Sentences with phrase «while in the smaller gallery»

i exhibit once in a while in a small gallery in chelsea, but don't have a true reputation as an...

Having trained in academic French painting, so to speak, you make visible references to Western art, especially in your works in the main gallery, while in the smaller gallery toward the back — a beautiful, dimly lit environment — your paintings are ghostly, palimpsest - driven images that compel one to look closely.

Not exact matches

While the cast is uniformly strong and populated by a rogues gallery of outlaws (Ernest Borgnine as Bart Lonergan is agent provocateur instantly), put upon lawmen (Frank Ferguson's Marshal Williams is a patsy straight away), and an elaborately off the mark malefactor in the aforementioned Emma Small, but it's Crawford who makes us care and whose tensions have us spellbound and beguiled.

While they may be smaller in scale and slightly off balance in terms of their colouring, Bleu rouge (1951), Forme bleue sur fond rouge (1950) and the few other examples shown in the secondary gallery slip seamlessly into place as if the 15 years or so that separates them from the pack means nothing.

Formats are likely to vary with each project; some will be printed in small editions while larger editions may be sold under the gallery's publication program (precedents include artists» books by Bradford and Paul and Damon McCarthy).

But he also reassures us in his essay that, «There were a lot of «almosts» this round, many of whom could have made the cut, and while that usually is small consolation to those whose friends, dealers, and collectors don't see them on these pages, it should be comforting to know that this is only the tip of the iceberg of new scintillating artworks coming your way at a gallery, museum, or alternative space near you.»

And while the exhibition may be relatively small, especially given Diebenkorn's prodigious output, it is undeniably huge in impact: there's a wow - factor as soon as you enter the first gallery, and those wows, as they say, just keep coming.

Dunham says the show, in the Xcel Energy Gallery, was arranged so that larger pieces were given more space so viewers could take them in from a greater distance, while smaller paintings were hung in the hall.

This show consists of gallery artists and a few guest artists who, while using a variety of sizes in their practice, also create small versions of their signature styles.

Small Packages runs simultaneously with The Professors in the lower galleries, a group show with six artists who have been important educators while maintaining successful and independent careers as practicing artists.

Rauschenberg's exhibition at Betty Parsons Gallery opened on May 14, 1951, and, as was standard for the time, remained on view for just three short weeks.36 The presentation consisted of thirteen easel - size oils in the smaller gallery while the larger main room featured works by Walter Tandy Murch, an artist known for his realistic depictions of mechanical objects and illustrations for such magazines as Forbes and Scientific AmGallery opened on May 14, 1951, and, as was standard for the time, remained on view for just three short weeks.36 The presentation consisted of thirteen easel - size oils in the smaller gallery while the larger main room featured works by Walter Tandy Murch, an artist known for his realistic depictions of mechanical objects and illustrations for such magazines as Forbes and Scientific Amgallery while the larger main room featured works by Walter Tandy Murch, an artist known for his realistic depictions of mechanical objects and illustrations for such magazines as Forbes and Scientific American.

While smaller and mid-sized commercial galleries struggle to find the elusive «new models» for renting and exhibiting, London's studio project spaces like ASC, Assembly Point, Cell, Cubitt and Kingsgate Workshops are taking up the slack in providing the ambitious and experimental exhibitions the city needs.

«Ashes» is a two - part exhibition; the darkened gallery at 3 Duke Street, is filled with McQueen's short film; the on - screen image of a young black man sitting on the prow of a small boat, basking in the glory of the sun, while at 11 Duke Street a black marble column stands resplendent, but broken.

This is projected in the gallery while in a second film, shot in the early 1980s and displayed on a small monitor, Gmelin is given a lesson on liberat - ing the senses by his father.

Breezeways are wide and digital signs point the way to different sections of the gallery, so visitors won't get lost while navigating the former flour - mill, which is twice the size of the New Museum in New York and barely smaller than the freshly - opened Broad Museum a mile away.

For his most recent exhibition, which ended last month at David Kordansky Gallery in Los Angeles, he presented found images, like a set of early headshots of the actor Anthony Perkins smiling while holding an armful of milk and juice cartons, as well as a set of charcoal drawings presented alongside small sculptures that looked like bed frames.

