The screen also offers optional touch pad autofocus, allowing you to move the AF point by sliding your thumb on the LCD
while framing a shot through the EVF.
Not exact matches
City had the possession advantage, but in terms of pure effectiveness they weren't within miles of Liverpool in the first half, perhaps best exemplified by the fact they didn't manage a single
shot on target in the first half out of the three they took,
while Liverpool managed four on
frame and scored on three of them.
Still -
frame cameras are generally measured in the number of
shots,
while video cameras are measured in the length of video they can
shoot.
While filming the elusive Basilisk lizard, which can sprint on water for up to 100 feet in moments of danger, photographers ventured deep into the Brazilian rain forest with a super-slow-motion camera
shooting at 2,000
frames per second, 80 times as rapid as a traditional camera.
My fave part of
shooting on vacay: scouting a location required Dave to stand in my place
while I checked angles and
framed the
shot.
Despite being
shot at 24
frames per second and showing «1080p» on the back cover, these Blu - Ray discs are encoded at 1080i at 30 (or 29.97 if you want to get technical) fps -
while most of it still looks good (without any noticeable banding or compression artifacts) there are a few de-interlacing artifacts present in some scenes as well as aliasing.
The editing,
while fairly traditional at first, becomes increasingly frenetic, with subliminal
shots (was that a face?!?) and freeze
frames at the moment you least expect them.
Also,
while the film overall boasts bold visuals, certain wide
shots of the ship at sea look hopelessly CGI'd and I'm certain that at one point the tip of a boom mike was visible in
frame.
Presented in widescreen and fullscreen on the same side of a dual - layer DVD, the film's image lacks depth here — there's a muted, Seventies quality to Barry Stone's cinematography that no doubt looked smashing on the big screen and probably would've been marginally improved at home by dispensing with the fullscreen version (thus lessening the compromise of compression), which lops a significant amount of visual information from the right side of the
frame (
while restoring a negligible amount to the bottom — in one
shot literally a pinkie toe).
Shooting Juarez to look like a hothouse abattoir doesn't take any real imagination (or empathy), and after a
while, the skillful
framing of Roger Deakins» cinematography becomes oppressive.
Francis Lawrence
shoots everything with that backdrop visible; skulls and skeletons of obliterated civilians creep into the edge of the
frame,
while a beautiful off - the - cuff rendition of The Hanging Tree (by Katniss, with a hint of Lawrence's Winters Bone) is swiftly packaged up by the propaganda machine and turned into an earworm calling people to action.
While the film does not suffer from the major
framing problems seen on Blackbeard's Ghost, some
shots do seem to be poorly -
framed, particularly in wide
shots when a fourth monkey's face isn't entirely in the
frame or the
shot of the town festival sign which loses one or two letters on each end.
With its ambiguous ending, Tattoo seems to evoke François Truffaut's Les quatre cents coups (The 400 Blows, 1959), the legendary French New Wave film about another «troubled» teenager who experiences freedom only when he is in motion — whether
while spinning in a rotor's drum or when running away from the reformatory in the film's famous concluding tracking
shot that culminates in a zoom - in - on - freeze -
frame image of his gaze addressing the camera.
To cite only one example — which includes a spoiler — how likely is it that the racist white cop (Matt Dillon) who gropes a well - to - do black woman (Thandie Newton)
while pretending to search her for weapons one night will be the officer who rescues her from a potentially fatal car accident less than 24 hours later, or that during the same time
frame his partner will save her husband from being
shot by another policeman?
I'm thinking of, say, the
shot of Randall lazing off in the video store, surrounded by neatly organized commerce, all
while Jay and Bob, and the rest of the uncaring world, goof off outside,
framed in a window stashed in the corner of the image.
David Bordwell contends that Tarantino deliberately signals his sources to his audience, «in order to tease pop connoisseurs into a new level of engagement,»
while Aaron C. Anderson writes that by using
framing markers and calculatingly phony distancing devices (like, for example, the black - and - white process
shots in Pulp Fiction), «Tarantino draws attention to his film's status as a film, as a constructed work of fiction, and as a «simulation.
