Not exact matches
«Bennett has become a master of storytelling through
character, and
while there are clearly no people in these films, it was clearly a very
human story, which we knew a director such as Bennett would zero in on and draw out very real
human - like emotions from these poor inanimate objects,» Lennon said.
7 In discussing an earlier version of this paper, Hall responded that
while there might be some aesthetic quality associated with technology, the «difference of degree» between this and the aesthetic
character of other modes of
human activity is so great as to constitute a «difference in kind.»
Like the saints of Christendom, television's heroes are identifiable and continuing
characters who,
while participating in our
human situation, also successfully overcome its abrasions, anxieties and threats, thus reinforcing the integrity of the system.
augured a new and more disturbing understanding of mystery
while showing the provisional and imperfect
character of the world of ordinary
human existence.
While the role of the prophet has been altered, however, the central
character of prophetism is the same — namely, concern with and the demonstration of the critical impingement of divine life upon
human history.
Machines are being programmed to attract
human inclinations,
while virtual
characters and robots have started to perform tasks or roles that were traditionally held by
humans, such as that of robot counselling therapists.
And
while animated
characters stroll along quite happily, they rarely look
human when they do.
The lead
character in Santa Clarita Diet feels the urge to constantly eat
human flesh and, impulsively, she does so,
while her husband tries to help her adjust to the changes by helping her out with whatever she needs.
Except, «Annihilation» exists outside the realm of previous
human experience, allowing Garland to toy with still other (im) possibilities — including the atavistic fear of how our bodies work on a microscopic level — by turning the
characters» very DNA against them,
while doing even stranger things to their minds.
While this is definitely about animals and right around the world, this is also a very touching
human story that cares about relationships and
characters.
The story,
while playing like a soap opera on the surface, is chock full of wry
human observations
while showing great affection for its
characters.
An Amazing Fps game with Amazing graphics... Also the most violent game I've ever played plus with the realistic graphics it makes it gruesome... The aliens (Stroggs) like to experiment on
humans, people are shown with parts of their face torn off, intestines hanging out, there is a scene where you can see your
characters legs being sliced off by a bloody saw
while strapped down, limbless people are attached to machines, some strange experiments like that, Do nt play this game if you are a little kid or some idiot thats going to copy what you see in this game...
Plus some parts just demand to be seen again, with excellent camera work, luxurious lighting and dramatic scenery and flawed
characters with secrets to maintain
while trying to «keep it all together» in the midst of crisis and remaining warm and
human meaning they come across as
human and real.
I get that it's supposed to be a black comedy; I get that it's Eisner's
characters and situations as filtered Miller's sensibilities; I even get that The Octopus [Samuel L. Jackson] is supposed to an evil,
human version of Wile E. Coyote / Yosemite Sam,
while The Spirit is The Roadrunner / Bugs Bunny.
While Gerwig and Baumbach's previous effort, «Frances Ha,» similarly explored complex female friendships and a main
character earnestly struggling to grow as a
human, «Mistress America» dips further into the New York groove and questionable creative endeavors that also mark «Lady Bird.»
As the only
human in St. PigeoNation's prestigious school for birds you'll encounter a feathered cast of
characters and choose a suitable love interest all
while managing elective school classes.
His
character of David is exaggerated when needed in order to emphasize the fact that he's not
human while simultaneously remaining subtle overall.
The story of The Alliance Alive is told from the perspective of 9
characters, who are not of the same race: some of them are
human,
while others are Asmodians.
While most Pokémon games tend to have an anime aesthetic, Detective Pikachu's
human characters are rendered in a Pixar - like style rather than anime Cel - Shaded.
Opening titles explain that
human characters speak their native tongues,
while dogs have been translated into English.
It's an odd choice to be frank, since the
human characters have always had a Japanese anime style, either when rendered in 3D or shown in sprites,
while Detective Pikachu has a distinctly more Western feel.
Viewed from above, up to four
human opponents battle to capture giant heads
while battering each other into oblivion, with exuberant gameplay, confidently balanced
characters and clever modes making for a rare multiplayer delight.
Writer / director Sebastian Lelio's drama is ultimately not just about tolerance — plenty of the supporting
characters «tolerate» Marina
while simultaneously having no idea what to make of her deep down — but about true love and acceptance of our fellow
humans, all of whom have their own unique, often heartbreaking stories.
Michael Sheen makes a lovely cameo as Brad's smug friend, but this is Stiller's film, and
while his
character's envy of his son's accomplishments is reprehensible, it's all too believably
human.
And
while we still have no idea what species of dinosaur will take center stage, or how (or if) they'll interact with
humans, or who the lead
characters are, we do have a better idea now of what other themes will tie into that central premise.
In «Tully» Theron again plays a
character crashing against the rocks of life's chosen paths, this time
while dealing with the daunting experience of raising other
human beings.