Both in a large painting of 4 m shown in her solo exhibition Who Knows the Stories (2009, Tomio Koyama Gallery Kyoto) and in 108 pieces of small paintings of 20 x 20 cm shown in Imagination on the Grass (2009, TKG Editions Kyoto), the intensity and concentration were the same, while the characteristic and depth of each painting varied.

Packing crates the size of small houses sit in almost every room at the Scottish National Gallery, while around them buzzes a swarm of art handlers, couriers, curatorial staff.

At the Hayward Gallery in 1989 was Ades's show (on which Brett was a key collaborator) Art in Latin America: The Modern Era, 1820 - 1980, while in 1990 Brett curated the smaller but also influential Transcontinental: Nine Latin American Artists at the Ikon Gallery in Birmingham, following it in 1999 with a solo exhibition of the work of Victor Grippo, also at the Ikon, and with Force Fields: Phases of the Kinetic in 2000 at the Hayward Gallery, London, the exhibition which most clearly continued the aesthetic concerns first raised through Signals.

She is currently living in the small rural community of Bruno, Saskatchewan, (population 600), where she works as a distance - education instructor through the University of Guelph while also co-directing (with Tyler Brett) The Bruno Arts Bank, a small music venue / artist residency / coffee shop / art gallery / mini - museum / music and bookshop.

Over the years I have seen Lewis Baltz's photographs in small groupings most recently at the Whitney and a little while back in a Chelsea gallery New Topographics themed show.

The exhibition will transfer to Ordovas» outpost gallery space in New York, a townhouse on the Upper East Side, from 4 November 2016 — 7 January 2017, while a smaller presentation of works illustrating the artistic and personal relationships between composer John Cage (1912 - 1992), choreographer Merce Cunningham (1919 - 1992), and the visual artists Cy Twombly (1928 - 2011), Jasper Johns (b. 1930) and Robert Rauschenberg (1925 - 2008) will remain on public display in London until 16 December 2016.

While this painting is displayed centrally in the gallery space, it is flanked on either side by two smaller paintings to round out the installation: Face of God, and Dads.

Robert Cenedella said private collectors, galleries and auction houses play a large role in determining which works end up in museum collections, creating a system that drives up prices for a small group of select artists while shutting out others who «do not carry the imprimatur or financial cache of the contemporary artists within the closed system.»

Bochner's contemporary Bruce Nauman (American, born 1941) created a small but influential body of photographic work in the same years, including the book L.A. Air, while a third member of their generation, Gordon Matta - Clark (American, 1943 - 1978) made his gallery debut in 1969 by frying Polaroid photographs in cooking oil as «souvenirs.»

- While the art market may be smaller — Art Basel Miami Beach has about 800 galleries participating, a 20 % drop from recent years Sales figures are increasing in size — Sotheby's and Christie's New York Contemporary evening sales last week fetched $ 423.9 million, a 40 % increase from May 2009.

Shear's two instances of larger canvases feel massive in this company, and while the titular painting's hail of aerosol'd black headlights lunges at the viewer with overt aggression (which, to me, would feel far less pronounced if rendered in a smaller scale), Autocorrect in the back gallery works sublimely... but precisely because much of that canvas is untouched by any media.

Gagosian himself is estimated to clear $ 1 billion in sales annually and is among a small group of gallery owners whose appetites are omnivorous: He works across the contemporary and modern eras, representing living artists like John Currin and Mark Grotjahn while also dealing on behalf of the estates of Alberto Giacometti, Richard Avedon and Helen Frankenthaler.

Small additions like the Small Apps in the recent apps screen give quick multitasking tools, while Sony's own take on the gallery app and the built in Walkman music application bring some distinct Sony style.

For example, hovering the S Pen over display while in your email's inbox would provide a small preview window — or alternatively, appointment details and image previews in the Calendar and Gallery apps respectively.

Gallery walls come in all shapes and sizes so rather than go with an undersized assortment that doesn't get the job done or try to fill the space with dozens of smaller frames, create an arrangement of larger pieces that will give you the area that you need while keeping the work of hanging it manageable.