Vilmos Zsigmond, who
shot three of Woody Allen's recent films (Melinda and Melinda, 2004; Cassandra's Dream, 2007; You Will Meet A Tall Dark Stranger, 2010), said in an interview that Allen is more concerned with story and performance than the visual aspects of his films, and that he wouldn't look at
frame while shooting unless Zsigmond encouraged him to do so.
Rather like an extremely damped - down There Will Be Blood, Reichardt's film — based on historical events — depicts one group's journey through the Oregon Trail in 1845 as a trek through a hauntingly empty and alien landscape, with cinematographer Christopher Blauvelt exquisitely taking in the natural beauties of the settings
while framing the increasingly desperate wanderers in wide
shots to emphasize, in part, their ultimate smallness within the wild west.
It seeks to capture truth with non-actors, unassuming camerawork and an evocative score,
while framing all of it expressively (which is done literally, as «Dayveon» is
shot in the box format of 4:3).
The film, with backlit
shots of pilgrims strolling across twilit hillsides exhibiting amazing detail, has never looked brighter, so the few instances that the dragon is inserted into the
frame betray the sort of sharp lines that James Cameron would finally address in Terminator 2 with his own animation blurring techniques, replicating the imperfections of the human eye at a distance and
while observing motion.
He leaves the car, pukes out the Maalox, and — in a brilliantly
framed shot — walks into the distance
while his pager flashes «911.»
«Wings of Life» features extraordinary imagery
shot with digital cameras — one capable of
frame rates of up to 1500
frames per second, and the use of a pinhole lens, which allowed the cameraman to get within millimeters of an insect subject
while retaining a clear view of the background.
Director Lawrence Sher, making his feature debut after a career as a cinematographer, brings the skills he established
shooting movies for Todd Phillips (including the Hangover trilogy, with Helms), which is to say he uses better lighting and more textured visuals than a typically overlit studio comedy
while still neglecting to
frame, cut, or pace scenes for actual laughs.
Forest Whitaker's fidgety, likeably eccentric detective and a small army of coppers are tasked with bringing Bryan in, but they'll have to keep up and out of his way
while he gets to the bottom of who was out to
frame him (hint: they have Biro - ink prison tattoos, drink vodka
shots and roll their Rs).
The virtues essentially stop with the
shot design and the work of Edward Norton (himself being a sort of walking meta joke, as his character arrives on scene and immediately begins armchair directing and taking control, something for which Norton himself has been infamous on set), and
while the other actors are fine, they do not manage to separate themselves as anything other than puppets for Inarritu's agenda, who looms over every
frame like some petulant child with a grudge and a budget that allowed him to force his opinions on an unwitting public.
That's all the basic info but the BlackBerry 10.3.1 software adds more to it through various optimizations such as the ability to take photos
while capturing video,
shooting modes, and even a nice set of tools for post processing both images and video that includes filters,
frames, the ability to add slow - mo or trim the content, and reduce red - eye as well as adjusting audio levels, color levels and more.
That's the short and sweet of the camera specs but really the BlackBerry 10.3.1 software adds more to it through various optimizations such as the ability to take photos
while capturing video,
shooting modes, and even a nice set of tools for post processing both images and video that includes filters,
frames, the ability to add slow - mo or trim the content, and reduce red - eye as well as adjusting audio levels, color levels and more.
That way, NVIDIA says, you get none of the blurring when trying to take HDR
shots of moving subjects, and there's no between -
frame delay
while the camera does its processing.
A simple point and
shoot camera with a medium lens can be used to
frame a dive buddy against a rock formation or swim - through arch,
while a close - up kit will add chances to document small reef dwellers.
Sneak, choke and
shoot through the violent criminal underbelly of Milan on the hunt for the man who
framed you, surviving breathtaking vehicle chases and gunfights
while taking out anyone who stands in your way.
