our historic French Quarter Hotel features buildings that date back to the early nineteenth century, such as our Audubon breakfast room where John James Audubon painted his Birds of America series from 1821 - 22 while residing at the Audubon Cottages.

June Carey June has been painting full time since 1982, but it was in the early 90's while traveling the Mendocino coast, that she discovered the California wine country, which reminded her of the long lost fields she fell in love with as a child in Pennsylvania.

While the visuals have been vastly improved (in most, but not all aspects; we'll talk about that later), the gameplay hasn't been improved for 2017 standards, leaving you with an early Xbox 360 title with a different coat of paint.

One thing that deserves to be pointed out immediately is that while, as mentioned earlier, Atelier Lydie & Suelle: The Alchemists and the Mysterious Paintings is part of a long running series, you do not have to have played the other entries to enjoy it.

While Newman and Rothko abandoned their mythological paintings of the early 1940s to pursue a purely abstract visual language, Müller took the opposite course.

While painting her «Bridges of Portsmouth» series, Mullaney woke up early to enjoy the morning light and observe the work crews moving cranes across the skyline.

While the first wash is still wet I paint in the darker areas of shadow using the thicker mix I prepared earlier.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

While early practitioners such as Robert Mangold embraced a minimal sensibility, the next generation of artists such as Elizabeth Murray and Ralph Humphrey further evolved the practice; Murray's canvases are explosive and energetic, and Humphrey's paintings are tactile, with thick and textured surfaces.

While celebrated for her black and white paintings of the early 1960s, Riley has continued to advance her art.

The artist's early training as a sculptor, before he made the switch to painting, has clearly influenced his thinking around the space that painting can inhabit and, while these are not landscape paintings in the traditional sense, they nevertheless reference landscape and place.

I think the thought depends on being at a greater distance from the early 20th century, that while Reinhardt and everyone else could not imagine abstraction (whatever he may have said to the contrary) other than as a struggle to find what an abstract as opposed to a representational painting really might be and do, is no longer the case.

His early paintings and sculptures paid homage to the ready - mades of Marcel Duchamp, while the cross-hatching motif he developed in the 1970s found its origins in Edvard Munch's Self Portrait.

The present painting possesses a much more daring color program than those earlier paintings while retaining their essential structure and compositional framework.

The Pyes» artistic output spans photography, film, performance, video, and installation while acknowledging the profound influences of surrealism in film, narrative conventions in painting, 19th and early 20th century portraiture, and conceptual approaches to subject matter.

While earlier, enamel works focused on line and flatness, her move to oil paint in 2001 has resulted in a sculptural, almost three - dimensional style.

Bordered with black similar to the ones found on Stella's foundational Black Paintings, the present canvas simultaneously recalls the artist's earlier work while presaging future developments.

It connects Abstract Expressionism to earlier expressionism — with George Grosz, who paints himself chained at the neck to his brush while punching holes in canvas after canvas.

Although the 2012 retrospective at Tate Modern was rapturously received, bringing with it a renewed reminder of the power of early works such as The Physical Impossibility of Death in the Mind of Someone Living and Mother and Child, Divided, recent exhibitions have been panned — Schizophrenogenesis was condemned for coasting on past glory, while 2012's painting - focused Two Weeks, One Summer received scathing one - star reviews — and there is a nagging sense that these days his art can resemble a factory production line, with endless copies of his popular «spot» paintings churned out in the name of brand recognition.

While abstract expressionists such as Jackson Pollock, Franz Kline and Willem de Kooning had long been outspoken in their view of a painting as an arena within which to come to terms with the act of creation, earlier critics sympathetic to their cause, like Clement Greenberg, focused on their works» «objectness.»

The paintings included in the show span three decades, the earliest being Chung Sang - hwa's Untitled 005 (1973), while Lee Dong Youb's Interspace Musing (Cycle)(2000) is the most recent.

Today, the gallery presents contemporary multimedia and conceptual work, as well as painting and sculpture and continues to show the artists it has worked with in the early nineteen eighties, while it presents and works with new talents.

As Lobel states, «While the reference images for most of Lichtenstein's signature Pop paintings are now known, the source for Mr. Bellamy, an important early canvas in the collection of the Modern Art Museum of Fort Worth, has long gone unidentified.»

A dense and striking composition characterizes the early Untitled painting from 1951, while the Untitled painting from 1958 depicts a more tempestuous and expressive surface, whereas Le chemin des écoliers, 1960, betrays the inspiration from the French landscapes.

Mr. Stella, a titan of postwar art whose early paintings sell for millions of dollars, told her that a dealer hadn't officially represented him in a long while.

Starting with his earliest works from the early 1950s, Rivers painted figuratively, at first turning away from the fashionable expressionist abstraction of Pollock and de Kooning, He would later incorporate the paint application and openness associated with Abstract Expressionism, while always remaining firmly representational, never losing the image.

While working in the U.S. a few years earlier, Piet Mondrian created arguably the first American color - field painting; Guggenheim opened her gallery Art of This Century in 1942; The New Yorker coined Abstract - Expressionism in 1946.

His early paintings and reliefs, inspired by cave paintings he saw while traveling in Europe, were often exhibited with the group of Chicago artists who were nicknamed the «Monster Roster» because of their fascination with morbid or mythological imagery.

While I understood Ha's work on an intuitive level at the time of the exhibition, it was not until my visit to the artist's studio in the winter of 2008 that I began to fully grasp the depth of his earlier burlap and barbed - wire paintings, not only as signs of military repression made evident during the late 1970s, but also as spiritual works focused on transformation and resistance that could be read as icons of the human condition.

So while Caterpillars on a Leaf (c. 1952) represents (in a charming semi-figurative style of hatched black on yellow) the curling form of the creatures, by the early 1960s the artist was no longer focusing on the world of appearances, jettisoning still - lifes and interiors for paintings of pure feeling.

These paintings are named after circular cities he had visited while in the Middle East earlier in the 1960s.

The early works, such as Botticelli's Virgin Adoring the Sleeping Christ Child, which has not been exhibited outside of Scotland for more than 150 years, are religious paintings while later works from the Renaissance masters, 17th - century painters, Impressionists, Post-Impressionists, and Cubists include different genres of paintings such as portrait, still life and landscape, and represent the changing treatment of those genres over time.

Carol Jackson's glittery sculpture resembles early Lynda Benglis, while Donelle Woolford's joke paintings dare one to decide whether «Richard P» stands for Richard Prince or Richard Pryor.

Fischl's paintings from that time dealt with issues of early sexuality and voyeurism, while his most recent large - scale canvases focus on the tradition of bull fighting.

While the work clearly recalls Stella's iconic series of black and aluminum paintings, with their repeating monochrome bands, this piece is in fact a small collage of metal foil applied to Masonite, and it has a wonderfully handmade quality that's perfectly in line with his early Minimalism.