But Cats & Dogs: The Revenge of Kitty Galore suffers from relying too much on dizzying visuals
while shunting the
human characters offstage.
Corman is adept at creating
human moments between the plot points, reminding us of the little guys caught up in the war and the
human cost of the violence,
while the narration provides the death dates of each
character in their respective introductions.
While I came into this movie excited about every inch of it, M'Baku a.k.a Man - Ape in the comics has had a very messy and problematic history being written as the scary, angry, dark - skinned black man who wants Wakanda to be a primitive society that includes
human sacrifice, because... this
character was created by white authors in the late 1960s, and this was their idea of nuance.
While the movie doesn't come close to touching the very best of the genre (Babe), it was charming and clever at times, and it elicited genuine laughs as it followed the covert operations of evil cats and
human - loving dogs carried out behind the backs, and underneath the noses, of the unsuspecting
human characters.
Yet
while these flesh and blood
characters engage in their own moments of conflict, their real role is to add a
human element to the epic combat between the alien enemies.
Cage's performance is one of the best and most memorable of his career, and it's bolstered by a wonderful script by Nicolas and Ted Griffin, but the key to his
character might secretly be Scott's direction, which effectively brings us into Roy's discombobulated mindset
while still mastering both the comedic tone and the
human element.
Characters transform into monsters
while feeding on
human blood.
People usually bemoan the lack of a strong
human element in big blockbusters like this, but
while «Godzilla» aims to remedy that by placing the focus more on them than the giant monsters doing battle, the
characters are so bland and thinly written (with the exception of Bryan Cranston's scientist, who has a smaller role than is hinted at in the trailers) that it only makes things worse.
Making up for the misuse of the
character in «X-Men Origins: Wolverine,» a returning Ryan Reynolds turned the comics» legendary «Merc with a Mouth» into a
human Daffy Duck, bouncing back from every explosion and injury
while simultaneously shattering the fourth wall and mocking the franchise in the most R - rated way possible.
Immediate acknowledgment is that of good dogs playing focal
characters while (Japanese)
humans are pushed aside.
While selecting your
character variation when playing against a
human opponent in Multiplayer mode, press Up (2) to prevent your opponent from seeing which variation you selected.
By segregating the movie into three separates
character portions, he allows the film to move at a brisk pace
while keeping important items connected around the idea of suicide and what drives
humans towards these self destructive actions.
In fact, most scenes tended to go completely against the grain, where one scene played for silly comedy
while the next ended up being dark, brooding and excessively violent in a way that loses the audience sympathy and ability to identify with any of the
characters as
human beings.
I was uneasily entertained by how his horrific
character grew more and more capable in pursuit of this goals,
while descending ever deeper into self - destruction as a
human being.
The TV spot is a much more conventional affair featuring more action shots of the
human characters while poor Godzilla gets shot in the groin by quite a lot of tanks.
While it is a slightly refreshing change of pace, the
human element is nonexistent and the
character's intelligence is subpar.
But Anderson's choice to have the dogs, played by American actors, speaking English
while the Japanese - speaking
human characters are frequently untranslated feels awkward and isolating.
And yes, the dogs speak English
while the Japanese
human characters speak their native tongue, only receiving occasional translation from an interpreter (voiced by Frances McDormand).
The relationship between Doug and Eva in particular provides some of the film's best «quieter» moments, and
while much of Goon 2 is little more than a well - crafted sitcom of a movie, there's always something to be said for a sitcom that treats its
characters, however broad and silly, as actual
human beings.
But like any pair of real
human characters who have good chemistry, the two give and take and learn from each other,
while growing into real partners.
While Haynes's statement suggests the two films may share a kinship of some sort beyond structural similarities, their treatment of human behavior couldn't be any more at odds, as David Lean's adaptation of Noël Coward's play Still Life seeks to penetrate the inner psychological life of Laura (Celia Johnson), a married British woman and mother, while Haynes keeps his characters at arm's length, emphasizing surfaces and crucial overlaps between appearances of objects and hu
While Haynes's statement suggests the two films may share a kinship of some sort beyond structural similarities, their treatment of
human behavior couldn't be any more at odds, as David Lean's adaptation of Noël Coward's play Still Life seeks to penetrate the inner psychological life of Laura (Celia Johnson), a married British woman and mother,
while Haynes keeps his characters at arm's length, emphasizing surfaces and crucial overlaps between appearances of objects and hu
while Haynes keeps his
characters at arm's length, emphasizing surfaces and crucial overlaps between appearances of objects and
humans.
While many of the
characters in this film are «undead» CGI depictions, some are supposed to be flesh and blood
human beings.
(Neither McConaughey nor Watts can do anything with their thinly conceived
characters,
while Watanabe is little more than a
human sounding board.)
While Chadwick Boseman and Michael B. Jordan's
characters engage in the kinds of physical ass - kicking you'd expect from dudes with pecs and delts and abs as defined as theirs are (what does a
human even have to eat to look like that?)