A pixellated game, you can sneak, choke and
shoot through the violent criminal underbelly of Milan on the hunt for the man who
framed you, surviving vehicle chases and gunfights
while taking out anyone who stands in your way.
While the console versions are locked to 30
frames per second, the PC version's framerate is limited only by the power of your PC, meaning you can
shoot up the game's squishy aliens at a silky 60 fps — or more.
While Konami
shot for 30
frames per second, it frequently went over budget - the days of MGS as a 60Hz series were over.
Panel wise transitions like these were usually eased in by first showing a close up of Anne with a trailing thought,
while the next
frame had a nice large establishing
shot of the new location and / or time finished the thought.
February 27 — March 5 I ♥ Neutrinos: You Can't See Them but They are Everywhere (70 mm Film
Frames of Neutrino Movements —
shot in 15 ft Bubble Chamber at Fermilab, Experiment 564 near Chicago — dunked in liquid nitrogen, neutrino movements events with invisible ink and decoder markers and highlighters, inked up by Monica Kogler and Jwest, film roll from Janet Conrad, MIT Professor of Physics) 2011, 37 seconds Roll of specialized film for scientific use of about 1,000 Images transferred to high - definition video on a hand - made telecine device, no sound Made
while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundation.
Michaelangelo Antonioni reappraised the process through his minimalist long
shots depicting bodies passing in and out of the cinematic
frame;
while Akira Kurosawa's film Rushamon portrayed multiple viewpoints of several false witnesses who recount their perceptions of a crime, thus showing how evidence is constructed version by version rather than something chiseled in stone, or known by all.
Only after
shooting this image,
while watching it on a bigger screen, I noticed a newlywed couple in the
frame kissing for their wedding photoshoot.
With powerful cameras front and back, Bothie is a fun thing to play around with, but
framing and composing your
shots can be quite confusing for a
while.
While the company hasn't shared a lot about what it has in store, it's been talking up its AI - powered camera, which will «analyze objects (in your
frame) and recommend the best
shooting mode.»
While the company usually goes out of its way to hide to make the documents invisible, the doggos
shots were, naturally, dirty ones, capturing their puffy teddy ears in the
frame — a happy reminder of the very good work of three of man's best friends.
This increase in AI power means more processing can be done on your phone rather than having to refer back to servers in the cloud, so think faster face unlocking and more intelligent image processing for your photos even
while you're still
framing the
shot.
The iPhone X gains the same videographic improvements as the iPhone 8 series, including
shooting 4K video at 24, 30, and 60
frames per second, the HEVC / H.265 compression option that saves space
while capturing, and the super slow - motion 240 FPS at 1080P option.
While the Nexus 5X shares the same sensor, the Nexus 6P brings a few additional features like higher
frame rate in slow - motion video (240 fps), burst -
shooting capability, and electronic image stabilization.
Videographers will like being able save their
shoots in the Cine Log format,
while a Point Zoom feature gives you the power to zoom in on any area of the
frame instead of just the center.
The camera turns itself off after a short
while, requiring a screen tap to wake it up again, but it often happens when you're trying to
frame a
shot.
AI CAM analyses the subjects in the
frame and recommends the optimal
shooting mode,
while QLens takes advantage of image recognition capabilities of the AI technology to scan QR codes and improve online shopping experiences.
Also included in the camera software is a special group selfie feature called «groufie» that captures more people in a single
frame using panorama stitching, an option to capture selfies with a voice command, and an «ultra snap
shot» feature that can open the camera app and snap a photo in just 1.3 seconds
while the phone is asleep.
The iPhone 8 is also able to
shoot 4K video at 60
frames per second,
while the iPhone 7 is limited to 30 fps.
The matching white
frames and mats create the uniform look that I was after,
while the combination of horizontal and vertical photos allowed me to feature my very favorite
shots rather than being limited to choosing nine of the same orientation.
Four
framed seaside illustrations have been hung above the bed to add a
shot of colour,
while a corner unit houses an abundance of vintage - style toys giving the room child - friendly character.